Out takes: essays on queer theory and film
Queering the deal: on the road with Hope and Crosby / Steven Cohan -- The queer aesthete, the diva, and the Red shoes / Alexander Doty -- Rear Window's glasshole / Lee Edelman -- Visual pleasure in 1959 / D.A. Miller -- Cassandra's eyes / Bonnie Burns -- "That ain't all she ain&#...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham, NC, USA
Duke University Press
[2014?]
|
| Schriftenreihe: | Series Q
|
| Schlagworte: | |
| Online-Zugang: | DE-188 URL des Erstveröffentlichers |
| Zusammenfassung: | Queering the deal: on the road with Hope and Crosby / Steven Cohan -- The queer aesthete, the diva, and the Red shoes / Alexander Doty -- Rear Window's glasshole / Lee Edelman -- Visual pleasure in 1959 / D.A. Miller -- Cassandra's eyes / Bonnie Burns -- "That ain't all she ain't": Doris Day and queer performativity / Eric Savoy -- Lesbians who bite / Ellis Hanson -- Heavenly creatures in Godzone / Michelle Elleray -- White neurotics, black primitives, and the queer matrix of Borderline / Jean Walton -- Scandalous! Kenneth Anger and the prohibitions of Hollywood history / Matthew Tinkcom -- Queer period: Derek Jarman's renaissance / Jim Ellis -- Forbidden love: pulp as lesbian history / Amy Villarejo |
| Beschreibung: | Informationen wurden der Landingpage entnommen, da weder Titelblatt noch Impressum vorhanden sind (Duke University Press) |
| Beschreibung: | 1 Online-Ressource (vi, 364 Seiten) Illustrationen |
| ISBN: | 9780822379157 |
| DOI: | 10.1215/9780822379157 |
Internformat
MARC
| LEADER | 00000nmm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047851299 | ||
| 003 | DE-604 | ||
| 005 | 20221207 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220223s2014 |||| o||u| ||||||eng d | ||
| 020 | |a 9780822379157 |c Online |9 978-0-8223-7915-7 | ||
| 024 | 7 | |a 10.1215/9780822379157 |2 doi | |
| 035 | |a (ZDB-198-DUP)041935365 | ||
| 035 | |a (OCoLC)1302310668 | ||
| 035 | |a (DE-599)BVBBV047851299 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-188 | ||
| 084 | |a AP 50300 |0 (DE-625)7572: |2 rvk | ||
| 084 | |a MS 3010 |0 (DE-625)123653: |2 rvk | ||
| 245 | 1 | 0 | |a Out takes |b essays on queer theory and film |c edited by Ellis Hanson |
| 264 | 1 | |a Durham, NC, USA |b Duke University Press |c [2014?] | |
| 300 | |a 1 Online-Ressource (vi, 364 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Series Q | |
| 500 | |a Informationen wurden der Landingpage entnommen, da weder Titelblatt noch Impressum vorhanden sind (Duke University Press) | ||
| 520 | |a Queering the deal: on the road with Hope and Crosby / Steven Cohan -- The queer aesthete, the diva, and the Red shoes / Alexander Doty -- Rear Window's glasshole / Lee Edelman -- Visual pleasure in 1959 / D.A. Miller -- Cassandra's eyes / Bonnie Burns -- "That ain't all she ain't": Doris Day and queer performativity / Eric Savoy -- Lesbians who bite / Ellis Hanson -- Heavenly creatures in Godzone / Michelle Elleray -- White neurotics, black primitives, and the queer matrix of Borderline / Jean Walton -- Scandalous! Kenneth Anger and the prohibitions of Hollywood history / Matthew Tinkcom -- Queer period: Derek Jarman's renaissance / Jim Ellis -- Forbidden love: pulp as lesbian history / Amy Villarejo | ||
| 534 | |c 1999 | ||
| 650 | 4 | |a Homosexuality in motion pictures | |
| 650 | 4 | |a Homosexuality and motion pictures | |
| 650 | 4 | |a Gay motion picture producers and directors | |
| 650 | 4 | |a Queer theory | |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Lesbische Orientierung |0 (DE-588)4035432-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Homosexualität |0 (DE-588)4025798-8 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 1 | |a Homosexualität |0 (DE-588)4025798-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 1 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 1 | 2 | |a Homosexualität |0 (DE-588)4025798-8 |D s |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 2 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 2 | 2 | |a Lesbische Orientierung |0 (DE-588)4035432-5 |D s |
| 689 | 2 | |5 DE-604 | |
| 700 | 1 | |a Hanson, Ellis |d 1965- |0 (DE-588)173184138 |4 edt | |
| 776 | 0 | 8 | |i Elektronische Reproduktion von |t Out takes |d Durham : Duke University Press, 1999 |z 978-0-8223-2309-9 |z 978-0-8223-2342-6 |w (DE-604)BV012784364 |
