The forms of the affects:
Ten points to begin -- A tear that does not drop, but folds -- Crying is structured like a language -- Tears without bodies -- Film theory's absent center -- Emotion, feeling, excess, affect -- Affective fallacies -- Reading for affect -- Mise-n'en-scene: formalism after presence -- Interv...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
2014
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Schlagworte: | |
Zusammenfassung: | Ten points to begin -- A tear that does not drop, but folds -- Crying is structured like a language -- Tears without bodies -- Film theory's absent center -- Emotion, feeling, excess, affect -- Affective fallacies -- Reading for affect -- Mise-n'en-scene: formalism after presence -- Interval: solitude -- The illumination of light -- Visible darkness: optics according to Augustine -- Light, the peculiar -- Ongoing dialogues with loss -- Grief without sublation -- Grief and the undialectical image -- Ma mort indialectique -- Extra missing things -- Acedia and the Pose -- Where being would have been -- A still and heavy pain -- Aesthetic exclusions and the worse than the worst -- Philosophy of the retch -- Aesthetics' tastes -- What is worse than the worst -- Objects, abjects, close-ups -- Laura Dern's vomit -- Wild hearts, sick figures -- Disgust and the cinema of haut go't -- Gastronomy according to peter greenaway -- Dissecting qualities -- Rot's progress -- On having an excellent palate -- Interval: formalism and affectivity -- Intermittency, embarrassment, dismay -- These things that creep, stir and squirm -- Heksebrev -- Interruption or the interval -- Esmoi, esmais, émoi -- Treading red blue water -- Nothing/will have taken place/but the place: open water anxiety -- Something or nothing -- A shark is a form of time -- A shark punctures a line -- Death is a turn of the color wheel -- Nothing but the place -- To begin again: the ingression of joyful forms -- Affirmable modes of recurrence -- (Shall we) let x = -- Putting one's faith in form |
Beschreibung: | Includes bibliographical references and index. - Description based on print version record |
Beschreibung: | 1 Online-Ressource (xvi, 347 pages) illustrations |
ISBN: | 9780822376774 0822376776 |
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illustrated | Illustrated |
index_date | 2024-07-03T19:15:00Z |
indexdate | 2024-07-10T09:23:06Z |
institution | BVB |
isbn | 9780822376774 0822376776 |
language | English |
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physical | 1 Online-Ressource (xvi, 347 pages) illustrations |
psigel | ZDB-198-DUP |
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publisher | Duke University Press |
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spelling | Brinkema, Eugenie 1980- Verfasser aut The forms of the affects Eugenie Brinkema Durham Duke University Press 2014 1 Online-Ressource (xvi, 347 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index. - Description based on print version record Ten points to begin -- A tear that does not drop, but folds -- Crying is structured like a language -- Tears without bodies -- Film theory's absent center -- Emotion, feeling, excess, affect -- Affective fallacies -- Reading for affect -- Mise-n'en-scene: formalism after presence -- Interval: solitude -- The illumination of light -- Visible darkness: optics according to Augustine -- Light, the peculiar -- Ongoing dialogues with loss -- Grief without sublation -- Grief and the undialectical image -- Ma mort indialectique -- Extra missing things -- Acedia and the Pose -- Where being would have been -- A still and heavy pain -- Aesthetic exclusions and the worse than the worst -- Philosophy of the retch -- Aesthetics' tastes -- What is worse than the worst -- Objects, abjects, close-ups -- Laura Dern's vomit -- Wild hearts, sick figures -- Disgust and the cinema of haut go't -- Gastronomy according to peter greenaway -- Dissecting qualities -- Rot's progress -- On having an excellent palate -- Interval: formalism and affectivity -- Intermittency, embarrassment, dismay -- These things that creep, stir and squirm -- Heksebrev -- Interruption or the interval -- Esmoi, esmais, émoi -- Treading red blue water -- Nothing/will have taken place/but the place: open water anxiety -- Something or nothing -- A shark is a form of time -- A shark punctures a line -- Death is a turn of the color wheel -- Nothing but the place -- To begin again: the ingression of joyful forms -- Affirmable modes of recurrence -- (Shall we) let x = -- Putting one's faith in form Film criticism Formalism (Literary analysis) Affect (Psychology) Critical theory Formalismus Literaturwissenschaftliche Schule (DE-588)4136437-5 gnd rswk-swf Filmkritik (DE-588)4154367-1 gnd rswk-swf Affekt (DE-588)4135470-9 gnd rswk-swf Kritische Theorie (DE-588)4073840-1 gnd rswk-swf Affekt (DE-588)4135470-9 s Formalismus Literaturwissenschaftliche Schule (DE-588)4136437-5 s Filmkritik (DE-588)4154367-1 s Kritische Theorie (DE-588)4073840-1 s DE-604 Erscheint auch als Druck-Ausgabe 9780822356448 |
spellingShingle | Brinkema, Eugenie 1980- The forms of the affects Film criticism Formalism (Literary analysis) Affect (Psychology) Critical theory Formalismus Literaturwissenschaftliche Schule (DE-588)4136437-5 gnd Filmkritik (DE-588)4154367-1 gnd Affekt (DE-588)4135470-9 gnd Kritische Theorie (DE-588)4073840-1 gnd |
subject_GND | (DE-588)4136437-5 (DE-588)4154367-1 (DE-588)4135470-9 (DE-588)4073840-1 |
title | The forms of the affects |
title_auth | The forms of the affects |
title_exact_search | The forms of the affects |
title_exact_search_txtP | The forms of the affects |
title_full | The forms of the affects Eugenie Brinkema |
title_fullStr | The forms of the affects Eugenie Brinkema |
title_full_unstemmed | The forms of the affects Eugenie Brinkema |
title_short | The forms of the affects |
title_sort | the forms of the affects |
topic | Film criticism Formalism (Literary analysis) Affect (Psychology) Critical theory Formalismus Literaturwissenschaftliche Schule (DE-588)4136437-5 gnd Filmkritik (DE-588)4154367-1 gnd Affekt (DE-588)4135470-9 gnd Kritische Theorie (DE-588)4073840-1 gnd |
topic_facet | Film criticism Formalism (Literary analysis) Affect (Psychology) Critical theory Formalismus Literaturwissenschaftliche Schule Filmkritik Affekt Kritische Theorie |
work_keys_str_mv | AT brinkemaeugenie theformsoftheaffects |