Affective intensities and evolving horror forms: from found footage to virtual reality
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | vii, 226 Seiten Illustrationen 24 cm |
| ISBN: | 1474456367 9781474456364 |
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Datensatz im Suchindex
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| adam_text | Contents List of Figures Acknowledgements Introduction Evolving Forms, Evolving Affects Affect and Horror Media Horror Media and the ‘Lived Body’ Deleuze, Embodiment, Neuroscience and Horror: A ‘Machinie Assemblage’ The Book 1. From the Semantic to the Somatic: Affective Engagement with Horror Cinema Cognitivist Frameworks of Spectatorship Towards the Somatic The Phenomenology of Horror 2. From Identification to Embodied Spectatorship in the Found Footage Horror Film To Look (or Not to Look) Technologies of Perception in Horror Film Bleeding Binaries: When a Screen Becomes a Portal The Birth and Emergence of ‘Found Footage’ Horror Cinema The Unreal Reality of Found Footage Found Footage and the Embodied Spectator 3. Camera Supernaturalis The Out-of-Frame of Found Footage Into the Woods: Willow Creek and The Blair Witch Project The ‘Empty’ Frame of Found Footage Horror Cinematic Dread and the Camera of Paranormal Activity The Monster as Visual and Aural Intensification viii ix 1 1 3 6 7 9 13 14 18 23 30 30 30 33 38 41 45 54 54 56 63 66 71
vi Affective Intensities and Evolving Horror Forms 4. Perception and Point of View in the Found Footage Horror Film: New Understandings via Deleuze’s Perception-Image 74 How Do We Get‘Inside’a Movie? 75 ‘Becoming-with’ the Film 79 Deleuzian ‘Spectatorship’ 81 The Perception-Image 82 Found Footage Horror and ‘Camera Consciousness’ 88 Deleuze and Representation 91 5. Horrific Entwinement: Affective Neuroscience and the Body of the Horror Spectator The Question of Empathy Empathic Identification and ‘Embodied Simulation Theory’ Mimetic Innervation Foraging through Found Footage: Panksepp’s SEEKING Instinct 6. What Hides behind the Stream: Post-Cinematic Hauntings of the Digital The Affect of Apocrypha: Suicidemouse and 1 lbx!371 The Soundscapes of Post-Cinematic Horror Denson and the ‘Horror of Discorrelation’ 7. The Evolving Screen Forms of New Media Horror Always Watching: The Evolving Screen Form of Horror and. Marble Hornets The Embodied Experience of New Media Artefacts The Aesthetics of Distortion: Synaesthetic Qualities of Sound and Image New Modalities, New Tensions ‘Screenlife’ Horror and Unfriended On the Threshold 97 97 101 106 109 116 117 127 128 132 133 136 *144 147 149 154 8. The Embodied Player of Horror Video Games Fear in the First Person Lo-fi, High Tension: Marginalia and Anatomy Deleuze and the Video Game Spatial and Temporal Apertures in Alien: Isolation 157 157 159 164 165 9. The Spectator-Interactor of Virtual Reality Horror The Meeting Place of Virtual Reality and Horror Cinema Virtual Reality and Presence Virtual Reality and Cinema: Strange Bedfellows?
