Associationism and the Literary Imagination: From the Phantasmal Chaos
Associationism and the Literary Imagination traces the influence of empirical philosophy and associationist psychology on theories of literary creativity and on the experience of reading literature. It runs from David Hume's Treatise of Human Nature in 1739 to the works of major literary critic...
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Format: | Elektronisch E-Book |
Sprache: | English |
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Edinburgh
Edinburgh University Press
[2022]
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Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
Zusammenfassung: | Associationism and the Literary Imagination traces the influence of empirical philosophy and associationist psychology on theories of literary creativity and on the experience of reading literature. It runs from David Hume's Treatise of Human Nature in 1739 to the works of major literary critics of the twentieth century, such as I.A. Richards, W.K. Wimsatt and Northrop Frye. Cairns Craig explores the ways in which associationist conceptions of literature gave rise to some of the key transformations in British writing between the romantic and modernist periods. In particular, he analyses the ways in which authors' conceptions of the form of their readers' aesthetic experience led to radical developments in literary style, from the fragmentary narrative of Sterne's Tristram Shandy in 1760 to Virginia Woolf's experiments in the rendering of characters' consciousness in the 1920s; and from Wordsworth's poetic use of autobiography to J.G. Frazer's exploration of a mythic unconscious in The Golden Bough. Detailed analyses are offered of the ways in which a wide variety of major British writers, including Scott, Lady Morgan, Dickens, Tennyson, Hardy, Yeats, Joyce and Woolf developed their literary techniques on the basis of associationist conceptions of the mind, and of how modern literary criticism - from Arthur Symons to Roland Barthes - is founded on associationist principles. Associationism and the Literary Imagination relocates the traditions of British writing since the eighteenth century within the neglected context of its native empirical philosophy, and reveals how many of the issues assumed to be products of 'postmodern' or 'deconstructive' theory have long been foregrounded and debated within the traditions of British empiricism. This is a work which provides a radical new perspective on the history of literature in Britain and Ireland and challenges many of the assumptions of contemporary theoretical debate about the nature of literary experience and critical judgement. Key FeaturesCovers a range of writers from Laurence Sterne to Virginia Woolf and a range of theorists from David Hume to I. A. Richards;Offers new ways of appreciating the relation of philosophy/psychology to literary crreativity and of understanding the development of modern criticism in Britain and America;Relocates British writers within a native philosophical tradition |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) |
Beschreibung: | 1 Online-Ressource (336 pages) |
ISBN: | 9780748628162 |
DOI: | 10.1515/9780748628162 |
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520 | |a Associationism and the Literary Imagination traces the influence of empirical philosophy and associationist psychology on theories of literary creativity and on the experience of reading literature. It runs from David Hume's Treatise of Human Nature in 1739 to the works of major literary critics of the twentieth century, such as I.A. Richards, W.K. Wimsatt and Northrop Frye. Cairns Craig explores the ways in which associationist conceptions of literature gave rise to some of the key transformations in British writing between the romantic and modernist periods. In particular, he analyses the ways in which authors' conceptions of the form of their readers' aesthetic experience led to radical developments in literary style, from the fragmentary narrative of Sterne's Tristram Shandy in 1760 to Virginia Woolf's experiments in the rendering of characters' consciousness in the 1920s; and from Wordsworth's poetic use of autobiography to J.G. | ||
520 | |a Frazer's exploration of a mythic unconscious in The Golden Bough. Detailed analyses are offered of the ways in which a wide variety of major British writers, including Scott, Lady Morgan, Dickens, Tennyson, Hardy, Yeats, Joyce and Woolf developed their literary techniques on the basis of associationist conceptions of the mind, and of how modern literary criticism - from Arthur Symons to Roland Barthes - is founded on associationist principles. Associationism and the Literary Imagination relocates the traditions of British writing since the eighteenth century within the neglected context of its native empirical philosophy, and reveals how many of the issues assumed to be products of 'postmodern' or 'deconstructive' theory have long been foregrounded and debated within the traditions of British empiricism. | ||
