Contemporary American science fiction film:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2022
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xiii, 224 Seiten Illustrationen |
| ISBN: | 9781032039640 9781032039657 |
Internformat
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Datensatz im Suchindex
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Contents List of figures List of contributors Acknowledgements Introduction: The fears and fantasies of science fiction film: Genre as cultural artefact ix xi xiv 1 TERENCE MCSWEENEY AND STUART JOY 1 A tale as old as time: Steven Spielberg’s A.l. Artificial Intelligence (2001) 14 CHRISTINE MULLER 2 Through the lens of 9/11: Reflections of Bush-era politics and the post֊9/ll milieu in Minority Report (2002) and V for Vendetta (2006) 33 FRAN PHEASANT-KELLY 3 Precarious lives, human rights, and ‘the sense of today’: The continuing resonance and relevance of Alfonso Cuarón’s Children of Men (2006) 53 TERENCE MCSWEENEY 4 Seeing and touching the bodies of others: Evolving the male animal toward secular moral enlightenment in the Planet of the Apes reboot franchise 70 CAROL DONELAN 5 Time travel, trauma, and the futility of revenge in Looper (2012) STUART JOY 91
viii Contents 6 Science fiction cinema between arthouse and blockbuster. From Stanley Kubrick’s 2001 to Christopher Nolan’s Interstellar (2014) 109 STEFFEN HANTKE 7 Twenty-first-century Star Wars: Profiles in (female) courage 128 STACEY PEEBLES 8 Rationality, emotionality, and geopolitics in Arrival (2016): From structural oppositions and reconciliations to mixed modalities and claims to “quality” status 142 GEOFF KING 9 ‘The world is built on a wall’: Deconstructing Blade Runner 2049 (2017) 160 WILL BROOKER 10 Speculative anger and collective economic strength in Boots Riley’s Sorry to Bother You (2018) 177 PAUL PETROVIČ 11 Coping with the deconstruction ofAmerican identity: Hybridization and self-destruction in Alex Garland’s Annihilation (2018) 193 ANDREW SCHOPP 12 Wakanda forever? On RyanCooglers BlackPanther (2018) 209 GERRY CANA VAN Index J* 223 |
| adam_txt |
Contents List of figures List of contributors Acknowledgements Introduction: The fears and fantasies of science fiction film: Genre as cultural artefact ix xi xiv 1 TERENCE MCSWEENEY AND STUART JOY 1 A tale as old as time: Steven Spielberg’s A.l. Artificial Intelligence (2001) 14 CHRISTINE MULLER 2 Through the lens of 9/11: Reflections of Bush-era politics and the post֊9/ll milieu in Minority Report (2002) and V for Vendetta (2006) 33 FRAN PHEASANT-KELLY 3 Precarious lives, human rights, and ‘the sense of today’: The continuing resonance and relevance of Alfonso Cuarón’s Children of Men (2006) 53 TERENCE MCSWEENEY 4 Seeing and touching the bodies of others: Evolving the male animal toward secular moral enlightenment in the Planet of the Apes reboot franchise 70 CAROL DONELAN 5 Time travel, trauma, and the futility of revenge in Looper (2012) STUART JOY 91
viii Contents 6 Science fiction cinema between arthouse and blockbuster. From Stanley Kubrick’s 2001 to Christopher Nolan’s Interstellar (2014) 109 STEFFEN HANTKE 7 Twenty-first-century Star Wars: Profiles in (female) courage 128 STACEY PEEBLES 8 Rationality, emotionality, and geopolitics in Arrival (2016): From structural oppositions and reconciliations to mixed modalities and claims to “quality” status 142 GEOFF KING 9 ‘The world is built on a wall’: Deconstructing Blade Runner 2049 (2017) 160 WILL BROOKER 10 Speculative anger and collective economic strength in Boots Riley’s Sorry to Bother You (2018) 177 PAUL PETROVIČ 11 Coping with the deconstruction ofAmerican identity: Hybridization and self-destruction in Alex Garland’s Annihilation (2018) 193 ANDREW SCHOPP 12 Wakanda forever? On RyanCooglers BlackPanther (2018) 209 GERRY CANA VAN Index J* 223 |
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| title | Contemporary American science fiction film |
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