Hollywood's Indies: Classics Divisions, Specialty Labels and American Independent Cinema
For almost three decades the big Hollywood studios have operated classics divisions or specialty labels, subsidiaries that originally focused on the foreign art house film market, while more recently (and controversially) moving on to the American 'indie' film market. This is the first boo...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | For almost three decades the big Hollywood studios have operated classics divisions or specialty labels, subsidiaries that originally focused on the foreign art house film market, while more recently (and controversially) moving on to the American 'indie' film market. This is the first book to offer an in depth examination of the phenomenon of the classics divisions by tracing its history since the establishment the first specialty label in 1980, United Artists Classics, to more contemporary outfits like Focus Features, Warner Independent and Picturehouse.This detailed account of all classics divisions examines their business practices, their position within the often labyrinthine structure of contemporary entertainment conglomerates and their relationship to their parent companies. Yannis Tzioumakis examines the impact of those companies on American 'indie' cinema and argues that it was companies such as Fox Searchlight and Paramount Classics (now Paramount Vantage) that turned independent filmmaking to an industrial category endorsed by the Hollywood majors as opposed to a mode of filmmaking practised outside the conglomerated major players and posed as a sustained alternative to mainstream Hollywood cinema. A number of case studies are provided, including such celebrated films as Mystery Train, The Brothers McMullen, Broken Flowers, Before Sunset and many others |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (240 pages) 9 B/W illustrations |
| ISBN: | 9780748649594 |
| DOI: | 10.1515/9780748649594 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T19:19:56Z |
| indexdate | 2024-07-10T09:23:37Z |
| institution | BVB |
| isbn | 9780748649594 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033251591 |
| oclc_num | 1304483985 |
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| spelling | Tzioumakis, Yannis Verfasser aut Hollywood's Indies Classics Divisions, Specialty Labels and American Independent Cinema Yannis Tzioumakis Edinburgh Edinburgh University Press [2022] © 2012 1 Online-Ressource (240 pages) 9 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) For almost three decades the big Hollywood studios have operated classics divisions or specialty labels, subsidiaries that originally focused on the foreign art house film market, while more recently (and controversially) moving on to the American 'indie' film market. This is the first book to offer an in depth examination of the phenomenon of the classics divisions by tracing its history since the establishment the first specialty label in 1980, United Artists Classics, to more contemporary outfits like Focus Features, Warner Independent and Picturehouse.This detailed account of all classics divisions examines their business practices, their position within the often labyrinthine structure of contemporary entertainment conglomerates and their relationship to their parent companies. Yannis Tzioumakis examines the impact of those companies on American 'indie' cinema and argues that it was companies such as Fox Searchlight and Paramount Classics (now Paramount Vantage) that turned independent filmmaking to an industrial category endorsed by the Hollywood majors as opposed to a mode of filmmaking practised outside the conglomerated major players and posed as a sustained alternative to mainstream Hollywood cinema. A number of case studies are provided, including such celebrated films as Mystery Train, The Brothers McMullen, Broken Flowers, Before Sunset and many others In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Independent filmmakers History 20th century United States Independent filmmakers History 21st century United States Independent filmmakers United States History 20th century Independent filmmakers United States History 21st century Independent films History and criticism United States Independent films United States History and criticism Motion picture industry History 20th century United States Motion picture industry United States History 20th century https://doi.org/10.1515/9780748649594 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Tzioumakis, Yannis Hollywood's Indies Classics Divisions, Specialty Labels and American Independent Cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Independent filmmakers History 20th century United States Independent filmmakers History 21st century United States Independent filmmakers United States History 20th century Independent filmmakers United States History 21st century Independent films History and criticism United States Independent films United States History and criticism Motion picture industry History 20th century United States Motion picture industry United States History 20th century |
| title | Hollywood's Indies Classics Divisions, Specialty Labels and American Independent Cinema |
| title_auth | Hollywood's Indies Classics Divisions, Specialty Labels and American Independent Cinema |
| title_exact_search | Hollywood's Indies Classics Divisions, Specialty Labels and American Independent Cinema |
| title_exact_search_txtP | Hollywood's Indies Classics Divisions, Specialty Labels and American Independent Cinema |
| title_full | Hollywood's Indies Classics Divisions, Specialty Labels and American Independent Cinema Yannis Tzioumakis |
| title_fullStr | Hollywood's Indies Classics Divisions, Specialty Labels and American Independent Cinema Yannis Tzioumakis |
| title_full_unstemmed | Hollywood's Indies Classics Divisions, Specialty Labels and American Independent Cinema Yannis Tzioumakis |
| title_short | Hollywood's Indies |
| title_sort | hollywood s indies classics divisions specialty labels and american independent cinema |
| title_sub | Classics Divisions, Specialty Labels and American Independent Cinema |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Independent filmmakers History 20th century United States Independent filmmakers History 21st century United States Independent filmmakers United States History 20th century Independent filmmakers United States History 21st century Independent films History and criticism United States Independent films United States History and criticism Motion picture industry History 20th century United States Motion picture industry United States History 20th century |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General Independent filmmakers History 20th century United States Independent filmmakers History 21st century United States Independent filmmakers United States History 20th century Independent filmmakers United States History 21st century Independent films History and criticism United States Independent films United States History and criticism Motion picture industry History 20th century United States Motion picture industry United States History 20th century |
| url | https://doi.org/10.1515/9780748649594 |
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