Romantics and Modernists in British Cinema:
In a fresh and invigorating look at British cinema John Orr examines the neglected relationship between romanticism and modernism from 1929 to the present-day. Encompassing a broad selection of films, film-makers and debates, this book brings a new perspective to how scholars might understand and in...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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Schriftenreihe: | Edinburgh Studies in Film and Intermediality : ESFI
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Schlagworte: | |
Online-Zugang: | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-739 Volltext |
Zusammenfassung: | In a fresh and invigorating look at British cinema John Orr examines the neglected relationship between romanticism and modernism from 1929 to the present-day. Encompassing a broad selection of films, film-makers and debates, this book brings a new perspective to how scholars might understand and interrogate the major traditions that have shaped British cinema history.Orr identifies two prominent genres in the British template that often go unrecognised, the fugitive film and the trauma film, whose narratives have bridged the gap between romantic and modern forms. Here Hitchcock, Lean, Powell, Reed and Robert Hamer are identified as key romantics, Roeg, Losey, Antonioni, Kubrick and Skolimowski as later modernists. The book goes on to assess the narrowing divide through the films of Terence Davies and Bill Douglas and concludes by analysing its persistence in the new century, in the prize-winning features Control and Hunger |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) |
Beschreibung: | 1 Online-Ressource (208 pages) |
ISBN: | 9780748642304 |
DOI: | 10.1515/9780748642304 |
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spelling | Orr, John 1943-2010 Verfasser (DE-588)1259767914 aut Romantics and Modernists in British Cinema John Orr Edinburgh Edinburgh University Press [2022] © 2010 1 Online-Ressource (208 pages) txt rdacontent c rdamedia cr rdacarrier Edinburgh Studies in Film and Intermediality : ESFI Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) In a fresh and invigorating look at British cinema John Orr examines the neglected relationship between romanticism and modernism from 1929 to the present-day. Encompassing a broad selection of films, film-makers and debates, this book brings a new perspective to how scholars might understand and interrogate the major traditions that have shaped British cinema history.Orr identifies two prominent genres in the British template that often go unrecognised, the fugitive film and the trauma film, whose narratives have bridged the gap between romantic and modern forms. Here Hitchcock, Lean, Powell, Reed and Robert Hamer are identified as key romantics, Roeg, Losey, Antonioni, Kubrick and Skolimowski as later modernists. The book goes on to assess the narrowing divide through the films of Terence Davies and Bill Douglas and concludes by analysing its persistence in the new century, in the prize-winning features Control and Hunger In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh https://doi.org/10.1515/9780748642304 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Orr, John 1943-2010 Romantics and Modernists in British Cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh |
title | Romantics and Modernists in British Cinema |
title_auth | Romantics and Modernists in British Cinema |
title_exact_search | Romantics and Modernists in British Cinema |
title_exact_search_txtP | Romantics and Modernists in British Cinema |
title_full | Romantics and Modernists in British Cinema John Orr |
title_fullStr | Romantics and Modernists in British Cinema John Orr |
title_full_unstemmed | Romantics and Modernists in British Cinema John Orr |
title_short | Romantics and Modernists in British Cinema |
title_sort | romantics and modernists in british cinema |
topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh |
topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General |
url | https://doi.org/10.1515/9780748642304 |
work_keys_str_mv | AT orrjohn romanticsandmodernistsinbritishcinema |