Literature and Music in the Atlantic World, 1767-1867:
Winner of the 2014 British Association for American Studies Book PrizeExplores the interaction of literature and music in the Atlantic world in the age of Enlightenment and RomanticismGBS_insertPreviewButtonPopup(['ISBN:9780748684618','ISBN:9780748684625','ISBN:9780748684649...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
| Schriftenreihe: | Edinburgh Studies in Transatlantic Literatures : ESTLI
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Winner of the 2014 British Association for American Studies Book PrizeExplores the interaction of literature and music in the Atlantic world in the age of Enlightenment and RomanticismGBS_insertPreviewButtonPopup(['ISBN:9780748684618','ISBN:9780748684625','ISBN:9780748684649']);This new study looks at the relationship of rhetoric and music in the era's intellectual discourses, texts and performance cultures principally in Europe and North America. Catherine Jones begins by examining the attitudes to music and its performance by leading figures of the American Enlightenment and Revolution, notably Benjamin Franklin and Thomas Jefferson. She also looks at the attempts of Francis Hopkinson, William Billings and others to harness the Orphean power of music so that it should become a progressive force in the creation of a new society. She argues that the association of rhetoric and music that reaches back to classical Antiquity acquired new relevance and underwent new theorisation and practical application in the American Enlightenment in light of revolutionary Atlantic conditions. Jones goes on to consider changes in the relationship of rhetoric and music in the nationalising milieu of the nineteenth century; the connections of literature, music and music theory to changing models of subjectivity; and Romantic appropriations of Enlightenment visions of the public ethical function of music. Key FeaturesThe first study devoted to literature and music in the Atlantic worldIncludes detailed examination of works by canonical and lesser known eighteenth- and nineteenth-century American writers and composersShows the intertwining of European and American cultural formsIntegrates the history of music and the history of subjectivity |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (288 pages) |
| ISBN: | 9780748684625 |
| DOI: | 10.1515/9780748684625 |
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| index_date | 2024-07-03T19:19:57Z |
| indexdate | 2024-07-10T09:23:38Z |
| institution | BVB |
| isbn | 9780748684625 |
| language | English |
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| spelling | Jones, Catherine Verfasser aut Literature and Music in the Atlantic World, 1767-1867 Catherine Jones Edinburgh Edinburgh University Press [2022] © 2014 1 Online-Ressource (288 pages) txt rdacontent c rdamedia cr rdacarrier Edinburgh Studies in Transatlantic Literatures : ESTLI Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Winner of the 2014 British Association for American Studies Book PrizeExplores the interaction of literature and music in the Atlantic world in the age of Enlightenment and RomanticismGBS_insertPreviewButtonPopup(['ISBN:9780748684618','ISBN:9780748684625','ISBN:9780748684649']);This new study looks at the relationship of rhetoric and music in the era's intellectual discourses, texts and performance cultures principally in Europe and North America. Catherine Jones begins by examining the attitudes to music and its performance by leading figures of the American Enlightenment and Revolution, notably Benjamin Franklin and Thomas Jefferson. She also looks at the attempts of Francis Hopkinson, William Billings and others to harness the Orphean power of music so that it should become a progressive force in the creation of a new society. She argues that the association of rhetoric and music that reaches back to classical Antiquity acquired new relevance and underwent new theorisation and practical application in the American Enlightenment in light of revolutionary Atlantic conditions. Jones goes on to consider changes in the relationship of rhetoric and music in the nationalising milieu of the nineteenth century; the connections of literature, music and music theory to changing models of subjectivity; and Romantic appropriations of Enlightenment visions of the public ethical function of music. Key FeaturesThe first study devoted to literature and music in the Atlantic worldIncludes detailed examination of works by canonical and lesser known eighteenth- and nineteenth-century American writers and composersShows the intertwining of European and American cultural formsIntegrates the history of music and the history of subjectivity In English Literary Studies LITERARY CRITICISM / American / General bisacsh American literature 1783-1850 History and criticism American literature 19th century History and criticism American literature Colonial period, ca. 1600-1775 History and criticism American literature Revolutionary period, 1775-1783 History and criticism Music and literature United States History 18th century Music and literature United States History 19th century https://doi.org/10.1515/9780748684625 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Jones, Catherine Literature and Music in the Atlantic World, 1767-1867 Literary Studies LITERARY CRITICISM / American / General bisacsh American literature 1783-1850 History and criticism American literature 19th century History and criticism American literature Colonial period, ca. 1600-1775 History and criticism American literature Revolutionary period, 1775-1783 History and criticism Music and literature United States History 18th century Music and literature United States History 19th century |
| title | Literature and Music in the Atlantic World, 1767-1867 |
| title_auth | Literature and Music in the Atlantic World, 1767-1867 |
| title_exact_search | Literature and Music in the Atlantic World, 1767-1867 |
| title_exact_search_txtP | Literature and Music in the Atlantic World, 1767-1867 |
| title_full | Literature and Music in the Atlantic World, 1767-1867 Catherine Jones |
| title_fullStr | Literature and Music in the Atlantic World, 1767-1867 Catherine Jones |
| title_full_unstemmed | Literature and Music in the Atlantic World, 1767-1867 Catherine Jones |
| title_short | Literature and Music in the Atlantic World, 1767-1867 |
| title_sort | literature and music in the atlantic world 1767 1867 |
| topic | Literary Studies LITERARY CRITICISM / American / General bisacsh American literature 1783-1850 History and criticism American literature 19th century History and criticism American literature Colonial period, ca. 1600-1775 History and criticism American literature Revolutionary period, 1775-1783 History and criticism Music and literature United States History 18th century Music and literature United States History 19th century |
| topic_facet | Literary Studies LITERARY CRITICISM / American / General American literature 1783-1850 History and criticism American literature 19th century History and criticism American literature Colonial period, ca. 1600-1775 History and criticism American literature Revolutionary period, 1775-1783 History and criticism Music and literature United States History 18th century Music and literature United States History 19th century |
| url | https://doi.org/10.1515/9780748684625 |
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