Memory and the Moving Image: French Film in the Digital Era
GBS_insertPreviewButtonPopup('ISBN:9780748638918);A vital rethinking of memory and the moving image for the digital age, Isabelle McNeill investigates the role of the moving image in cultural memory, considering the impact of digital technologies on visual culture. Drawing on an interdisciplina...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Edinburgh
Edinburgh University Press
[2022]
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| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | GBS_insertPreviewButtonPopup('ISBN:9780748638918);A vital rethinking of memory and the moving image for the digital age, Isabelle McNeill investigates the role of the moving image in cultural memory, considering the impact of digital technologies on visual culture. Drawing on an interdisciplinary range of theoretical resources and an unusual body of films and moving image works, the author examines the ways in which recent French filmmaking conceptualises both the past and the workings of memory. Ultimately the author argues that memory is an intersubjective process, in which filmic forms continue to play a crucial role even as new media come to dominate our contemporary experience.Memory and the Moving Image:Introduces new ways of thinking about the relation between film and memory, arising from a compelling, interdisciplinary study of theories and filmsSubtly explores the French context while drawing theoretical conclusions with wider implications and applicabilityProvides detailed and illuminating close readings of varied moving image works to aid theoretical explorationsMoves away from auteurist approaches, examining work by canonical directors including Jean-Luc Godard, Chris Marker and Agnès Varda alongside that of less well-known filmmakers such as Claire Simon and Yamina BenguiguiBrings together thinkers such as Bergson, Deleuze, Bazin and Barthes with, for example, Rodowick and Mulvey, in an engaging interweaving of theories.Works considered include Jean-Luc Godard's Histoire(s) du Cinéma (1989-98), Yamina Benguigui's Mémoires d'Immigrés (1997), Chris Marker's CD-ROM Immemory (1998), Claire Simon's Mimi (2003), Michael Haneke's Caché (2005) and Agnès Varda's multi-media exhibition, L'Île et Elle (2006). |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (192 pages) 9 B/W halftones |
| ISBN: | 9780748642205 |
| DOI: | 10.1515/9780748642205 |
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| index_date | 2024-07-03T19:19:56Z |
| indexdate | 2024-07-10T09:23:36Z |
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| isbn | 9780748642205 |
| language | English |
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| spelling | McNeill, Isabelle Verfasser aut Memory and the Moving Image French Film in the Digital Era Isabelle McNeill Edinburgh Edinburgh University Press [2022] © 2010 1 Online-Ressource (192 pages) 9 B/W halftones txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) GBS_insertPreviewButtonPopup('ISBN:9780748638918);A vital rethinking of memory and the moving image for the digital age, Isabelle McNeill investigates the role of the moving image in cultural memory, considering the impact of digital technologies on visual culture. Drawing on an interdisciplinary range of theoretical resources and an unusual body of films and moving image works, the author examines the ways in which recent French filmmaking conceptualises both the past and the workings of memory. Ultimately the author argues that memory is an intersubjective process, in which filmic forms continue to play a crucial role even as new media come to dominate our contemporary experience.Memory and the Moving Image:Introduces new ways of thinking about the relation between film and memory, arising from a compelling, interdisciplinary study of theories and filmsSubtly explores the French context while drawing theoretical conclusions with wider implications and applicabilityProvides detailed and illuminating close readings of varied moving image works to aid theoretical explorationsMoves away from auteurist approaches, examining work by canonical directors including Jean-Luc Godard, Chris Marker and Agnès Varda alongside that of less well-known filmmakers such as Claire Simon and Yamina BenguiguiBrings together thinkers such as Bergson, Deleuze, Bazin and Barthes with, for example, Rodowick and Mulvey, in an engaging interweaving of theories.Works considered include Jean-Luc Godard's Histoire(s) du Cinéma (1989-98), Yamina Benguigui's Mémoires d'Immigrés (1997), Chris Marker's CD-ROM Immemory (1998), Claire Simon's Mimi (2003), Michael Haneke's Caché (2005) and Agnès Varda's multi-media exhibition, L'Île et Elle (2006). In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh https://doi.org/10.1515/9780748642205 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | McNeill, Isabelle Memory and the Moving Image French Film in the Digital Era Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh |
| title | Memory and the Moving Image French Film in the Digital Era |
| title_auth | Memory and the Moving Image French Film in the Digital Era |
| title_exact_search | Memory and the Moving Image French Film in the Digital Era |
| title_exact_search_txtP | Memory and the Moving Image French Film in the Digital Era |
| title_full | Memory and the Moving Image French Film in the Digital Era Isabelle McNeill |
| title_fullStr | Memory and the Moving Image French Film in the Digital Era Isabelle McNeill |
| title_full_unstemmed | Memory and the Moving Image French Film in the Digital Era Isabelle McNeill |
| title_short | Memory and the Moving Image |
| title_sort | memory and the moving image french film in the digital era |
| title_sub | French Film in the Digital Era |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General |
| url | https://doi.org/10.1515/9780748642205 |
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