Deleuze and the Cinemas of Performance: Powers of Affection
GBS_insertPreviewButtonPopup('ISBN:9780748635252');This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze'...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Zusammenfassung: | GBS_insertPreviewButtonPopup('ISBN:9780748635252');This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, Elena del Río examines a kind of cinema that she calls 'affective-performative'. The features of this cinema unfold via detailed and engaging discussions of the movements, gestures and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally Potter, Claire Denis, and David Lynch. Key to the book's engagement with performance is a consistent attention to the body's powers of affection.Key FeaturesThe first study of the interface between Deleuzian theory and film performance.A sustained consideration of the links between the body of performance and the body of affect.An analysis of the relation of the performative body to a feminist politics.New readings of classical melodramas as well as contemporary independent cinemas. |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (248 pages) |
| ISBN: | 9780748635269 |
| DOI: | 10.1515/9780748635269 |
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Datensatz im Suchindex
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| author | del Río, Elena |
| author_facet | del Río, Elena |
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| author_sort | del Río, Elena |
| author_variant | r e d re red |
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| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1515/9780748635269 |
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| isbn | 9780748635269 |
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| spelling | del Río, Elena Verfasser aut Deleuze and the Cinemas of Performance Powers of Affection Elena del Río Edinburgh Edinburgh University Press [2022] © 2008 1 Online-Ressource (248 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) GBS_insertPreviewButtonPopup('ISBN:9780748635252');This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, Elena del Río examines a kind of cinema that she calls 'affective-performative'. The features of this cinema unfold via detailed and engaging discussions of the movements, gestures and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally Potter, Claire Denis, and David Lynch. Key to the book's engagement with performance is a consistent attention to the body's powers of affection.Key FeaturesThe first study of the interface between Deleuzian theory and film performance.A sustained consideration of the links between the body of performance and the body of affect.An analysis of the relation of the performative body to a feminist politics.New readings of classical melodramas as well as contemporary independent cinemas. In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh https://doi.org/10.1515/9780748635269 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | del Río, Elena Deleuze and the Cinemas of Performance Powers of Affection Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh |
| title | Deleuze and the Cinemas of Performance Powers of Affection |
| title_auth | Deleuze and the Cinemas of Performance Powers of Affection |
| title_exact_search | Deleuze and the Cinemas of Performance Powers of Affection |
| title_exact_search_txtP | Deleuze and the Cinemas of Performance Powers of Affection |
| title_full | Deleuze and the Cinemas of Performance Powers of Affection Elena del Río |
| title_fullStr | Deleuze and the Cinemas of Performance Powers of Affection Elena del Río |
| title_full_unstemmed | Deleuze and the Cinemas of Performance Powers of Affection Elena del Río |
| title_short | Deleuze and the Cinemas of Performance |
| title_sort | deleuze and the cinemas of performance powers of affection |
| title_sub | Powers of Affection |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism |
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