Jingai Daimakyo:
"Jingai Daimakyo" (the savage terrifying places) is a separate solo album by Ueno along with lyricist/visual artist Keiichi Ohta, based on the writings of mystery/horror writer Oguri Mushitaro (1901-1946). "Jingai Daimakyo" is very much a Guernica album but without the vocal tale...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | |
| Format: | Audio |
| Sprache: | Japanese |
| Veröffentlicht: |
[Tokyo]
Yen Records
[1983]
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| Schlagworte: | |
| Zusammenfassung: | "Jingai Daimakyo" (the savage terrifying places) is a separate solo album by Ueno along with lyricist/visual artist Keiichi Ohta, based on the writings of mystery/horror writer Oguri Mushitaro (1901-1946). "Jingai Daimakyo" is very much a Guernica album but without the vocal talents of Togawa. Each song has a different vocalist, and the most noted singer on this album is Haroumi Hosono, who at the time was a member of the Yellow Magic Orchestra (YMO) and he and fellow YMO member Yukihiro Takahashi ran the Yen record label. Ohta, the lyricist as well as producer for this album is a noted artist/illustrator in Japan, and his work captures the sexuality/violence of the pre-war mentality. Retro to the extreme, both Ueno and Ohta make music and images that are unique, and could only come from Japanese pop culture. The album is a small masterpiece because it captures a passionate part of history, and convey it to an aural assault of the senses. Ueno's music is very much in the manner of 20th-century music history. In a fashion, this album reminds me of Van Dyke Parks' "Song Cycle" album, if one needs a reference to their aesthetic |
| Beschreibung: | Arranged, composed by Koji Uen (organ, piano, synthesizer) Tracklist: A1. Jingai Daimakyo. - A2. Makai Sarugasso. - A3. Pigumii. - A4. Nazo No Daidokutsu. - A5. Kuroki Juutan. - A6. Farao No Noroi. - A7. Kijuu Rakuen Deza Barimo. - B1. Kyokuhoku No Kaii. - B2. Suiseijin. - B3. Epiorunisu. - B4. Hikyo No Daibakufu. - B5. Shinkai S-O-S. - B6. Kaitei Kazan. - B7. Siian No Kodomoichiba. - B8. Mitsurin Kaidanji |
| Beschreibung: | 1 Schallplatte 30 cm 1 Insert (4 ungezählte Seiten) |
Internformat
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| 500 | |a Tracklist: A1. Jingai Daimakyo. - A2. Makai Sarugasso. - A3. Pigumii. - A4. Nazo No Daidokutsu. - A5. Kuroki Juutan. - A6. Farao No Noroi. - A7. Kijuu Rakuen Deza Barimo. - B1. Kyokuhoku No Kaii. - B2. Suiseijin. - B3. Epiorunisu. - B4. Hikyo No Daibakufu. - B5. Shinkai S-O-S. - B6. Kaitei Kazan. - B7. Siian No Kodomoichiba. - B8. Mitsurin Kaidanji | ||
| 520 | 3 | |a "Jingai Daimakyo" (the savage terrifying places) is a separate solo album by Ueno along with lyricist/visual artist Keiichi Ohta, based on the writings of mystery/horror writer Oguri Mushitaro (1901-1946). "Jingai Daimakyo" is very much a Guernica album but without the vocal talents of Togawa. Each song has a different vocalist, and the most noted singer on this album is Haroumi Hosono, who at the time was a member of the Yellow Magic Orchestra (YMO) and he and fellow YMO member Yukihiro Takahashi ran the Yen record label. Ohta, the lyricist as well as producer for this album is a noted artist/illustrator in Japan, and his work captures the sexuality/violence of the pre-war mentality. Retro to the extreme, both Ueno and Ohta make music and images that are unique, and could only come from Japanese pop culture. The album is a small masterpiece because it captures a passionate part of history, and convey it to an aural assault of the senses. Ueno's music is very much in the manner of 20th-century music history. In a fashion, this album reminds me of Van Dyke Parks' "Song Cycle" album, if one needs a reference to their aesthetic | |