| 856 | 4 | 0 | |u https://doi.org/10.1215/9780822379157 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-198-DUP |a ZDB-198-DUG | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033234133 | |
| 966 | e | |u https://doi.org/10.1215/9780822379157 |l DE-188 |p ZDB-198-DUG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1811034963070418944 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Hanson, Ellis 1965- |
| author2_role | edt |
| author2_variant | e h eh |
| author_GND | (DE-588)173184138 |
| author_facet | Hanson, Ellis 1965- |
| building | Verbundindex |
| bvnumber | BV047851299 |
| classification_rvk | AP 50300 MS 3010 |
| collection | ZDB-198-DUP ZDB-198-DUG |
| ctrlnum | (ZDB-198-DUP)041935365 (OCoLC)1302310668 (DE-599)BVBBV047851299 |
| discipline | Allgemeines Soziologie |
| discipline_str_mv | Allgemeines Soziologie |
| doi_str_mv | 10.1215/9780822379157 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000 c 4500</leader><controlfield tag="001">BV047851299</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221207</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220223s2014 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780822379157</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-8223-7915-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1215/9780822379157</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-198-DUP)041935365</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1302310668</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047851299</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-188</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 50300</subfield><subfield code="0">(DE-625)7572:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MS 3010</subfield><subfield code="0">(DE-625)123653:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Out takes</subfield><subfield code="b">essays on queer theory and film</subfield><subfield code="c">edited by Ellis Hanson</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham, NC, USA</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">[2014?]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (vi, 364 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Series Q</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Informationen wurden der Landingpage entnommen, da weder Titelblatt noch Impressum vorhanden sind (Duke University Press)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Queering the deal: on the road with Hope and Crosby / Steven Cohan -- The queer aesthete, the diva, and the Red shoes / Alexander Doty -- Rear Window's glasshole / Lee Edelman -- Visual pleasure in 1959 / D.A. Miller -- Cassandra's eyes / Bonnie Burns -- "That ain't all she ain't": Doris Day and queer performativity / Eric Savoy -- Lesbians who bite / Ellis Hanson -- Heavenly creatures in Godzone / Michelle Elleray -- White neurotics, black primitives, and the queer matrix of Borderline / Jean Walton -- Scandalous! Kenneth Anger and the prohibitions of Hollywood history / Matthew Tinkcom -- Queer period: Derek Jarman's renaissance / Jim Ellis -- Forbidden love: pulp as lesbian history / Amy Villarejo</subfield></datafield><datafield tag="534" ind1=" " ind2=" "><subfield code="c">1999</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Homosexuality in motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Homosexuality and motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gay motion picture producers and directors</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Queer theory</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Lesbische Orientierung</subfield><subfield code="0">(DE-588)4035432-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Homosexualität</subfield><subfield code="0">(DE-588)4025798-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Homosexualität</subfield><subfield code="0">(DE-588)4025798-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Homosexualität</subfield><subfield code="0">(DE-588)4025798-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="2"><subfield code="a">Lesbische Orientierung</subfield><subfield code="0">(DE-588)4035432-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hanson, Ellis</subfield><subfield code="d">1965-</subfield><subfield code="0">(DE-588)173184138</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Elektronische Reproduktion von</subfield><subfield code="t">Out takes</subfield><subfield code="d">Durham : Duke University Press, 1999</subfield><subfield code="z">978-0-8223-2309-9</subfield><subfield code="z">978-0-8223-2342-6</subfield><subfield code="w">(DE-604)BV012784364</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1215/9780822379157</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-198-DUP</subfield><subfield code="a">ZDB-198-DUG</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033234133</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1215/9780822379157</subfield><subfield code="l">DE-188</subfield><subfield code="p">ZDB-198-DUG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV047851299 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:14:59Z |
