British Modernism and Chinoiserie:
Explores Chinese artistic and stylistic influences on Modernist practice in early-twentieth century BritainGBS_insertPreviewButtonPopup(['ISBN:9780748690954','ISBN:9780748690961']);This volume examines the ways in which an intellectual vogue for a mythic China was a constituent e...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | Explores Chinese artistic and stylistic influences on Modernist practice in early-twentieth century BritainGBS_insertPreviewButtonPopup(['ISBN:9780748690954','ISBN:9780748690961']);This volume examines the ways in which an intellectual vogue for a mythic China was a constituent element of British modernism. Traditionally defined as a decorative style that conjured a fanciful and idealized notion of China, chinoiserie was revived in in London's avant-garde circles, the Bloomsbury group, the Vorticists and others, who like their eighteenth-century forebears, turned to China as a cultural and aesthetic utopia. As part of Modernism's challenge to the 'universality' of so-called Western values and aesthetics, the turn to China would contribute much more than has been acknowledged to Modernist thinking. As these 10 new chapters demonstrate, China as an intellectual and aesthetic utopia dazzled intellectuals and aesthetes, at the same time the consumption of Chinese exoticism became commercialized. The essays show that from cutting-edge Modernist chic to mass culture and consumer products, the vogue for chinoiserie style and motifs permeated the art and design of the period. Key Features10 original chapters from leading international figures in the field, including Elizabeth Chang, David Porter and Patricia LaurenceIncludes 28 figures (10 in colour) to illustrate the textCoverage of literature, painting and poetry, as well as performance and visual media, theatre, fashion, film and dance, interior and garden design, Ideal Home and international exhibitions |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (256 pages) 18 B/W illustrations 10 colour illustrations |
| ISBN: | 9780748690961 |
| DOI: | 10.1515/9780748690961 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047869357 | ||
| 003 | DE-604 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220308s2022 xx a||| o|||| 00||| eng d | ||
| 020 | |a 9780748690961 |9 978-0-7486-9096-1 | ||
| 024 | 7 | |a 10.1515/9780748690961 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780748690961 | ||
| 035 | |a (OCoLC)1304479037 | ||
| 035 | |a (DE-599)BVBBV047869357 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
| 082 | 0 | |a 700.9 |2 23 | |
| 100 | 1 | |a Witchard, Anne |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a British Modernism and Chinoiserie |c Anne Witchard |
| 264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2022] | |
| 264 | 4 | |c © 2015 | |
| 300 | |a 1 Online-Ressource (256 pages) |b 18 B/W illustrations 10 colour illustrations | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | ||
| 520 | |a Explores Chinese artistic and stylistic influences on Modernist practice in early-twentieth century BritainGBS_insertPreviewButtonPopup(['ISBN:9780748690954','ISBN:9780748690961']);This volume examines the ways in which an intellectual vogue for a mythic China was a constituent element of British modernism. Traditionally defined as a decorative style that conjured a fanciful and idealized notion of China, chinoiserie was revived in in London's avant-garde circles, the Bloomsbury group, the Vorticists and others, who like their eighteenth-century forebears, turned to China as a cultural and aesthetic utopia. As part of Modernism's challenge to the 'universality' of so-called Western values and aesthetics, the turn to China would contribute much more than has been acknowledged to Modernist thinking. As these 10 new chapters demonstrate, China as an intellectual and aesthetic utopia dazzled intellectuals and aesthetes, at the same time the consumption of Chinese exoticism became commercialized. The essays show that from cutting-edge Modernist chic to mass culture and consumer products, the vogue for chinoiserie style and motifs permeated the art and design of the period. Key Features10 original chapters from leading international figures in the field, including Elizabeth Chang, David Porter and Patricia LaurenceIncludes 28 figures (10 in colour) to illustrate the textCoverage of literature, painting and poetry, as well as performance and visual media, theatre, fashion, film and dance, interior and garden design, Ideal Home and international exhibitions | ||
| 546 | |a In English | ||
| 650 | 4 | |a Literary Studies | |
| 650 | 7 | |a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh |2 bisacsh | |
| 650 | 4 | |a Art, British |x Chinese influences | |
| 650 | 4 | |a Chinoiserie (Art) |x Great Britain | |
| 650 | 4 | |a Chinoiserie (Art) |z Great Britain | |
| 650 | 4 | |a English literature |x History and criticism |x 20th century | |
| 650 | 4 | |a English literature |y 20th century |x History and criticism | |
| 650 | 4 | |a Modernism (Aesthetics) |x Great Britain |x Great Britain | |
| 650 | 4 | |a Modernism (Aesthetics) |z Great Britain | |
| 700 | 1 | |a Chang, Elizabeth |e Sonstige |4 oth | |
| 700 | 1 | |a Cheang, Sarah |e Sonstige |4 oth | |
| 700 | 1 | |a Denison, Edward |e Sonstige |4 oth | |
| 700 | 1 | |a Huang, Michelle Ying-Ling |e Sonstige |4 oth | |
| 700 | 1 | |a Kendall, Paul |e Sonstige |4 oth | |
| 700 | 1 | |a Laurence, Patricia |e Sonstige |4 oth | |
| 700 | 1 | |a Parfect, Ralph |e Sonstige |4 oth | |
| 700 | 1 | |a Porter, David |e Sonstige |4 oth | |
| 700 | 1 | |a Witchard, Anne |e Sonstige |4 oth | |
