Mapping the origins of figurative language in comparative literature:
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2022
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| Schriftenreihe: | Routledge focus on literature
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xii, 132 Seiten Illustrationen |
| ISBN: | 9781032130354 9781032140520 |
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Datensatz im Suchindex
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| adam_text | Contents Preface Acknowledgements xi xiii 1 Towards a Global Model of Figurative Origins 1.1 1.2 1.3 1.4 1.5 Conceptual Mapping 1 Overview of Mappings in Pandemic Poetry 2 Cultural Versus Universal Features 4 Linguistic Structures 8 Poetic Licence 9 2 Figurative Creativity in Language Structure 2.1 2.2 2.3 2.4 2.5 The Power of Figurative Language 11 Old and New Words 13 Composite Structures 14 Morpho-Syntax and Stylistic Effects 16 Neologisms 17 3 Cross-Language Evidence for the Limits of Linguistic Creation 3.1 3.2 3.3 3.4 3.5 3.6 11 Linguistic Relativity 19 Translating Language Structures 20 Language Distance 21 Innovative Morphology 22 Metaphor Versus Simile 24 Dating Translation 25 19
viii Contents 3.7 3.8 Composite Order and Semantics 26 Symbolic Features 27 4 Underlying Figurative Thought 4.1 4.2 4.3 4.4 4.5 4.6 Cross-Language Imagery 30 Cognitive Theories 31 Individual Conceptualisation 33 Cognitive Linguistics 34 Metaphor and Symbol 35 Cognitive and Conflictual Paradigms 38 5 Tracing Cultural History 5.1 5.2 5.3 5.4 5.5 55 Extra-Linguistic Reference 55 Mental Spaces 56 Possible Worlds and Discourse Worlds 57 Reference in Conceptual Mappings 58 Philosophy and Reference 60 Hidden Reference Theory 61 Textual Reference 61 Ί Textual Reference in the Form of Narrative 7.1 7.2 7.3 7.4 43 Diachronic Conceptual Networking 43 Diachronic Salience 45 Historical Origins of Figurative Words 46 The LovelDeath Conceptual Metaphor 47 Understanding Figurative Language in Early Modern English 51 6 Theories of Reference in Conceptual Mapping 6.1 6.2 6.3 6.4 6.5 6.6 6.7 30 Variants of Love 65 Social Attitudes in D. H. Lawrence 66 Existentialism in Simone De Beauvoir 68 Personal Psychology in Hermann Hesse 70 65
Contents 8 Personal Biography in Figurative Language 8.1 8.2 8.3 8.4 8.5 8.6 8.7 8.8 8.9 9.3 9.4 11.2 11.3 11.4 11.5 99 The Venezuelan Poet Eugenio Montejo 99 Transfigured Time 101 Time Symbolism and Language Structure 102 Switching Between Past and Future 104 New Spatial Forms 104 Notions of Real Worlds 105 11 Multiple Conceptual Mapping 11.1 89 Time Trajectories in Literal Meaning 89 Multicultural Conceptualisation of Time and Space 91 Time and Space in Literary Thought 92 Conceptualisation and Beliefs in Emily Dickinson 94 10 The Transformation of Reality 10.1 10.2 10.3 10.4 10.5 10.6 75 Narrative and Personal Biography 75 “Distortion” of Personal Lives 76 Criticism of Biographical Theories 77 Autobiography and Autofiction 78 Individual Biographies 79 Symbolic Influence in D. H. Lawrence 79 The Philosophical Background to Simone De Beauvoir 82 Freudian Psychology in Hermann Hesse 84 Real and Non-Real Worlds 86 9 Conceptualisation of the Real World 9.1 9.2 ix The Symbolic Notion of “The South” in Jorge Luis Borges 107 The Background to Borges’ Life 108 Narratological Conceptual Mappings 109 Language-Specific Symbolism in Borges 112 Fantasy and the Defiance of Death 113 107
x Contents 12 The Overall Picture References Glossary of Linguistic Terms Index 115 121 129 131
Mapping the Origins of Figurative Language in Comparative Literature This book investigates the origins of figurative language in literary discourse within a cognitive framework. It represents an interface between linguistics and literature and develops a 6-tier theoretical model which analyses the different factors contributing to the creation of figurative words and expressions. By examining features ranging from language structure to figurative thought, cultural history, reference, narrative and the personal experience of authors, it develops a global overview of the processes involved. Due to its particularly innovative characteristics in literature, the theme of death is explored in relation to universal concepts such as love and time. These aspects are discussed in the light of well-known authors in comparative literature such as D.H. Lawrence, Simone De Beauvoir, Hermann Hesse and Jorge Luis Borges. The origins can involve complex conceptual mappings in figures of speech such as metaphor and symbolism. They are often at the roots of an author’s personal desires or represent the search for answers to human existence. This approach offers a wide variety of new ideas and research possibilities for postgraduate and research students in modern languages, linguistics and literature. It would also be of interest to academic researchers in these disciplines as well as the general public who would like to delve deeper into the relevant fields.