520 | |a This is a work which provides a radical new perspective on the history of literature in Britain and Ireland and challenges many of the assumptions of contemporary theoretical debate about the nature of literary experience and critical judgement. Key FeaturesCovers a range of writers from Laurence Sterne to Virginia Woolf and a range of theorists from David Hume to I. A. Richards;Offers new ways of appreciating the relation of philosophy/psychology to literary crreativity and of understanding the development of modern criticism in Britain and America;Relocates British writers within a native philosophical tradition | ||
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Datensatz im Suchindex
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author | Craig, Cairns |
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discipline_str_mv | Anglistik / Amerikanistik |
doi_str_mv | 10.1515/9780748628162 |
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isbn | 9780748628162 |
language | English |
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spelling | Craig, Cairns Verfasser aut Associationism and the Literary Imagination From the Phantasmal Chaos Cairns Craig Edinburgh Edinburgh University Press [2022] © 2007 1 Online-Ressource (336 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) Associationism and the Literary Imagination traces the influence of empirical philosophy and associationist psychology on theories of literary creativity and on the experience of reading literature. It runs from David Hume's Treatise of Human Nature in 1739 to the works of major literary critics of the twentieth century, such as I.A. Richards, W.K. Wimsatt and Northrop Frye. Cairns Craig explores the ways in which associationist conceptions of literature gave rise to some of the key transformations in British writing between the romantic and modernist periods. In particular, he analyses the ways in which authors' conceptions of the form of their readers' aesthetic experience led to radical developments in literary style, from the fragmentary narrative of Sterne's Tristram Shandy in 1760 to Virginia Woolf's experiments in the rendering of characters' consciousness in the 1920s; and from Wordsworth's poetic use of autobiography to J.G. Frazer's exploration of a mythic unconscious in The Golden Bough. Detailed analyses are offered of the ways in which a wide variety of major British writers, including Scott, Lady Morgan, Dickens, Tennyson, Hardy, Yeats, Joyce and Woolf developed their literary techniques on the basis of associationist conceptions of the mind, and of how modern literary criticism - from Arthur Symons to Roland Barthes - is founded on associationist principles. Associationism and the Literary Imagination relocates the traditions of British writing since the eighteenth century within the neglected context of its native empirical philosophy, and reveals how many of the issues assumed to be products of 'postmodern' or 'deconstructive' theory have long been foregrounded and debated within the traditions of British empiricism. This is a work which provides a radical new perspective on the history of literature in Britain and Ireland and challenges many of the assumptions of contemporary theoretical debate about the nature of literary experience and critical judgement. Key FeaturesCovers a range of writers from Laurence Sterne to Virginia Woolf and a range of theorists from David Hume to I. A. Richards;Offers new ways of appreciating the relation of philosophy/psychology to literary crreativity and of understanding the development of modern criticism in Britain and America;Relocates British writers within a native philosophical tradition In English Literary Studies LITERARY CRITICISM / General bisacsh https://doi.org/10.1515/9780748628162 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Craig, Cairns Associationism and the Literary Imagination From the Phantasmal Chaos Literary Studies LITERARY CRITICISM / General bisacsh |
title | Associationism and the Literary Imagination From the Phantasmal Chaos |
title_auth | Associationism and the Literary Imagination From the Phantasmal Chaos |
title_exact_search | Associationism and the Literary Imagination From the Phantasmal Chaos |
title_exact_search_txtP | Associationism and the Literary Imagination From the Phantasmal Chaos |
title_full | Associationism and the Literary Imagination From the Phantasmal Chaos Cairns Craig |
title_fullStr | Associationism and the Literary Imagination From the Phantasmal Chaos Cairns Craig |
title_full_unstemmed | Associationism and the Literary Imagination From the Phantasmal Chaos Cairns Craig |
title_short | Associationism and the Literary Imagination |
title_sort | associationism and the literary imagination from the phantasmal chaos |
title_sub | From the Phantasmal Chaos |
topic | Literary Studies LITERARY CRITICISM / General bisacsh |
topic_facet | Literary Studies LITERARY CRITICISM / General |
url | https://doi.org/10.1515/9780748628162 |
work_keys_str_mv | AT craigcairns associationismandtheliteraryimaginationfromthephantasmalchaos |