| 700 | 1 | |a Yeh, Diana |e Sonstige |4 oth | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9780748690961 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033251850 | |
| 966 | e | |u https://doi.org/10.1515/9780748690961 |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780748690961 |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780748690961 |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780748690961 |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780748690961 |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780748690961 |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780748690961 |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1824507999175049216 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Witchard, Anne |
| author_facet | Witchard, Anne |
| author_role | aut |
| author_sort | Witchard, Anne |
| author_variant | a w aw |
| building | Verbundindex |
| bvnumber | BV047869357 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780748690961 (OCoLC)1304479037 (DE-599)BVBBV047869357 |
| dewey-full | 700.9 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700.9 |
| dewey-search | 700.9 |
| dewey-sort | 3700.9 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| doi_str_mv | 10.1515/9780748690961 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV047869357</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220308s2022 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780748690961</subfield><subfield code="9">978-0-7486-9096-1</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780748690961</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780748690961</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1304479037</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047869357</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">700.9</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Witchard, Anne</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">British Modernism and Chinoiserie</subfield><subfield code="c">Anne Witchard</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (256 pages)</subfield><subfield code="b">18 B/W illustrations 10 colour illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Explores Chinese artistic and stylistic influences on Modernist practice in early-twentieth century BritainGBS_insertPreviewButtonPopup(['ISBN:9780748690954','ISBN:9780748690961']);This volume examines the ways in which an intellectual vogue for a mythic China was a constituent element of British modernism. Traditionally defined as a decorative style that conjured a fanciful and idealized notion of China, chinoiserie was revived in in London's avant-garde circles, the Bloomsbury group, the Vorticists and others, who like their eighteenth-century forebears, turned to China as a cultural and aesthetic utopia. As part of Modernism's challenge to the 'universality' of so-called Western values and aesthetics, the turn to China would contribute much more than has been acknowledged to Modernist thinking. As these 10 new chapters demonstrate, China as an intellectual and aesthetic utopia dazzled intellectuals and aesthetes, at the same time the consumption of Chinese exoticism became commercialized. The essays show that from cutting-edge Modernist chic to mass culture and consumer products, the vogue for chinoiserie style and motifs permeated the art and design of the period. Key Features10 original chapters from leading international figures in the field, including Elizabeth Chang, David Porter and Patricia LaurenceIncludes 28 figures (10 in colour) to illustrate the textCoverage of literature, painting and poetry, as well as performance and visual media, theatre, fashion, film and dance, interior and garden design, Ideal Home and international exhibitions</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literary Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / European / English, Irish, Scottish, Welsh</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art, British</subfield><subfield code="x">Chinese influences</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Chinoiserie (Art)</subfield><subfield code="x">Great Britain</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Chinoiserie (Art)</subfield><subfield code="z">Great Britain</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English literature</subfield><subfield code="x">History and criticism</subfield><subfield code="x">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English literature</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Modernism (Aesthetics)</subfield><subfield code="x">Great Britain</subfield><subfield code="x">Great Britain</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Modernism (Aesthetics)</subfield><subfield code="z">Great Britain</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Chang, Elizabeth</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cheang, Sarah</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Denison, Edward</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Huang, Michelle Ying-Ling</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kendall, Paul</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Laurence, Patricia</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Parfect, Ralph</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Porter, David</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Witchard, Anne</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Yeh, Diana</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780748690961</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033251850</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748690961</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748690961</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748690961</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748690961</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748690961</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748690961</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748690961</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047869357 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:19:57Z |