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Datensatz im Suchindex
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| author | Ueno, Koji |
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| author_GND | (DE-588)1035449609 |
| author_facet | Ueno, Koji Ôta, Kêiti 1957- Ueno, Koji |
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| author_sort | Ueno, Koji |
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| building | Verbundindex |
| bvnumber | BV047862458 |
| ctrlnum | (OCoLC)1302313130 (DE-599)BVBBV047862458 |
| format | Audio |
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| id | DE-604.BV047862458 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:18:16Z |
| indexdate | 2024-07-10T09:23:24Z |
| institution | BVB |
| language | Japanese |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033245042 |
| oclc_num | 1302313130 |
| open_access_boolean | |
| owner | DE-255 |
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| physical | 1 Schallplatte 30 cm 1 Insert (4 ungezählte Seiten) |
| publishDate | 1983 |
| publishDateSearch | 1983 |
| publishDateSort | 1983 |
| publisher | Yen Records |
| record_format | marc |
| spelling | Jingai Daimakyo Ohta Keiichi No [Tokyo] Yen Records [1983] 1983 1 Schallplatte 30 cm 1 Insert (4 ungezählte Seiten) prm rdacontent s rdamedia sd rdacarrier Arranged, composed by Koji Uen (organ, piano, synthesizer) Tracklist: A1. Jingai Daimakyo. - A2. Makai Sarugasso. - A3. Pigumii. - A4. Nazo No Daidokutsu. - A5. Kuroki Juutan. - A6. Farao No Noroi. - A7. Kijuu Rakuen Deza Barimo. - B1. Kyokuhoku No Kaii. - B2. Suiseijin. - B3. Epiorunisu. - B4. Hikyo No Daibakufu. - B5. Shinkai S-O-S. - B6. Kaitei Kazan. - B7. Siian No Kodomoichiba. - B8. Mitsurin Kaidanji "Jingai Daimakyo" (the savage terrifying places) is a separate solo album by Ueno along with lyricist/visual artist Keiichi Ohta, based on the writings of mystery/horror writer Oguri Mushitaro (1901-1946). "Jingai Daimakyo" is very much a Guernica album but without the vocal talents of Togawa. Each song has a different vocalist, and the most noted singer on this album is Haroumi Hosono, who at the time was a member of the Yellow Magic Orchestra (YMO) and he and fellow YMO member Yukihiro Takahashi ran the Yen record label. Ohta, the lyricist as well as producer for this album is a noted artist/illustrator in Japan, and his work captures the sexuality/violence of the pre-war mentality. Retro to the extreme, both Ueno and Ohta make music and images that are unique, and could only come from Japanese pop culture. The album is a small masterpiece because it captures a passionate part of history, and convey it to an aural assault of the senses. Ueno's music is very much in the manner of 20th-century music history. In a fashion, this album reminds me of Van Dyke Parks' "Song Cycle" album, if one needs a reference to their aesthetic Ôta, Kêiti 1957- (DE-588)1035449609 gnd rswk-swf (DE-588)4052032-8 Schallplatte gnd-carrier Ôta, Kêiti 1957- (DE-588)1035449609 p DE-604 Ôta, Kêiti 1957- (DE-588)1035449609 wal ill Ueno, Koji cmp itr analog 33 1/3 UpM |
| spellingShingle | Ueno, Koji Jingai Daimakyo Ôta, Kêiti 1957- (DE-588)1035449609 gnd |
| subject_GND | (DE-588)1035449609 (DE-588)4052032-8 |
| title | Jingai Daimakyo |
| title_auth | Jingai Daimakyo |
| title_exact_search | Jingai Daimakyo |
| title_exact_search_txtP | Jingai Daimakyo |
| title_full | Jingai Daimakyo Ohta Keiichi No |
| title_fullStr | Jingai Daimakyo Ohta Keiichi No |
| title_full_unstemmed | Jingai Daimakyo Ohta Keiichi No |
| title_short | Jingai Daimakyo |
| title_sort | jingai daimakyo |
| topic | Ôta, Kêiti 1957- (DE-588)1035449609 gnd |
| topic_facet | Ôta, Kêiti 1957- Schallplatte |
| work_keys_str_mv | AT otakeiti jingaidaimakyo AT uenokoji jingaidaimakyo |