Celestial aspirations: Classical Impulses in British Poetry and Art
A unique look at how classical notions of ascent and flight preoccupied early modern British writers and artistsBetween the late sixteenth century and early nineteenth century, the British imagination-poetic, political, intellectual, spiritual, and religious-displayed a pronounced fascination with i...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2022]
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Schriftenreihe: | E. H. Gombrich Lecture Series
Band 5 |
Schlagworte: | |
Online-Zugang: | BSB01 FHA01 URL des Erstveröffentlichers |
Zusammenfassung: | A unique look at how classical notions of ascent and flight preoccupied early modern British writers and artistsBetween the late sixteenth century and early nineteenth century, the British imagination-poetic, political, intellectual, spiritual, and religious-displayed a pronounced fascination with images of ascent and flight to the heavens. Celestial Aspirations explores how British literature and art during that period exploited classical representations of these soaring themes, through philosophical, scientific, and poetic flights of the mind; the ascension of the disembodied soul; and the celestial glorification of the ruler.From textual reachings for the heavens in Spenser, Marlowe, Shakespeare, Donne, and Cowley, to the ceiling paintings of Rubens, Verrio, and Thornhill, Philip Hardie focuses on the ways that the history, ideologies, and aesthetics of the postclassical world received and transformed the ideas of antiquity. In England, narratives of ascent appear on the grandest scale in Milton's Paradise Lost, an epic built around a Christian plot of falling and rising, while also being one of the most intensely classicizing works of English poetry. Examining the reception of flight up to the Romanticism of Wordsworth and Tennyson, Hardie considers the Whig sublime, as well as the works of Alexander Pope and Edward Young. Throughout, he looks at motivations both public and private for aspiring to the heavens-as a reward for political and military achievement on the one hand, and as a goal of individual intellectual and spiritual exertion on the other.Celestial Aspirations offers an intriguing look at how creative minds reworked ancient visions of time and space in the early modern era |
Beschreibung: | 1 Online-Ressource (400 pages) Illustrationen |
ISBN: | 9780691233307 |
DOI: | 10.1515/9780691233307 |
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520 | |a A unique look at how classical notions of ascent and flight preoccupied early modern British writers and artistsBetween the late sixteenth century and early nineteenth century, the British imagination-poetic, political, intellectual, spiritual, and religious-displayed a pronounced fascination with images of ascent and flight to the heavens. Celestial Aspirations explores how British literature and art during that period exploited classical representations of these soaring themes, through philosophical, scientific, and poetic flights of the mind; the ascension of the disembodied soul; and the celestial glorification of the ruler.From textual reachings for the heavens in Spenser, Marlowe, Shakespeare, Donne, and Cowley, to the ceiling paintings of Rubens, Verrio, and Thornhill, Philip Hardie focuses on the ways that the history, ideologies, and aesthetics of the postclassical world received and transformed the ideas of antiquity. In England, narratives of ascent appear on the grandest scale in Milton's Paradise Lost, an epic built around a Christian plot of falling and rising, while also being one of the most intensely classicizing works of English poetry. Examining the reception of flight up to the Romanticism of Wordsworth and Tennyson, Hardie considers the Whig sublime, as well as the works of Alexander Pope and Edward Young. Throughout, he looks at motivations both public and private for aspiring to the heavens-as a reward for political and military achievement on the one hand, and as a goal of individual intellectual and spiritual exertion on the other.Celestial Aspirations offers an intriguing look at how creative minds reworked ancient visions of time and space in the early modern era | ||
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Datensatz im Suchindex
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author | Hardie, Philip |
author_facet | Hardie, Philip |
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author_sort | Hardie, Philip |
author_variant | p h ph |
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dewey-full | 821.009/3823624 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 821 - English poetry |
dewey-raw | 821.009/3823624 |
dewey-search | 821.009/3823624 |
dewey-sort | 3821.009 73823624 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
discipline_str_mv | Anglistik / Amerikanistik |
doi_str_mv | 10.1515/9780691233307 |
format | Electronic eBook |
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isbn | 9780691233307 |
language | English |
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spelling | Hardie, Philip Verfasser aut Celestial aspirations Classical Impulses in British Poetry and Art Philip Hardie Princeton, NJ Princeton University Press [2022] © 2022 1 Online-Ressource (400 pages) Illustrationen txt rdacontent c rdamedia cr rdacarrier E. H. Gombrich Lecture Series Band 5 A unique look at how classical notions of ascent and flight preoccupied early modern British writers and artistsBetween the late sixteenth century and early nineteenth century, the British imagination-poetic, political, intellectual, spiritual, and religious-displayed a pronounced fascination with images of ascent and flight to the heavens. Celestial Aspirations explores how British literature and art during that period exploited classical representations of these soaring themes, through philosophical, scientific, and poetic flights of the mind; the ascension of the disembodied soul; and the celestial glorification of the ruler.From textual reachings for the heavens in Spenser, Marlowe, Shakespeare, Donne, and Cowley, to the ceiling paintings of Rubens, Verrio, and Thornhill, Philip Hardie focuses on the ways that the history, ideologies, and aesthetics of the postclassical world received and transformed the ideas of antiquity. In England, narratives of ascent appear on the grandest scale in Milton's Paradise Lost, an epic built around a Christian plot of falling and rising, while also being one of the most intensely classicizing works of English poetry. Examining the reception of flight up to the Romanticism of Wordsworth and Tennyson, Hardie considers the Whig sublime, as well as the works of Alexander Pope and Edward Young. Throughout, he looks at motivations both public and private for aspiring to the heavens-as a reward for political and military achievement on the one hand, and as a goal of individual intellectual and spiritual exertion on the other.Celestial Aspirations offers an intriguing look at how creative minds reworked ancient visions of time and space in the early modern era LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Art, English Classical influences English poetry Classical influences Heaven in art Heaven in literature https://doi.org/10.1515/9780691233307 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Hardie, Philip Celestial aspirations Classical Impulses in British Poetry and Art LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Art, English Classical influences English poetry Classical influences Heaven in art Heaven in literature |
title | Celestial aspirations Classical Impulses in British Poetry and Art |
title_auth | Celestial aspirations Classical Impulses in British Poetry and Art |
title_exact_search | Celestial aspirations Classical Impulses in British Poetry and Art |
title_exact_search_txtP | Celestial aspirations Classical Impulses in British Poetry and Art |
title_full | Celestial aspirations Classical Impulses in British Poetry and Art Philip Hardie |
title_fullStr | Celestial aspirations Classical Impulses in British Poetry and Art Philip Hardie |
title_full_unstemmed | Celestial aspirations Classical Impulses in British Poetry and Art Philip Hardie |
title_short | Celestial aspirations |
title_sort | celestial aspirations classical impulses in british poetry and art |
title_sub | Classical Impulses in British Poetry and Art |
topic | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Art, English Classical influences English poetry Classical influences Heaven in art Heaven in literature |
topic_facet | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh Art, English Classical influences English poetry Classical influences Heaven in art Heaven in literature |
url | https://doi.org/10.1515/9780691233307 |
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