Pontormo and the art of devotion in Renaissance Italy:
Both lauded and criticized for his pictorial eclecticism, the Florentine artist Jacopo Carrucci, known as Pontormo, created some of the most visually striking religious images of the Renaissance. These paintings, which challenged prevailing illusionistic conventions, mark a unique contribution into...
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Format: | Elektronisch E-Book |
Sprache: | English |
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2021
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Zusammenfassung: | Both lauded and criticized for his pictorial eclecticism, the Florentine artist Jacopo Carrucci, known as Pontormo, created some of the most visually striking religious images of the Renaissance. These paintings, which challenged prevailing illusionistic conventions, mark a unique contribution into the complex relationship between artistic innovation and Christian traditions in the first half of the sixteenth century. Pontormo's sacred works are generally interpreted as objects that reflect either pure aesthetic experimentation, or personal and cultural anxiety. Jessica Maratsos, however, argues that Pontormo employed stylistic change deliberately for novel devotional purposes. As a painter, he was interested in the various modes of expression and communication - direct address, tactile evocation, affective incitement - as deployed in a wide spectrum of devotional culture, from sacri monti, to Michelangelo's marble sculptures, to evangelical lectures delivered at the Accademia Fiorentina. Maratsos shows how Pontormo translated these modes in ways that prompt a critical rethinking of Renaissance devotional art |
Beschreibung: | Title from publisher's bibliographic system (viewed on 12 Jan 2022) Introduction: Drawing Devotion, Imitating Nature in Cinquecento Florence -- Performing the Passion at the Certosa del Galluzzo -- Pictorial Theology and the Paragone in the Capponi Chapel -- Elusive Rhetoric at San Lorenzo -- A Pontormo Legacy in Florence? |
Beschreibung: | 1 Online-Ressource (xii, 261 Seiten) |
ISBN: | 9781009037952 |
DOI: | 10.1017/9781009037952 |
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520 | |a Both lauded and criticized for his pictorial eclecticism, the Florentine artist Jacopo Carrucci, known as Pontormo, created some of the most visually striking religious images of the Renaissance. These paintings, which challenged prevailing illusionistic conventions, mark a unique contribution into the complex relationship between artistic innovation and Christian traditions in the first half of the sixteenth century. Pontormo's sacred works are generally interpreted as objects that reflect either pure aesthetic experimentation, or personal and cultural anxiety. Jessica Maratsos, however, argues that Pontormo employed stylistic change deliberately for novel devotional purposes. As a painter, he was interested in the various modes of expression and communication - direct address, tactile evocation, affective incitement - as deployed in a wide spectrum of devotional culture, from sacri monti, to Michelangelo's marble sculptures, to evangelical lectures delivered at the Accademia Fiorentina. Maratsos shows how Pontormo translated these modes in ways that prompt a critical rethinking of Renaissance devotional art | ||
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spelling | Maratsos, Jessica 1977- (DE-588)14391765X aut Pontormo and the art of devotion in Renaissance Italy Jessica A. Maratsos, Pembroke College, Cambridge Cambridge Cambridge University Press 2021 1 Online-Ressource (xii, 261 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 12 Jan 2022) Introduction: Drawing Devotion, Imitating Nature in Cinquecento Florence -- Performing the Passion at the Certosa del Galluzzo -- Pictorial Theology and the Paragone in the Capponi Chapel -- Elusive Rhetoric at San Lorenzo -- A Pontormo Legacy in Florence? Both lauded and criticized for his pictorial eclecticism, the Florentine artist Jacopo Carrucci, known as Pontormo, created some of the most visually striking religious images of the Renaissance. These paintings, which challenged prevailing illusionistic conventions, mark a unique contribution into the complex relationship between artistic innovation and Christian traditions in the first half of the sixteenth century. Pontormo's sacred works are generally interpreted as objects that reflect either pure aesthetic experimentation, or personal and cultural anxiety. Jessica Maratsos, however, argues that Pontormo employed stylistic change deliberately for novel devotional purposes. As a painter, he was interested in the various modes of expression and communication - direct address, tactile evocation, affective incitement - as deployed in a wide spectrum of devotional culture, from sacri monti, to Michelangelo's marble sculptures, to evangelical lectures delivered at the Accademia Fiorentina. Maratsos shows how Pontormo translated these modes in ways that prompt a critical rethinking of Renaissance devotional art Pontormo, Jacopo da / 1494-1556 / Criticism and interpretation Pontormo, Jacopo 1494-1557 (DE-588)118822713 gnd rswk-swf Geschichte 1500-1570 gnd rswk-swf Christian art and symbolism / Italy / Renaissance, 1450-1600 Devotion in art Hingabe (DE-588)4129206-6 gnd rswk-swf Florenz (DE-588)4017581-9 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Pontormo, Jacopo 1494-1557 (DE-588)118822713 p Florenz (DE-588)4017581-9 g Hingabe (DE-588)4129206-6 s Geschichte 1500-1570 z DE-604 Erscheint auch als Druck-Ausgabe 978-1-31-651055-1 https://doi.org/10.1017/9781009037952 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Maratsos, Jessica 1977- Pontormo and the art of devotion in Renaissance Italy Pontormo, Jacopo da / 1494-1556 / Criticism and interpretation Pontormo, Jacopo 1494-1557 (DE-588)118822713 gnd Christian art and symbolism / Italy / Renaissance, 1450-1600 Devotion in art Hingabe (DE-588)4129206-6 gnd |
subject_GND | (DE-588)118822713 (DE-588)4129206-6 (DE-588)4017581-9 (DE-588)4113937-9 |
title | Pontormo and the art of devotion in Renaissance Italy |
title_auth | Pontormo and the art of devotion in Renaissance Italy |
title_exact_search | Pontormo and the art of devotion in Renaissance Italy |
title_exact_search_txtP | Pontormo and the art of devotion in Renaissance Italy |
title_full | Pontormo and the art of devotion in Renaissance Italy Jessica A. Maratsos, Pembroke College, Cambridge |
title_fullStr | Pontormo and the art of devotion in Renaissance Italy Jessica A. Maratsos, Pembroke College, Cambridge |
title_full_unstemmed | Pontormo and the art of devotion in Renaissance Italy Jessica A. Maratsos, Pembroke College, Cambridge |
title_short | Pontormo and the art of devotion in Renaissance Italy |
title_sort | pontormo and the art of devotion in renaissance italy |
topic | Pontormo, Jacopo da / 1494-1556 / Criticism and interpretation Pontormo, Jacopo 1494-1557 (DE-588)118822713 gnd Christian art and symbolism / Italy / Renaissance, 1450-1600 Devotion in art Hingabe (DE-588)4129206-6 gnd |
topic_facet | Pontormo, Jacopo da / 1494-1556 / Criticism and interpretation Pontormo, Jacopo 1494-1557 Christian art and symbolism / Italy / Renaissance, 1450-1600 Devotion in art Hingabe Florenz Hochschulschrift |
url | https://doi.org/10.1017/9781009037952 |
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