Artist as author: action and intent in late-modernist American painting
Introduction : the artist as author -- The act-painting -- The expressive fallacy -- Rhetorics of motives -- Self-discipline -- Event as painting -- Conclusion : gridlocked
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
The University of Chicago Press
2021
|
| Schlagworte: | |
| Online-Zugang: | BTU01 FHR01 URL des Erstveröffentlichers |
| Zusammenfassung: | Introduction : the artist as author -- The act-painting -- The expressive fallacy -- Rhetorics of motives -- Self-discipline -- Event as painting -- Conclusion : gridlocked "This is the first extended study of authorship in mid-20th century abstract painting in the US. It describes how artists and critics used the medium of painting to advance their own claims about the role that they believed authorship should play in dictating the value, significance and social impact of the art object .Christa Robbins tracks the subject across two definitive periods: the "New York School" as it was consolidated in the 1950s and "Post Painterly Abstraction" in the 50s-70s. Thanks to many insistent, deep dives into key artist archives, Robbins brings to the page the minds and voices of painters Arshile Gorky, Jack Tworkov, Helen Frankenthaler, Kenneth Noland, Sam Gilliam, and Agnes Martin and of critics Harold Rosenberg, Clement Greenberg, and others. These are all important characters in the polemical histories of American modernism, but this is the first time they are placed together in a single study and treated with equal measure, as peers participating in the shared late modernist moment"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource Illustrationen |
| ISBN: | 9780226752952 |
| DOI: | 10.7208/chicago/9780226753003 |
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| 520 | 3 | |a "This is the first extended study of authorship in mid-20th century abstract painting in the US. It describes how artists and critics used the medium of painting to advance their own claims about the role that they believed authorship should play in dictating the value, significance and social impact of the art object .Christa Robbins tracks the subject across two definitive periods: the "New York School" as it was consolidated in the 1950s and "Post Painterly Abstraction" in the 50s-70s. Thanks to many insistent, deep dives into key artist archives, Robbins brings to the page the minds and voices of painters Arshile Gorky, Jack Tworkov, Helen Frankenthaler, Kenneth Noland, Sam Gilliam, and Agnes Martin and of critics Harold Rosenberg, Clement Greenberg, and others. These are all important characters in the polemical histories of American modernism, but this is the first time they are placed together in a single study and treated with equal measure, as peers participating in the shared late modernist moment"-- | |
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| discipline | Kunstgeschichte |
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| doi_str_mv | 10.7208/chicago/9780226753003 |
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| indexdate | 2024-07-10T09:23:22Z |
| institution | BVB |
| isbn | 9780226752952 |
| language | English |
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| spelling | Robbins, Christa Noel Verfasser (DE-588)1021954500 aut Artist as author action and intent in late-modernist American painting Christa Noel Robbins Chicago ; London The University of Chicago Press 2021 1 Online-Ressource Illustrationen txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Introduction : the artist as author -- The act-painting -- The expressive fallacy -- Rhetorics of motives -- Self-discipline -- Event as painting -- Conclusion : gridlocked "This is the first extended study of authorship in mid-20th century abstract painting in the US. It describes how artists and critics used the medium of painting to advance their own claims about the role that they believed authorship should play in dictating the value, significance and social impact of the art object .Christa Robbins tracks the subject across two definitive periods: the "New York School" as it was consolidated in the 1950s and "Post Painterly Abstraction" in the 50s-70s. Thanks to many insistent, deep dives into key artist archives, Robbins brings to the page the minds and voices of painters Arshile Gorky, Jack Tworkov, Helen Frankenthaler, Kenneth Noland, Sam Gilliam, and Agnes Martin and of critics Harold Rosenberg, Clement Greenberg, and others. These are all important characters in the polemical histories of American modernism, but this is the first time they are placed together in a single study and treated with equal measure, as peers participating in the shared late modernist moment"-- Moderne (DE-588)4039827-4 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Painting, American / 20th century Modernism (Art) / United States / History / 20th century Art, Abstract / United States / History / 20th century USA (DE-588)4078704-7 g Malerei (DE-588)4037220-0 s Moderne (DE-588)4039827-4 s DE-604 Erscheint auch als Online-Ausgabe 978-0-226-75300-3 Erscheint auch als Druck-Ausgabe 978-0-226-75295-2 https://doi.org/10.7208/chicago/9780226753003 URL des Erstveröffentlichers Volltext |
| spellingShingle | Robbins, Christa Noel Artist as author action and intent in late-modernist American painting Moderne (DE-588)4039827-4 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)4039827-4 (DE-588)4037220-0 (DE-588)4078704-7 |
| title | Artist as author action and intent in late-modernist American painting |
| title_auth | Artist as author action and intent in late-modernist American painting |
| title_exact_search | Artist as author action and intent in late-modernist American painting |
| title_exact_search_txtP | Artist as author action and intent in late-modernist American painting |
| title_full | Artist as author action and intent in late-modernist American painting Christa Noel Robbins |
| title_fullStr | Artist as author action and intent in late-modernist American painting Christa Noel Robbins |
| title_full_unstemmed | Artist as author action and intent in late-modernist American painting Christa Noel Robbins |
| title_short | Artist as author |
| title_sort | artist as author action and intent in late modernist american painting |
| title_sub | action and intent in late-modernist American painting |
| topic | Moderne (DE-588)4039827-4 gnd Malerei (DE-588)4037220-0 gnd |
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