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| adam_txt |
Contents Preface Acknowledgements xi xiii 1 Towards a Global Model of Figurative Origins 1.1 1.2 1.3 1.4 1.5 Conceptual Mapping 1 Overview of Mappings in Pandemic Poetry 2 Cultural Versus Universal Features 4 Linguistic Structures 8 Poetic Licence 9 2 Figurative Creativity in Language Structure 2.1 2.2 2.3 2.4 2.5 The Power of Figurative Language 11 Old and New Words 13 Composite Structures 14 Morpho-Syntax and Stylistic Effects 16 Neologisms 17 3 Cross-Language Evidence for the Limits of Linguistic Creation 3.1 3.2 3.3 3.4 3.5 3.6 11 Linguistic Relativity 19 Translating Language Structures 20 Language Distance 21 Innovative Morphology 22 Metaphor Versus Simile 24 Dating Translation 25 19
viii Contents 3.7 3.8 Composite Order and Semantics 26 Symbolic Features 27 4 Underlying Figurative Thought 4.1 4.2 4.3 4.4 4.5 4.6 Cross-Language Imagery 30 Cognitive Theories 31 Individual Conceptualisation 33 Cognitive Linguistics 34 Metaphor and Symbol 35 Cognitive and Conflictual Paradigms 38 5 Tracing Cultural History 5.1 5.2 5.3 5.4 5.5 55 Extra-Linguistic Reference 55 Mental Spaces 56 Possible Worlds and Discourse Worlds 57 Reference in Conceptual Mappings 58 Philosophy and Reference 60 Hidden Reference Theory 61 Textual Reference 61 Ί Textual Reference in the Form of Narrative 7.1 7.2 7.3 7.4 43 Diachronic Conceptual Networking 43 Diachronic Salience 45 Historical Origins of Figurative Words 46 The LovelDeath Conceptual Metaphor 47 Understanding Figurative Language in Early Modern English 51 6 Theories of Reference in Conceptual Mapping 6.1 6.2 6.3 6.4 6.5 6.6 6.7 30 Variants of Love 65 Social Attitudes in D. H. Lawrence 66 Existentialism in Simone De Beauvoir 68 Personal Psychology in Hermann Hesse 70 65
Contents 8 Personal Biography in Figurative Language 8.1 8.2 8.3 8.4 8.5 8.6 8.7 8.8 8.9 9.3 9.4 11.2 11.3 11.4 11.5 99 The Venezuelan Poet Eugenio Montejo 99 Transfigured Time 101 Time Symbolism and Language Structure 102 Switching Between Past and Future 104 New Spatial Forms 104 Notions of Real Worlds 105 11 Multiple Conceptual Mapping 11.1 89 Time Trajectories in Literal Meaning 89 Multicultural Conceptualisation of Time and Space 91 Time and Space in Literary Thought 92 Conceptualisation and Beliefs in Emily Dickinson 94 10 The Transformation of Reality 10.1 10.2 10.3 10.4 10.5 10.6 75 Narrative and Personal Biography 75 “Distortion” of Personal Lives 76 Criticism of Biographical Theories 77 Autobiography and Autofiction 78 Individual Biographies 79 Symbolic Influence in D. H. Lawrence 79 The Philosophical Background to Simone De Beauvoir 82 Freudian Psychology in Hermann Hesse 84 Real and Non-Real Worlds 86 9 Conceptualisation of the Real World 9.1 9.2 ix The Symbolic Notion of “The South” in Jorge Luis Borges 107 The Background to Borges’ Life 108 Narratological Conceptual Mappings 109 Language-Specific Symbolism in Borges 112 Fantasy and the Defiance of Death 113 107
x Contents 12 The Overall Picture References Glossary of Linguistic Terms Index 115 121 129 131
Mapping the Origins of Figurative Language in Comparative Literature This book investigates the origins of figurative language in literary discourse within a cognitive framework. It represents an interface between linguistics and literature and develops a 6-tier theoretical model which analyses the different factors contributing to the creation of figurative words and expressions. By examining features ranging from language structure to figurative thought, cultural history, reference, narrative and the personal experience of authors, it develops a global overview of the processes involved. Due to its particularly innovative characteristics in literature, the theme of death is explored in relation to universal concepts such as love and time. These aspects are discussed in the light of well-known authors in comparative literature such as D.H. Lawrence, Simone De Beauvoir, Hermann Hesse and Jorge Luis Borges. The origins can involve complex conceptual mappings in figures of speech such as metaphor and symbolism. They are often at the roots of an author’s personal desires or represent the search for answers to human existence. This approach offers a wide variety of new ideas and research possibilities for postgraduate and research students in modern languages, linguistics and literature. It would also be of interest to academic researchers in these disciplines as well as the general public who would like to delve deeper into the relevant fields. |
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