The Place of Breath in Cinema:
How can the cinema articulate the interstices between visibility and invisibility, and how are such notions of absence and the unseen implicated in the film experience? This study considers the locus of the breathing body in the film experience and its implications for the study of embodiment in fil...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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Schlagworte: | |
Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
Zusammenfassung: | How can the cinema articulate the interstices between visibility and invisibility, and how are such notions of absence and the unseen implicated in the film experience? This study considers the locus of the breathing body in the film experience and its implications for the study of embodiment in film and sensuous spectatorship. Quinlivan puts forward a mode of critical engagement with film shaped by the foregrounding of the human body in the filmic diegesis and the viewing experience. The book's foregrounding of the human body as an, importantly, breathing body in film, coupled with its fresh engagement with continental philosophy, Post-Structuralist Film Theory and Contemporary Western Cinema, makes a unique and valuable contribution to the field.Key features: Case studies are taken from the work of major directors, including David Cronenberg, Atom Egoyan and Lars von TrierKey concepts explored are filmic space (air and the elemental in film), corporeality (bodies on screen and the film itself as a breathing body) and inter-subjectivity (community and sociality)Makes a notable contribution to the study of film sound and haptic perception |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) |
Beschreibung: | 1 Online-Ressource (232 pages) 12 B/W illustrations |
ISBN: | 9780748649006 |
DOI: | 10.1515/9780748649006 |
Internformat
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Datensatz im Suchindex
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author | Quinlivan, Davina |
author_facet | Quinlivan, Davina |
author_role | aut |
author_sort | Quinlivan, Davina |
author_variant | d q dq |
building | Verbundindex |
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dewey-full | 791.436561 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.436 561 |
dewey-search | 791.436 561 |
dewey-sort | 3791.436 3561 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
doi_str_mv | 10.1515/9780748649006 |
format | Electronic eBook |
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illustrated | Illustrated |
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institution | BVB |
isbn | 9780748649006 |
language | English |
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publisher | Edinburgh University Press |
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spelling | Quinlivan, Davina Verfasser aut The Place of Breath in Cinema Davina Quinlivan Edinburgh Edinburgh University Press [2022] © 2012 1 Online-Ressource (232 pages) 12 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) How can the cinema articulate the interstices between visibility and invisibility, and how are such notions of absence and the unseen implicated in the film experience? This study considers the locus of the breathing body in the film experience and its implications for the study of embodiment in film and sensuous spectatorship. Quinlivan puts forward a mode of critical engagement with film shaped by the foregrounding of the human body in the filmic diegesis and the viewing experience. The book's foregrounding of the human body as an, importantly, breathing body in film, coupled with its fresh engagement with continental philosophy, Post-Structuralist Film Theory and Contemporary Western Cinema, makes a unique and valuable contribution to the field.Key features: Case studies are taken from the work of major directors, including David Cronenberg, Atom Egoyan and Lars von TrierKey concepts explored are filmic space (air and the elemental in film), corporeality (bodies on screen and the film itself as a breathing body) and inter-subjectivity (community and sociality)Makes a notable contribution to the study of film sound and haptic perception In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Human body in motion pictures Motion pictures -- Philosophy Motion pictures Aesthetics Respiration https://doi.org/10.1515/9780748649006 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Quinlivan, Davina The Place of Breath in Cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Human body in motion pictures Motion pictures -- Philosophy Motion pictures Aesthetics Respiration |
title | The Place of Breath in Cinema |
title_auth | The Place of Breath in Cinema |
title_exact_search | The Place of Breath in Cinema |
title_exact_search_txtP | The Place of Breath in Cinema |
title_full | The Place of Breath in Cinema Davina Quinlivan |
title_fullStr | The Place of Breath in Cinema Davina Quinlivan |
title_full_unstemmed | The Place of Breath in Cinema Davina Quinlivan |
title_short | The Place of Breath in Cinema |
title_sort | the place of breath in cinema |
topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Human body in motion pictures Motion pictures -- Philosophy Motion pictures Aesthetics Respiration |
topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General Human body in motion pictures Motion pictures -- Philosophy Motion pictures Aesthetics Respiration |
url | https://doi.org/10.1515/9780748649006 |
work_keys_str_mv | AT quinlivandavina theplaceofbreathincinema |