Gawkers: Art and Audience in Late Nineteenth-Century France
How the urban spectator became the archetypal modern viewer and a central subject in late nineteenth-century French artGawkers explores how artists and writers in late nineteenth-century Paris represented the seductions, horrors, and banalities of street life through the eyes of curious viewers know...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2022]
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Schlagworte: | |
Online-Zugang: | BSB01 FHA01 Volltext |
Zusammenfassung: | How the urban spectator became the archetypal modern viewer and a central subject in late nineteenth-century French artGawkers explores how artists and writers in late nineteenth-century Paris represented the seductions, horrors, and banalities of street life through the eyes of curious viewers known as badauds. In contrast to the singular and aloof bourgeois flâneur, badauds were passive, collective, instinctive, and highly impressionable. Above all, they were visual, captivated by the sights of everyday life. Beautifully illustrated and drawing on a wealth of new research, Gawkers excavates badauds as a subject of deep significance in late nineteenth-century French culture, as a motif in works of art, and as a conflicted model of the modern viewer.Bridget Alsdorf examines the work of painters, printmakers, and filmmakers who made badauds their artistic subject, including Félix Vallotton, Pierre Bonnard, Henri de Toulouse-Lautrec, Honoré Daumier, Edgar Degas, Jean-Léon Gérôme, Eugène Carrière, Charles Angrand, and Auguste and Louise Lumière. From morally and intellectually empty to sensitive, empathetic, and humane, the gawkers these artists portrayed cut across social categories. They invite the viewer's identification, even as they appear to threaten social responsibility and the integrity of art.Delving into the ubiquity of a figure that has largely eluded attention, idling on the margins of culture and current events, Gawkers traces the emergence of social and aesthetic problems that are still with us today |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) |
Beschreibung: | 1 Online-Ressource (296 pages) 140 color + 17 b/w illus |
ISBN: | 9780691232416 |
DOI: | 10.1515/9780691232416 |
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520 | |a How the urban spectator became the archetypal modern viewer and a central subject in late nineteenth-century French artGawkers explores how artists and writers in late nineteenth-century Paris represented the seductions, horrors, and banalities of street life through the eyes of curious viewers known as badauds. In contrast to the singular and aloof bourgeois flâneur, badauds were passive, collective, instinctive, and highly impressionable. Above all, they were visual, captivated by the sights of everyday life. Beautifully illustrated and drawing on a wealth of new research, Gawkers excavates badauds as a subject of deep significance in late nineteenth-century French culture, as a motif in works of art, and as a conflicted model of the modern viewer.Bridget Alsdorf examines the work of painters, printmakers, and filmmakers who made badauds their artistic subject, including Félix Vallotton, Pierre Bonnard, Henri de Toulouse-Lautrec, Honoré Daumier, Edgar Degas, Jean-Léon Gérôme, Eugène Carrière, Charles Angrand, and Auguste and Louise Lumière. From morally and intellectually empty to sensitive, empathetic, and humane, the gawkers these artists portrayed cut across social categories. They invite the viewer's identification, even as they appear to threaten social responsibility and the integrity of art.Delving into the ubiquity of a figure that has largely eluded attention, idling on the margins of culture and current events, Gawkers traces the emergence of social and aesthetic problems that are still with us today | ||
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author | Alsdorf, Bridget 19XX- |
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dewey-search | 709.44/09034 |
dewey-sort | 3709.44 49034 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
doi_str_mv | 10.1515/9780691232416 |
format | Electronic eBook |
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isbn | 9780691232416 |
language | English |
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publisher | Princeton University Press |
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spelling | Alsdorf, Bridget 19XX- Verfasser (DE-588)1256455636 aut Gawkers Art and Audience in Late Nineteenth-Century France Bridget Alsdorf Princeton, NJ Princeton University Press [2022] © 2022 1 Online-Ressource (296 pages) 140 color + 17 b/w illus txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) How the urban spectator became the archetypal modern viewer and a central subject in late nineteenth-century French artGawkers explores how artists and writers in late nineteenth-century Paris represented the seductions, horrors, and banalities of street life through the eyes of curious viewers known as badauds. In contrast to the singular and aloof bourgeois flâneur, badauds were passive, collective, instinctive, and highly impressionable. Above all, they were visual, captivated by the sights of everyday life. Beautifully illustrated and drawing on a wealth of new research, Gawkers excavates badauds as a subject of deep significance in late nineteenth-century French culture, as a motif in works of art, and as a conflicted model of the modern viewer.Bridget Alsdorf examines the work of painters, printmakers, and filmmakers who made badauds their artistic subject, including Félix Vallotton, Pierre Bonnard, Henri de Toulouse-Lautrec, Honoré Daumier, Edgar Degas, Jean-Léon Gérôme, Eugène Carrière, Charles Angrand, and Auguste and Louise Lumière. From morally and intellectually empty to sensitive, empathetic, and humane, the gawkers these artists portrayed cut across social categories. They invite the viewer's identification, even as they appear to threaten social responsibility and the integrity of art.Delving into the ubiquity of a figure that has largely eluded attention, idling on the margins of culture and current events, Gawkers traces the emergence of social and aesthetic problems that are still with us today In English ART / History / Modern (late 19th Century to 1945) bisacsh Art, French 19th century Themes, motives Social distance Spectators in art https://doi.org/10.1515/9780691232416 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Alsdorf, Bridget 19XX- Gawkers Art and Audience in Late Nineteenth-Century France ART / History / Modern (late 19th Century to 1945) bisacsh Art, French 19th century Themes, motives Social distance Spectators in art |
title | Gawkers Art and Audience in Late Nineteenth-Century France |
title_auth | Gawkers Art and Audience in Late Nineteenth-Century France |
title_exact_search | Gawkers Art and Audience in Late Nineteenth-Century France |
title_exact_search_txtP | Gawkers Art and Audience in Late Nineteenth-Century France |
title_full | Gawkers Art and Audience in Late Nineteenth-Century France Bridget Alsdorf |
title_fullStr | Gawkers Art and Audience in Late Nineteenth-Century France Bridget Alsdorf |
title_full_unstemmed | Gawkers Art and Audience in Late Nineteenth-Century France Bridget Alsdorf |
title_short | Gawkers |
title_sort | gawkers art and audience in late nineteenth century france |
title_sub | Art and Audience in Late Nineteenth-Century France |
topic | ART / History / Modern (late 19th Century to 1945) bisacsh Art, French 19th century Themes, motives Social distance Spectators in art |
topic_facet | ART / History / Modern (late 19th Century to 1945) Art, French 19th century Themes, motives Social distance Spectators in art |
url | https://doi.org/10.1515/9780691232416 |
work_keys_str_mv | AT alsdorfbridget gawkersartandaudienceinlatenineteenthcenturyfrance |