| indexdate | 2025-02-19T17:33:38Z |
| institution | BVB |
| isbn | 9780748690961 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033251850 |
| oclc_num | 1304479037 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 Online-Ressource (256 pages) 18 B/W illustrations 10 colour illustrations |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Edinburgh University Press |
| record_format | marc |
| spelling | Witchard, Anne Verfasser aut British Modernism and Chinoiserie Anne Witchard Edinburgh Edinburgh University Press [2022] © 2015 1 Online-Ressource (256 pages) 18 B/W illustrations 10 colour illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Explores Chinese artistic and stylistic influences on Modernist practice in early-twentieth century BritainGBS_insertPreviewButtonPopup(['ISBN:9780748690954','ISBN:9780748690961']);This volume examines the ways in which an intellectual vogue for a mythic China was a constituent element of British modernism. Traditionally defined as a decorative style that conjured a fanciful and idealized notion of China, chinoiserie was revived in in London's avant-garde circles, the Bloomsbury group, the Vorticists and others, who like their eighteenth-century forebears, turned to China as a cultural and aesthetic utopia. As part of Modernism's challenge to the 'universality' of so-called Western values and aesthetics, the turn to China would contribute much more than has been acknowledged to Modernist thinking. As these 10 new chapters demonstrate, China as an intellectual and aesthetic utopia dazzled intellectuals and aesthetes, at the same time the consumption of Chinese exoticism became commercialized. The essays show that from cutting-edge Modernist chic to mass culture and consumer products, the vogue for chinoiserie style and motifs permeated the art and design of the period. Key Features10 original chapters from leading international figures in the field, including Elizabeth Chang, David Porter and Patricia LaurenceIncludes 28 figures (10 in colour) to illustrate the textCoverage of literature, painting and poetry, as well as performance and visual media, theatre, fashion, film and dance, interior and garden design, Ideal Home and international exhibitions In English Literary Studies LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Art, British Chinese influences Chinoiserie (Art) Great Britain English literature History and criticism 20th century English literature 20th century History and criticism Modernism (Aesthetics) Great Britain Great Britain Modernism (Aesthetics) Great Britain Chang, Elizabeth Sonstige oth Cheang, Sarah Sonstige oth Denison, Edward Sonstige oth Huang, Michelle Ying-Ling Sonstige oth Kendall, Paul Sonstige oth Laurence, Patricia Sonstige oth Parfect, Ralph Sonstige oth Porter, David Sonstige oth Witchard, Anne Sonstige oth Yeh, Diana Sonstige oth https://doi.org/10.1515/9780748690961 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Witchard, Anne British Modernism and Chinoiserie Literary Studies LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Art, British Chinese influences Chinoiserie (Art) Great Britain English literature History and criticism 20th century English literature 20th century History and criticism Modernism (Aesthetics) Great Britain Great Britain Modernism (Aesthetics) Great Britain |
| title | British Modernism and Chinoiserie |
| title_auth | British Modernism and Chinoiserie |
| title_exact_search | British Modernism and Chinoiserie |
| title_exact_search_txtP | British Modernism and Chinoiserie |
| title_full | British Modernism and Chinoiserie Anne Witchard |
| title_fullStr | British Modernism and Chinoiserie Anne Witchard |
| title_full_unstemmed | British Modernism and Chinoiserie Anne Witchard |
| title_short | British Modernism and Chinoiserie |
| title_sort | british modernism and chinoiserie |
| topic | Literary Studies LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Art, British Chinese influences Chinoiserie (Art) Great Britain English literature History and criticism 20th century English literature 20th century History and criticism Modernism (Aesthetics) Great Britain Great Britain Modernism (Aesthetics) Great Britain |
| topic_facet | Literary Studies LITERARY CRITICISM / European / English, Irish, Scottish, Welsh Art, British Chinese influences Chinoiserie (Art) Great Britain English literature History and criticism 20th century English literature 20th century History and criticism Modernism (Aesthetics) Great Britain Great Britain Modernism (Aesthetics) Great Britain |
| url | https://doi.org/10.1515/9780748690961 |
| work_keys_str_mv | AT witchardanne britishmodernismandchinoiserie AT changelizabeth britishmodernismandchinoiserie AT cheangsarah britishmodernismandchinoiserie AT denisonedward britishmodernismandchinoiserie AT huangmichelleyingling britishmodernismandchinoiserie AT kendallpaul britishmodernismandchinoiserie AT laurencepatricia britishmodernismandchinoiserie AT parfectralph britishmodernismandchinoiserie AT porterdavid britishmodernismandchinoiserie AT yehdiana britishmodernismandchinoiserie |