Korean Horror Cinema:
The first detailed English-language book on Korean horror introduces the cultural specificity of the genre to an international audience, from the iconic monsters of gothic horror, to the avenging killers of Oldboy and Death Bell. Beginning in the 1960s, it traces a path through the history of Korean...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | The first detailed English-language book on Korean horror introduces the cultural specificity of the genre to an international audience, from the iconic monsters of gothic horror, to the avenging killers of Oldboy and Death Bell. Beginning in the 1960s, it traces a path through the history of Korean horror, offering new interpretations of classic films, demarcating the shifting patterns of production and consumption across the decades, and acquainting readers with films rarely seen and discussed outside of Korea. It explores the importance of folklore and myth on horror film narratives, the impact of political and social change upon the genre, and accounts for the transnational triumph of some of Korea's contemporary horror films. While covering some of the most successful recent films such as Phone and A Tale of Two Sisters, the collection also explores the obscure, the arcane and the little-known outside Korea, including detailed analyses of The Devil's Stairway and Woman's Wail. Its exploration and definition of the canon makes it an engaging and essential read for students and scholars in horror film studies and Korean Studies alike.Key featuresCovers films from 1960 to present day, from The Housemaid to ThirstCase studies cover both popular and lesser known films, from Oldboy to The Fox with Nine TailsDiscusses icons of the genre such as the wonhon (vengeful female ghost) and the gumiho (shapeshifting fox) |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (256 pages) |
| ISBN: | 9780748677658 |
| DOI: | 10.1515/9780748677658 |
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| 520 | |a The first detailed English-language book on Korean horror introduces the cultural specificity of the genre to an international audience, from the iconic monsters of gothic horror, to the avenging killers of Oldboy and Death Bell. Beginning in the 1960s, it traces a path through the history of Korean horror, offering new interpretations of classic films, demarcating the shifting patterns of production and consumption across the decades, and acquainting readers with films rarely seen and discussed outside of Korea. It explores the importance of folklore and myth on horror film narratives, the impact of political and social change upon the genre, and accounts for the transnational triumph of some of Korea's contemporary horror films. While covering some of the most successful recent films such as Phone and A Tale of Two Sisters, the collection also explores the obscure, the arcane and the little-known outside Korea, including detailed analyses of The Devil's Stairway and Woman's Wail. Its exploration and definition of the canon makes it an engaging and essential read for students and scholars in horror film studies and Korean Studies alike.Key featuresCovers films from 1960 to present day, from The Housemaid to ThirstCase studies cover both popular and lesser known films, from Oldboy to The Fox with Nine TailsDiscusses icons of the genre such as the wonhon (vengeful female ghost) and the gumiho (shapeshifting fox) | ||
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Datensatz im Suchindex
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| author | Peirse, Alison |
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| discipline | Allgemeines |
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| doi_str_mv | 10.1515/9780748677658 |
| format | Electronic eBook |
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| index_date | 2024-07-03T19:19:56Z |
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| spelling | Peirse, Alison Verfasser aut Korean Horror Cinema Alison Peirse, Daniel Martin Edinburgh Edinburgh University Press [2022] © 2013 1 Online-Ressource (256 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) The first detailed English-language book on Korean horror introduces the cultural specificity of the genre to an international audience, from the iconic monsters of gothic horror, to the avenging killers of Oldboy and Death Bell. Beginning in the 1960s, it traces a path through the history of Korean horror, offering new interpretations of classic films, demarcating the shifting patterns of production and consumption across the decades, and acquainting readers with films rarely seen and discussed outside of Korea. It explores the importance of folklore and myth on horror film narratives, the impact of political and social change upon the genre, and accounts for the transnational triumph of some of Korea's contemporary horror films. While covering some of the most successful recent films such as Phone and A Tale of Two Sisters, the collection also explores the obscure, the arcane and the little-known outside Korea, including detailed analyses of The Devil's Stairway and Woman's Wail. Its exploration and definition of the canon makes it an engaging and essential read for students and scholars in horror film studies and Korean Studies alike.Key featuresCovers films from 1960 to present day, from The Housemaid to ThirstCase studies cover both popular and lesser known films, from Oldboy to The Fox with Nine TailsDiscusses icons of the genre such as the wonhon (vengeful female ghost) and the gumiho (shapeshifting fox) In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Reference bisacsh Horror films Korea (South) History and criticism Horror films Byrne, James Sonstige oth Cagle, Robert L. Sonstige oth Chung, Hye Seung Sonstige oth Diffrient, David Scott Sonstige oth Hwang, Yun Mi Sonstige oth Kim, Kyu Hyun Sonstige oth Lee, Hyangjin Sonstige oth Lee, Nikki J. Y. Sonstige oth Martin, Daniel Sonstige oth Morris, Mark Sonstige oth Oh, Eunha Sonstige oth Peirse, Alison Sonstige oth Shin, Chi-Yun Sonstige oth Smith, Iain Robert Sonstige oth Stringer, Julian Sonstige oth Wing-Fai, Leung Sonstige oth https://doi.org/10.1515/9780748677658 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Peirse, Alison Korean Horror Cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Reference bisacsh Horror films Korea (South) History and criticism Horror films |
| title | Korean Horror Cinema |
| title_auth | Korean Horror Cinema |
| title_exact_search | Korean Horror Cinema |
| title_exact_search_txtP | Korean Horror Cinema |
| title_full | Korean Horror Cinema Alison Peirse, Daniel Martin |
| title_fullStr | Korean Horror Cinema Alison Peirse, Daniel Martin |
| title_full_unstemmed | Korean Horror Cinema Alison Peirse, Daniel Martin |
| title_short | Korean Horror Cinema |
| title_sort | korean horror cinema |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Reference bisacsh Horror films Korea (South) History and criticism Horror films |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Reference Horror films Korea (South) History and criticism Horror films |
| url | https://doi.org/10.1515/9780748677658 |
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