Creative Criticism: An Anthology and Guide
A guide to the creative possibilities of critical writing, with sample texts from a range of writer/criticsGBS_insertPreviewButtonPopup(['ISBN: 9780748674336','ISBN: 9780748674343','ISBN: 9780748674329']);Including pieces by creative critics as varied as Anne Carson, Ja...
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Format: | Elektronisch E-Book |
Sprache: | English |
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Edinburgh
Edinburgh University Press
[2022]
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Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | A guide to the creative possibilities of critical writing, with sample texts from a range of writer/criticsGBS_insertPreviewButtonPopup(['ISBN: 9780748674336','ISBN: 9780748674343','ISBN: 9780748674329']);Including pieces by creative critics as varied as Anne Carson, Jacques Derrida, Geoff Dyer, Hélène Cixous, Ali Smith, and John Cage, this anthology and guide celebrates the formal and intellectual inventiveness of works which also demonstrate a deep fidelity to the writing or art they address. The Anthology is of interest to all students, teachers and critics of literature and creative writing, and especially those students who are required to write critical essays. All 14 texts included respond innovatively to the question: How do we write criticism? As examples of academic critical writing they are all sympathetic to works whose aim is to change the ways in which we see and describe our world. Key FeaturesUnique as an anthology of and guide to creative critical writingDemonstrates a range of ways to write critically and creatively Extensive introduction & explanatory headnotes to each textContents Illustrations; Acknowledgments; Introduction; Suggested Further Reading; A Note on the Texts; Roland Barthes, from A Lover's Discourse: Fragments; John Cage, from 'Where Are We Going? And What Are We Doing?'; Anne Carson, 'Every Exit is an Entrance (A Praise of Sleep)'; Hélène Cixous, 'Without end, no, State of drawingness, no, rather: The Executioner's taking off'; Jacques Derrida 'Aphorism Countertime'; Geoff Dyer, from Out of Sheer Rage: In the Shadow of D.H. Lawrence; Benjamin Friedlander, 'Gertrude Stein: A Retrospective Criticism'; Peter Gizzi, 'Correspondences of the Book'; Kevin Kopelson, 'Music Lessons'; Denise Riley, 'Lyric Selves'; Eve Sedgwick, 'Jane Austen and the Masturbating Girl'; Ali Smith, 'Green'; John Wilkinson, 'Imperfect Pitch'; Sarah Wood, 'Anew Again'. Stephen Benson and Clare Connors teach in the School of Literature, Drama and Creative Writing at the University of East Anglia. Stephen Benson is the author of Cycles of Influence: Fiction, Folktale, Theory (2002) and Literary Music: Writing Music in Contemporary Fiction (2006), and the editor of Contemporary Fiction and the Fairy Tale (2008). Clare Connors is the author of Force from Nietzsche to Derrida and Literary Theory: A Beginner's Guide (2010). |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
Beschreibung: | 1 Online-Ressource (320 pages) |
ISBN: | 9780748674343 |
DOI: | 10.1515/9780748674343 |
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520 | |a A guide to the creative possibilities of critical writing, with sample texts from a range of writer/criticsGBS_insertPreviewButtonPopup(['ISBN: 9780748674336','ISBN: 9780748674343','ISBN: 9780748674329']);Including pieces by creative critics as varied as Anne Carson, Jacques Derrida, Geoff Dyer, Hélène Cixous, Ali Smith, and John Cage, this anthology and guide celebrates the formal and intellectual inventiveness of works which also demonstrate a deep fidelity to the writing or art they address. The Anthology is of interest to all students, teachers and critics of literature and creative writing, and especially those students who are required to write critical essays. All 14 texts included respond innovatively to the question: How do we write criticism? As examples of academic critical writing they are all sympathetic to works whose aim is to change the ways in which we see and describe our world. | ||
520 | |a Key FeaturesUnique as an anthology of and guide to creative critical writingDemonstrates a range of ways to write critically and creatively Extensive introduction & explanatory headnotes to each textContents Illustrations; Acknowledgments; Introduction; Suggested Further Reading; A Note on the Texts; Roland Barthes, from A Lover's Discourse: Fragments; John Cage, from 'Where Are We Going? And What Are We Doing?'; Anne Carson, 'Every Exit is an Entrance (A Praise of Sleep)'; Hélène Cixous, 'Without end, no, State of drawingness, no, rather: The Executioner's taking off'; Jacques Derrida 'Aphorism Countertime'; Geoff Dyer, from Out of Sheer Rage: In the Shadow of D.H. Lawrence; Benjamin Friedlander, 'Gertrude Stein: A Retrospective Criticism'; Peter Gizzi, 'Correspondences of the Book'; Kevin Kopelson, 'Music Lessons'; Denise Riley, 'Lyric Selves'; Eve Sedgwick, 'Jane Austen and the Masturbating Girl'; Ali Smith, 'Green'; John Wilkinson, 'Imperfect Pitch'; Sarah Wood, 'Anew Again'. | ||
