Film Remakes:
GBS_insertPreviewButtonPopup('ISBN:9780748621873);This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-739 Volltext |
| Zusammenfassung: | GBS_insertPreviewButtonPopup('ISBN:9780748621873);This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics and audiences. This approach to remaking is developed across three broad sections: the first, remaking as industrial category, deals with issues of production, including commerce and authors; the second, remaking as textual category, considers genre, plots and structures; and the third, remaking as critical category, investigates issues of reception, including audiences and institutions. The film remake emerges as a particular case of repetition, a function of cinematic and discursive fields that is maintained by historically specific practices, such as copyright law and authorship, canon formation and media literacy, film criticism and re-viewing. These points are made through the lively discussion of numerous historical and contemporary examples, including the remaking of classics (Double Indemnity, All That Heaven Allows, Psycho), foreign art-films (Yojimbo, Solaris, Le Samouraï), cult movies (Gun Crazy, Planet of the Apes, Dawn of the Dead), and television properties (Batman, The Addams Family, Charlie's Angels). |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (208 pages) |
| ISBN: | 9780748626250 |
| DOI: | 10.1515/9780748626250 |
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| 520 | |a GBS_insertPreviewButtonPopup('ISBN:9780748621873);This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics and audiences. This approach to remaking is developed across three broad sections: the first, remaking as industrial category, deals with issues of production, including commerce and authors; the second, remaking as textual category, considers genre, plots and structures; and the third, remaking as critical category, investigates issues of reception, including audiences and institutions. The film remake emerges as a particular case of repetition, a function of cinematic and discursive fields that is maintained by historically specific practices, such as copyright law and authorship, canon formation and media literacy, film criticism and re-viewing. These points are made through the lively discussion of numerous historical and contemporary examples, including the remaking of classics (Double Indemnity, All That Heaven Allows, Psycho), foreign art-films (Yojimbo, Solaris, Le Samouraï), cult movies (Gun Crazy, Planet of the Apes, Dawn of the Dead), and television properties (Batman, The Addams Family, Charlie's Angels). | ||
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Datensatz im Suchindex
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| author | Verevis, Constantine 1956- |
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| dewey-full | 791.436 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.436 |
| dewey-search | 791.436 |
| dewey-sort | 3791.436 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1515/9780748626250 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:19:55Z |
| indexdate | 2024-09-05T00:06:58Z |
| institution | BVB |
| isbn | 9780748626250 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033251076 |
| oclc_num | 1304480433 |
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| publishDate | 2022 |
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| publisher | Edinburgh University Press |
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| spelling | Verevis, Constantine 1956- Verfasser (DE-588)1037699491 aut Film Remakes Constantine Verevis Edinburgh Edinburgh University Press [2022] © 2006 1 Online-Ressource (208 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) GBS_insertPreviewButtonPopup('ISBN:9780748621873);This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics and audiences. This approach to remaking is developed across three broad sections: the first, remaking as industrial category, deals with issues of production, including commerce and authors; the second, remaking as textual category, considers genre, plots and structures; and the third, remaking as critical category, investigates issues of reception, including audiences and institutions. The film remake emerges as a particular case of repetition, a function of cinematic and discursive fields that is maintained by historically specific practices, such as copyright law and authorship, canon formation and media literacy, film criticism and re-viewing. These points are made through the lively discussion of numerous historical and contemporary examples, including the remaking of classics (Double Indemnity, All That Heaven Allows, Psycho), foreign art-films (Yojimbo, Solaris, Le Samouraï), cult movies (Gun Crazy, Planet of the Apes, Dawn of the Dead), and television properties (Batman, The Addams Family, Charlie's Angels). In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film remakes History Erscheint auch als Druck-Ausgabe 0-7486-2186-5 Erscheint auch als Druck-Ausgabe 0-7486-2187-3 https://doi.org/10.1515/9780748626250 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Verevis, Constantine 1956- Film Remakes Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film remakes History |
| title | Film Remakes |
| title_auth | Film Remakes |
| title_exact_search | Film Remakes |
| title_exact_search_txtP | Film Remakes |
| title_full | Film Remakes Constantine Verevis |
| title_fullStr | Film Remakes Constantine Verevis |
| title_full_unstemmed | Film Remakes Constantine Verevis |
| title_short | Film Remakes |
| title_sort | film remakes |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film remakes History |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism Film remakes History |
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