European Film Theory and Cinema: A Critical Introduction
European Film Theory and Cinema: A Critical Introduction explores the major film theories and cinema movements within European cinema from the 1900s onwards. The content of the book is organised around two major traditions which dominate European film theory and cinema: the 'intuitionist modern...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Edinburgh
Edinburgh University Press
[2022]
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| Zusammenfassung: | European Film Theory and Cinema: A Critical Introduction explores the major film theories and cinema movements within European cinema from the 1900s onwards. The content of the book is organised around two major traditions which dominate European film theory and cinema: the 'intuitionist modernist and realist' tradition and the 'post-Saussurian' tradition. The first of these is located within a philosophical lineage which encompasses German idealist philosophy, romanticism, phenomenology, and the Frankfurt School. Early intuitionist modernist film culture and later theories and practices of cinematic realism are shown to be part of one continuous tradition. The post-Saussurian tradition includes semiotics, structuralism and post-structuralism.The first three chapters explore the interaction between intuitionist and rationalist tendencies within Russian formalism, Soviet montage cinema, Weimar cinematic modernism and the work of Eisenstein, whilst chapter four focuses on French impressionism. Chapters five and six provide an overview of the post-Saussurian tradition, and the structuralist, post-structuralist, political modernist and postmodern cinema which the tradition has fostered. Chapter seven traces the continuities which exist between early modernism and realism, focusing on the theories of realism developed by Grierson, Kracauer, Bazin and Lukacs. The last two chapters explore post-war European realist cinema. Throughout, the book focuses on films which can be identified with the two traditions.This original and critically astute introduction is intended for students and scholars of film studies, cultural studies, philosophy of film and modern languages and literatures.Key FeaturesCase studies of important theorists and film movementsChapters which provide comparative overviews of periods of European modernist and realist cinemaExtensive bibliographical informationEstablishes the central thematic concerns and stylistic traits underlying the major European film theories and movements |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (280 pages) |
| ISBN: | 9780748673346 |
| DOI: | 10.1515/9780748673346 |
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| 520 | |a European Film Theory and Cinema: A Critical Introduction explores the major film theories and cinema movements within European cinema from the 1900s onwards. The content of the book is organised around two major traditions which dominate European film theory and cinema: the 'intuitionist modernist and realist' tradition and the 'post-Saussurian' tradition. The first of these is located within a philosophical lineage which encompasses German idealist philosophy, romanticism, phenomenology, and the Frankfurt School. Early intuitionist modernist film culture and later theories and practices of cinematic realism are shown to be part of one continuous tradition. | ||
| 520 | |a The post-Saussurian tradition includes semiotics, structuralism and post-structuralism.The first three chapters explore the interaction between intuitionist and rationalist tendencies within Russian formalism, Soviet montage cinema, Weimar cinematic modernism and the work of Eisenstein, whilst chapter four focuses on French impressionism. Chapters five and six provide an overview of the post-Saussurian tradition, and the structuralist, post-structuralist, political modernist and postmodern cinema which the tradition has fostered. Chapter seven traces the continuities which exist between early modernism and realism, focusing on the theories of realism developed by Grierson, Kracauer, Bazin and Lukacs. The last two chapters explore post-war European realist cinema. | ||
| 520 | |a Throughout, the book focuses on films which can be identified with the two traditions.This original and critically astute introduction is intended for students and scholars of film studies, cultural studies, philosophy of film and modern languages and literatures.Key FeaturesCase studies of important theorists and film movementsChapters which provide comparative overviews of periods of European modernist and realist cinemaExtensive bibliographical informationEstablishes the central thematic concerns and stylistic traits underlying the major European film theories and movements | ||
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Datensatz im Suchindex
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| spelling | Aitken, Ian Verfasser aut European Film Theory and Cinema A Critical Introduction Ian Aitken Edinburgh Edinburgh University Press [2022] © 2001 1 Online-Ressource (280 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) European Film Theory and Cinema: A Critical Introduction explores the major film theories and cinema movements within European cinema from the 1900s onwards. The content of the book is organised around two major traditions which dominate European film theory and cinema: the 'intuitionist modernist and realist' tradition and the 'post-Saussurian' tradition. The first of these is located within a philosophical lineage which encompasses German idealist philosophy, romanticism, phenomenology, and the Frankfurt School. Early intuitionist modernist film culture and later theories and practices of cinematic realism are shown to be part of one continuous tradition. The post-Saussurian tradition includes semiotics, structuralism and post-structuralism.The first three chapters explore the interaction between intuitionist and rationalist tendencies within Russian formalism, Soviet montage cinema, Weimar cinematic modernism and the work of Eisenstein, whilst chapter four focuses on French impressionism. Chapters five and six provide an overview of the post-Saussurian tradition, and the structuralist, post-structuralist, political modernist and postmodern cinema which the tradition has fostered. Chapter seven traces the continuities which exist between early modernism and realism, focusing on the theories of realism developed by Grierson, Kracauer, Bazin and Lukacs. The last two chapters explore post-war European realist cinema. Throughout, the book focuses on films which can be identified with the two traditions.This original and critically astute introduction is intended for students and scholars of film studies, cultural studies, philosophy of film and modern languages and literatures.Key FeaturesCase studies of important theorists and film movementsChapters which provide comparative overviews of periods of European modernist and realist cinemaExtensive bibliographical informationEstablishes the central thematic concerns and stylistic traits underlying the major European film theories and movements In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Film criticism Europe History Motion pictures Europe Philosophy Motion pictures Europe https://doi.org/10.1515/9780748673346 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Aitken, Ian European Film Theory and Cinema A Critical Introduction Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Film criticism Europe History Motion pictures Europe Philosophy Motion pictures Europe |
| title | European Film Theory and Cinema A Critical Introduction |
| title_auth | European Film Theory and Cinema A Critical Introduction |
| title_exact_search | European Film Theory and Cinema A Critical Introduction |
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| title_full | European Film Theory and Cinema A Critical Introduction Ian Aitken |
| title_fullStr | European Film Theory and Cinema A Critical Introduction Ian Aitken |
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| title_short | European Film Theory and Cinema |
| title_sort | european film theory and cinema a critical introduction |
| title_sub | A Critical Introduction |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Film criticism Europe History Motion pictures Europe Philosophy Motion pictures Europe |
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