520 | |a Stephen Benson and Clare Connors teach in the School of Literature, Drama and Creative Writing at the University of East Anglia. Stephen Benson is the author of Cycles of Influence: Fiction, Folktale, Theory (2002) and Literary Music: Writing Music in Contemporary Fiction (2006), and the editor of Contemporary Fiction and the Fairy Tale (2008). Clare Connors is the author of Force from Nietzsche to Derrida and Literary Theory: A Beginner's Guide (2010). | ||
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Datensatz im Suchindex
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author | Benson, Stephen |
author_facet | Benson, Stephen |
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dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 801 - Philosophy and theory |
dewey-raw | 801.95 |
dewey-search | 801.95 |
dewey-sort | 3801.95 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
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doi_str_mv | 10.1515/9780748674343 |
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isbn | 9780748674343 |
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spelling | Benson, Stephen Verfasser aut Creative Criticism An Anthology and Guide Stephen Benson, Clare Connors Edinburgh Edinburgh University Press [2022] © 2014 1 Online-Ressource (320 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) A guide to the creative possibilities of critical writing, with sample texts from a range of writer/criticsGBS_insertPreviewButtonPopup(['ISBN: 9780748674336','ISBN: 9780748674343','ISBN: 9780748674329']);Including pieces by creative critics as varied as Anne Carson, Jacques Derrida, Geoff Dyer, Hélène Cixous, Ali Smith, and John Cage, this anthology and guide celebrates the formal and intellectual inventiveness of works which also demonstrate a deep fidelity to the writing or art they address. The Anthology is of interest to all students, teachers and critics of literature and creative writing, and especially those students who are required to write critical essays. All 14 texts included respond innovatively to the question: How do we write criticism? As examples of academic critical writing they are all sympathetic to works whose aim is to change the ways in which we see and describe our world. Key FeaturesUnique as an anthology of and guide to creative critical writingDemonstrates a range of ways to write critically and creatively Extensive introduction & explanatory headnotes to each textContents Illustrations; Acknowledgments; Introduction; Suggested Further Reading; A Note on the Texts; Roland Barthes, from A Lover's Discourse: Fragments; John Cage, from 'Where Are We Going? And What Are We Doing?'; Anne Carson, 'Every Exit is an Entrance (A Praise of Sleep)'; Hélène Cixous, 'Without end, no, State of drawingness, no, rather: The Executioner's taking off'; Jacques Derrida 'Aphorism Countertime'; Geoff Dyer, from Out of Sheer Rage: In the Shadow of D.H. Lawrence; Benjamin Friedlander, 'Gertrude Stein: A Retrospective Criticism'; Peter Gizzi, 'Correspondences of the Book'; Kevin Kopelson, 'Music Lessons'; Denise Riley, 'Lyric Selves'; Eve Sedgwick, 'Jane Austen and the Masturbating Girl'; Ali Smith, 'Green'; John Wilkinson, 'Imperfect Pitch'; Sarah Wood, 'Anew Again'. Stephen Benson and Clare Connors teach in the School of Literature, Drama and Creative Writing at the University of East Anglia. Stephen Benson is the author of Cycles of Influence: Fiction, Folktale, Theory (2002) and Literary Music: Writing Music in Contemporary Fiction (2006), and the editor of Contemporary Fiction and the Fairy Tale (2008). Clare Connors is the author of Force from Nietzsche to Derrida and Literary Theory: A Beginner's Guide (2010). In English Literary Studies LANGUAGE ARTS & DISCIPLINES / Writing / General bisacsh Connors, Clare Sonstige oth https://doi.org/10.1515/9780748674343 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Benson, Stephen Creative Criticism An Anthology and Guide Literary Studies LANGUAGE ARTS & DISCIPLINES / Writing / General bisacsh |
title | Creative Criticism An Anthology and Guide |
title_auth | Creative Criticism An Anthology and Guide |
title_exact_search | Creative Criticism An Anthology and Guide |
title_exact_search_txtP | Creative Criticism An Anthology and Guide |
title_full | Creative Criticism An Anthology and Guide Stephen Benson, Clare Connors |
title_fullStr | Creative Criticism An Anthology and Guide Stephen Benson, Clare Connors |
title_full_unstemmed | Creative Criticism An Anthology and Guide Stephen Benson, Clare Connors |
title_short | Creative Criticism |
title_sort | creative criticism an anthology and guide |
title_sub | An Anthology and Guide |
topic | Literary Studies LANGUAGE ARTS & DISCIPLINES / Writing / General bisacsh |
topic_facet | Literary Studies LANGUAGE ARTS & DISCIPLINES / Writing / General |
url | https://doi.org/10.1515/9780748674343 |
work_keys_str_mv | AT bensonstephen creativecriticismananthologyandguide AT connorsclare creativecriticismananthologyandguide |