Still moving: between cinema and photography

I. BEYOND REFERENTIALITY. 1 What's the Point of an Index? or, Faking Photographs / Tom Gunning. "The Forgotten Image between Two Shots" : Photos, Photograms, and the Essayistic / Timothy Corrigan. 3 Structural Film: Noise / Juan A. Suárez -- II. NATION, MEMORY, HISTORY. 4 An Essay on...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Weitere Verfasser: Beckman, Karen Redrobe 1971- (MitwirkendeR), Ma, Jean 1972- (MitwirkendeR)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Durham Duke University Press 2008
Schlagworte:
Zusammenfassung:I. BEYOND REFERENTIALITY. 1 What's the Point of an Index? or, Faking Photographs / Tom Gunning. "The Forgotten Image between Two Shots" : Photos, Photograms, and the Essayistic / Timothy Corrigan. 3 Structural Film: Noise / Juan A. Suárez -- II. NATION, MEMORY, HISTORY. 4 An Essay on Calendar / Atom Egoyan. 5 Photography's Absent Times / Jean Ma. 6 The Idea of Still / Rebecca Baron, interviewed by Janet Sarbanes. 7 Crash Aesthetics: Amores Perros and the Dream of Cinematic Mobility / Karen Beckman. 8 Surplus Memories: From the Slide Show to the Digital Bulletin Board in Jim Mendiola's Speeder Kills / Rita Gonzalez -- III. WORKING BETWEEN MEDIA. 9 Photography's Expanded Field / George Baker. 10 Weekend Campus / Nancy Davenport. 11 Aleph Beat: Wallace Berman between Photography and Film / Louis Kaplan. 12 Mental Images: The Dramatization of Psychological Disturbance / Zoe Beloff. 13 Concerning "the Photographic" / Raymond Bellour
Beschreibung:Includes bibliographical references and index. - Description based on print version record
Beschreibung:1 Online-Ressource (vi, 312 Seiten) ill
ISBN:9780822391432
0822391430

Es ist kein Print-Exemplar vorhanden.

Fernleihe Bestellen Achtung: Nicht im THWS-Bestand!