Masculinity and Italian Cinema: Sexual Politics, Social Conflict and Male Crisis in the 1970s
A study of how Italian films re-envisage male identity in response to sexual liberationHow did Italian cinema of the 1970s re-envision masculinity in response to sexual liberation? What role did broader socio-political concerns of the time play in this re-definition? To what extent did this re-envis...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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Schlagworte: | |
Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | A study of how Italian films re-envisage male identity in response to sexual liberationHow did Italian cinema of the 1970s re-envision masculinity in response to sexual liberation? What role did broader socio-political concerns of the time play in this re-definition? To what extent did this re-envisioning of masculinity intersect with concurrent debates about the function of cinema as a political medium and a mass cultural phenomenon?Masculinity and Italian Cinema takes the 1970s as an especially instructive period for rethinking the traditional trope of an inadequate male in crisis within Italian cinema. It explores how masculinity functioned in several films of the 1970s as a charged allegory for the many socio-political lacerations of the Italian nation and as a site of conflict and radical interrogation of ideas about gender and sexuality. Sergio Rigoletto re-examines a number of key films, including Bernardo Bertolucci's The Conformist, Federico Fellini's City of Women, Ettore Scola's A Special Day, Pier Paolo Pasolini's Teorema and Lina Wertmüller's The Seduction of Mimì, in the light of gender and queer theory and considers the challenges that these films pose to received ideas about gender and sexuality of the time, and to some of the aesthetic and narrative conventions which have traditionally regulated the representation of men in film |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
Beschreibung: | 1 Online-Ressource (176 pages) 40 B/W illustrations |
ISBN: | 9780748654550 |
DOI: | 10.1515/9780748654550 |
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illustrated | Illustrated |
index_date | 2024-07-03T19:19:56Z |
indexdate | 2024-07-10T09:23:37Z |
institution | BVB |
isbn | 9780748654550 |
language | English |
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spelling | Rigoletto, Sergio Verfasser aut Masculinity and Italian Cinema Sexual Politics, Social Conflict and Male Crisis in the 1970s Sergio Rigoletto Edinburgh Edinburgh University Press [2022] © 2014 1 Online-Ressource (176 pages) 40 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) A study of how Italian films re-envisage male identity in response to sexual liberationHow did Italian cinema of the 1970s re-envision masculinity in response to sexual liberation? What role did broader socio-political concerns of the time play in this re-definition? To what extent did this re-envisioning of masculinity intersect with concurrent debates about the function of cinema as a political medium and a mass cultural phenomenon?Masculinity and Italian Cinema takes the 1970s as an especially instructive period for rethinking the traditional trope of an inadequate male in crisis within Italian cinema. It explores how masculinity functioned in several films of the 1970s as a charged allegory for the many socio-political lacerations of the Italian nation and as a site of conflict and radical interrogation of ideas about gender and sexuality. Sergio Rigoletto re-examines a number of key films, including Bernardo Bertolucci's The Conformist, Federico Fellini's City of Women, Ettore Scola's A Special Day, Pier Paolo Pasolini's Teorema and Lina Wertmüller's The Seduction of Mimì, in the light of gender and queer theory and considers the challenges that these films pose to received ideas about gender and sexuality of the time, and to some of the aesthetic and narrative conventions which have traditionally regulated the representation of men in film In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Masculinity in motion pictures Motion pictures Social aspects Italy Motion pictures Italy History 20th century Motion pictures, Italian Motion pictures; Italy; History, 20th century Motion pictures; Social aspects; Italy https://doi.org/10.1515/9780748654550 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Rigoletto, Sergio Masculinity and Italian Cinema Sexual Politics, Social Conflict and Male Crisis in the 1970s Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Masculinity in motion pictures Motion pictures Social aspects Italy Motion pictures Italy History 20th century Motion pictures, Italian Motion pictures; Italy; History, 20th century Motion pictures; Social aspects; Italy |
title | Masculinity and Italian Cinema Sexual Politics, Social Conflict and Male Crisis in the 1970s |
title_auth | Masculinity and Italian Cinema Sexual Politics, Social Conflict and Male Crisis in the 1970s |
title_exact_search | Masculinity and Italian Cinema Sexual Politics, Social Conflict and Male Crisis in the 1970s |
title_exact_search_txtP | Masculinity and Italian Cinema Sexual Politics, Social Conflict and Male Crisis in the 1970s |
title_full | Masculinity and Italian Cinema Sexual Politics, Social Conflict and Male Crisis in the 1970s Sergio Rigoletto |
title_fullStr | Masculinity and Italian Cinema Sexual Politics, Social Conflict and Male Crisis in the 1970s Sergio Rigoletto |
title_full_unstemmed | Masculinity and Italian Cinema Sexual Politics, Social Conflict and Male Crisis in the 1970s Sergio Rigoletto |
title_short | Masculinity and Italian Cinema |
title_sort | masculinity and italian cinema sexual politics social conflict and male crisis in the 1970s |
title_sub | Sexual Politics, Social Conflict and Male Crisis in the 1970s |
topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Masculinity in motion pictures Motion pictures Social aspects Italy Motion pictures Italy History 20th century Motion pictures, Italian Motion pictures; Italy; History, 20th century Motion pictures; Social aspects; Italy |
topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General Masculinity in motion pictures Motion pictures Social aspects Italy Motion pictures Italy History 20th century Motion pictures, Italian Motion pictures; Italy; History, 20th century Motion pictures; Social aspects; Italy |
url | https://doi.org/10.1515/9780748654550 |
work_keys_str_mv | AT rigolettosergio masculinityanditaliancinemasexualpoliticssocialconflictandmalecrisisinthe1970s |