| indexdate | 2024-09-24T00:25:30Z |
| institution | BVB |
| isbn | 9780822379157 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033234133 |
| oclc_num | 1302310668 |
| open_access_boolean | |
| owner | DE-188 |
| owner_facet | DE-188 |
| physical | 1 Online-Ressource (vi, 364 Seiten) Illustrationen |
| psigel | ZDB-198-DUP ZDB-198-DUG |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Duke University Press |
| record_format | marc |
| series2 | Series Q |
| spelling | Out takes essays on queer theory and film edited by Ellis Hanson Durham, NC, USA Duke University Press [2014?] 1 Online-Ressource (vi, 364 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Series Q Informationen wurden der Landingpage entnommen, da weder Titelblatt noch Impressum vorhanden sind (Duke University Press) Queering the deal: on the road with Hope and Crosby / Steven Cohan -- The queer aesthete, the diva, and the Red shoes / Alexander Doty -- Rear Window's glasshole / Lee Edelman -- Visual pleasure in 1959 / D.A. Miller -- Cassandra's eyes / Bonnie Burns -- "That ain't all she ain't": Doris Day and queer performativity / Eric Savoy -- Lesbians who bite / Ellis Hanson -- Heavenly creatures in Godzone / Michelle Elleray -- White neurotics, black primitives, and the queer matrix of Borderline / Jean Walton -- Scandalous! Kenneth Anger and the prohibitions of Hollywood history / Matthew Tinkcom -- Queer period: Derek Jarman's renaissance / Jim Ellis -- Forbidden love: pulp as lesbian history / Amy Villarejo 1999 Homosexuality in motion pictures Homosexuality and motion pictures Gay motion picture producers and directors Queer theory Film (DE-588)4017102-4 gnd rswk-swf Lesbische Orientierung (DE-588)4035432-5 gnd rswk-swf Homosexualität (DE-588)4025798-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Film (DE-588)4017102-4 s Homosexualität (DE-588)4025798-8 s DE-604 USA (DE-588)4078704-7 g Lesbische Orientierung (DE-588)4035432-5 s Hanson, Ellis 1965- (DE-588)173184138 edt Elektronische Reproduktion von Out takes Durham : Duke University Press, 1999 978-0-8223-2309-9 978-0-8223-2342-6 (DE-604)BV012784364 https://doi.org/10.1215/9780822379157 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Out takes essays on queer theory and film Homosexuality in motion pictures Homosexuality and motion pictures Gay motion picture producers and directors Queer theory Film (DE-588)4017102-4 gnd Lesbische Orientierung (DE-588)4035432-5 gnd Homosexualität (DE-588)4025798-8 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4035432-5 (DE-588)4025798-8 (DE-588)4078704-7 |
| title | Out takes essays on queer theory and film |
| title_auth | Out takes essays on queer theory and film |
| title_exact_search | Out takes essays on queer theory and film |
| title_exact_search_txtP | Out takes essays on queer theory and film |
| title_full | Out takes essays on queer theory and film edited by Ellis Hanson |
| title_fullStr | Out takes essays on queer theory and film edited by Ellis Hanson |
| title_full_unstemmed | Out takes essays on queer theory and film edited by Ellis Hanson |
| title_short | Out takes |
| title_sort | out takes essays on queer theory and film |
| title_sub | essays on queer theory and film |
| topic | Homosexuality in motion pictures Homosexuality and motion pictures Gay motion picture producers and directors Queer theory Film (DE-588)4017102-4 gnd Lesbische Orientierung (DE-588)4035432-5 gnd Homosexualität (DE-588)4025798-8 gnd |
| topic_facet | Homosexuality in motion pictures Homosexuality and motion pictures Gay motion picture producers and directors Queer theory Film Lesbische Orientierung Homosexualität USA |
| url | https://doi.org/10.1215/9780822379157 |
| work_keys_str_mv | AT hansonellis outtakesessaysonqueertheoryandfilm |