171 173 178 180
Contents The Melding of Spectator and Interactor The Radical Potential of Virtual Reality What Cinema Can Return to VR The Future of Cinematic VR vii 186 190 192 194 Conclusion 200 Bibliography Books, Articles and Websites Videos Films Television Games Index 206 206 216 217 219 219 220
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| adam_txt |
Contents List of Figures Acknowledgements Introduction Evolving Forms, Evolving Affects Affect and Horror Media Horror Media and the ‘Lived Body’ Deleuze, Embodiment, Neuroscience and Horror: A ‘Machinie Assemblage’ The Book 1. From the Semantic to the Somatic: Affective Engagement with Horror Cinema Cognitivist Frameworks of Spectatorship Towards the Somatic The Phenomenology of Horror 2. From Identification to Embodied Spectatorship in the Found Footage Horror Film To Look (or Not to Look) Technologies of Perception in Horror Film Bleeding Binaries: When a Screen Becomes a Portal The Birth and Emergence of ‘Found Footage’ Horror Cinema The Unreal Reality of Found Footage Found Footage and the Embodied Spectator 3. Camera Supernaturalis The Out-of-Frame of Found Footage Into the Woods: Willow Creek and The Blair Witch Project The ‘Empty’ Frame of Found Footage Horror Cinematic Dread and the Camera of Paranormal Activity The Monster as Visual and Aural Intensification viii ix 1 1 3 6 7 9 13 14 18 23 30 30 30 33 38 41 45 54 54 56 63 66 71
vi Affective Intensities and Evolving Horror Forms 4. Perception and Point of View in the Found Footage Horror Film: New Understandings via Deleuze’s Perception-Image 74 How Do We Get‘Inside’a Movie? 75 ‘Becoming-with’ the Film 79 Deleuzian ‘Spectatorship’ 81 The Perception-Image 82 Found Footage Horror and ‘Camera Consciousness’ 88 Deleuze and Representation 91 5. Horrific Entwinement: Affective Neuroscience and the Body of the Horror Spectator The Question of Empathy Empathic Identification and ‘Embodied Simulation Theory’ Mimetic Innervation Foraging through Found Footage: Panksepp’s SEEKING Instinct 6. What Hides behind the Stream: Post-Cinematic Hauntings of the Digital The Affect of Apocrypha: Suicidemouse and 1 lbx!371 The Soundscapes of Post-Cinematic Horror Denson and the ‘Horror of Discorrelation’ 7. The Evolving Screen Forms of New Media Horror Always Watching: The Evolving Screen Form of Horror and. Marble Hornets The Embodied Experience of New Media Artefacts The Aesthetics of Distortion: Synaesthetic Qualities of Sound and Image New Modalities, New Tensions ‘Screenlife’ Horror and Unfriended On the Threshold 97 97 101 106 109 116 117 127 128 132 133 136 *144 147 149 154 8. The Embodied Player of Horror Video Games Fear in the First Person Lo-fi, High Tension: Marginalia and Anatomy Deleuze and the Video Game Spatial and Temporal Apertures in Alien: Isolation 157 157 159 164 165 9. The Spectator-Interactor of Virtual Reality Horror The Meeting Place of Virtual Reality and Horror Cinema Virtual Reality and Presence Virtual Reality and Cinema: Strange Bedfellows?
171 173 178 180
Contents The Melding of Spectator and Interactor The Radical Potential of Virtual Reality What Cinema Can Return to VR The Future of Cinematic VR vii 186 190 192 194 Conclusion 200 Bibliography Books, Articles and Websites Videos Films Television Games Index 206 206 216 217 219 219 220 |
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| spelling | Daniel, Adam Verfasser (DE-588)1222911027 aut Affective intensities and evolving horror forms from found footage to virtual reality Adam Daniel Edinburgh Edinburgh University Press [2021] vii, 226 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Horror films / History and criticism Horror television programs / History and criticism Horror films Horror television programs Criticism, interpretation, etc Äquivalent Druck-Ausgabe, Hardcover 978-1-4744-5635-7 Erscheint auch als Online-Ausgabe, webready PDF 978-1-4744-5637-1 Erscheint auch als Online-Ausgabe, EPUB 978-1-4744-5638-8 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033240575&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Daniel, Adam Affective intensities and evolving horror forms from found footage to virtual reality |
| title | Affective intensities and evolving horror forms from found footage to virtual reality |
| title_auth | Affective intensities and evolving horror forms from found footage to virtual reality |
| title_exact_search | Affective intensities and evolving horror forms from found footage to virtual reality |
| title_exact_search_txtP | Affective intensities and evolving horror forms from found footage to virtual reality |
| title_full | Affective intensities and evolving horror forms from found footage to virtual reality Adam Daniel |
| title_fullStr | Affective intensities and evolving horror forms from found footage to virtual reality Adam Daniel |
| title_full_unstemmed | Affective intensities and evolving horror forms from found footage to virtual reality Adam Daniel |
| title_short | Affective intensities and evolving horror forms |
| title_sort | affective intensities and evolving horror forms from found footage to virtual reality |
| title_sub | from found footage to virtual reality |
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