Preface to Plato:
Plato's frontal attack on poetry has always been a problem for sympathetic students, who have often minimized or avoided it. Beginning with the premise that the attack must be taken seriously, Eric Havelock shows that Plato's hostility is explained by the continued domination of the poetic...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, MA
Harvard University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Plato's frontal attack on poetry has always been a problem for sympathetic students, who have often minimized or avoided it. Beginning with the premise that the attack must be taken seriously, Eric Havelock shows that Plato's hostility is explained by the continued domination of the poetic tradition in contemporary Greek thought. The reason for the dominance of this tradition was technological. In a nonliterate culture, stored experience necessary to cultural stability had to be preserved as poetry in order to be memorized. Plato attacks poets, particularly Homer, as the sole source of Greek moral and technical instruction-Mr. Havelock shows how the Iliad acted as an oral encyclopedia. Under the label of mimesis, Plato condemns the poetic process of emotional identification and the necessity of presenting content as a series of specific images in a continued narrative. The second part of the book discusses the Platonic Forms as an aspect of an increasingly rational culture. Literate Greece demanded, instead of poetic discourse, a vocabulary and a sentence structure both abstract and explicit in which experience could be described normatively and analytically: in short a language of ethics and science |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (342 pages) |
| ISBN: | 9780674038431 |
| DOI: | 10.4159/9780674038431 |
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| 520 | |a Plato's frontal attack on poetry has always been a problem for sympathetic students, who have often minimized or avoided it. Beginning with the premise that the attack must be taken seriously, Eric Havelock shows that Plato's hostility is explained by the continued domination of the poetic tradition in contemporary Greek thought. The reason for the dominance of this tradition was technological. In a nonliterate culture, stored experience necessary to cultural stability had to be preserved as poetry in order to be memorized. Plato attacks poets, particularly Homer, as the sole source of Greek moral and technical instruction-Mr. Havelock shows how the Iliad acted as an oral encyclopedia. Under the label of mimesis, Plato condemns the poetic process of emotional identification and the necessity of presenting content as a series of specific images in a continued narrative. The second part of the book discusses the Platonic Forms as an aspect of an increasingly rational culture. Literate Greece demanded, instead of poetic discourse, a vocabulary and a sentence structure both abstract and explicit in which experience could be described normatively and analytically: in short a language of ethics and science | ||
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| index_date | 2024-07-03T19:19:54Z |
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| isbn | 9780674038431 |
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| spelling | Havelock, Eric A. Verfasser aut Preface to Plato Eric A. Havelock Cambridge, MA Harvard University Press [2022] © 1963 1 Online-Ressource (342 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Plato's frontal attack on poetry has always been a problem for sympathetic students, who have often minimized or avoided it. Beginning with the premise that the attack must be taken seriously, Eric Havelock shows that Plato's hostility is explained by the continued domination of the poetic tradition in contemporary Greek thought. The reason for the dominance of this tradition was technological. In a nonliterate culture, stored experience necessary to cultural stability had to be preserved as poetry in order to be memorized. Plato attacks poets, particularly Homer, as the sole source of Greek moral and technical instruction-Mr. Havelock shows how the Iliad acted as an oral encyclopedia. Under the label of mimesis, Plato condemns the poetic process of emotional identification and the necessity of presenting content as a series of specific images in a continued narrative. The second part of the book discusses the Platonic Forms as an aspect of an increasingly rational culture. Literate Greece demanded, instead of poetic discourse, a vocabulary and a sentence structure both abstract and explicit in which experience could be described normatively and analytically: in short a language of ethics and science In English LITERARY CRITICISM / Poetry bisacsh Greek poetry History and criticism Philosophie ancienne Philosophy, Ancient Poésie grecque Histoire et critique https://doi.org/10.4159/9780674038431 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Havelock, Eric A. Preface to Plato LITERARY CRITICISM / Poetry bisacsh Greek poetry History and criticism Philosophie ancienne Philosophy, Ancient Poésie grecque Histoire et critique |
| title | Preface to Plato |
| title_auth | Preface to Plato |
| title_exact_search | Preface to Plato |
| title_exact_search_txtP | Preface to Plato |
| title_full | Preface to Plato Eric A. Havelock |
| title_fullStr | Preface to Plato Eric A. Havelock |
| title_full_unstemmed | Preface to Plato Eric A. Havelock |
| title_short | Preface to Plato |
| title_sort | preface to plato |
| topic | LITERARY CRITICISM / Poetry bisacsh Greek poetry History and criticism Philosophie ancienne Philosophy, Ancient Poésie grecque Histoire et critique |
| topic_facet | LITERARY CRITICISM / Poetry Greek poetry History and criticism Philosophie ancienne Philosophy, Ancient Poésie grecque Histoire et critique |
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