Shakespeare's dramatic transactions:
Integrating Actor and Audience -- Language, Staging, and ''Affect'': Figurenposition in Richard III -- Engagement and Detachment in Richard II -- Representation and Privileged Knowledge in Hamlet -- Location and Idiom in Othello -- Multiconsciousness in King Lear -- Voice and Mul...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
1990
|
| Schlagworte: | |
| Zusammenfassung: | Integrating Actor and Audience -- Language, Staging, and ''Affect'': Figurenposition in Richard III -- Engagement and Detachment in Richard II -- Representation and Privileged Knowledge in Hamlet -- Location and Idiom in Othello -- Multiconsciousness in King Lear -- Voice and Multiple Awareness in Macbeth -- Directing Sympathy in Antony and Cleopatra |
| Beschreibung: | Includes bibliographical references (p. 193-216) and index |
| Beschreibung: | xiv, 226 p 24 cm |
| ISBN: | 9780822382836 0822382830 |
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| 520 | |a Integrating Actor and Audience -- Language, Staging, and ''Affect'': Figurenposition in Richard III -- Engagement and Detachment in Richard II -- Representation and Privileged Knowledge in Hamlet -- Location and Idiom in Othello -- Multiconsciousness in King Lear -- Voice and Multiple Awareness in Macbeth -- Directing Sympathy in Antony and Cleopatra | ||
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:14:58Z |
| indexdate | 2024-07-10T09:23:04Z |
| institution | BVB |
| isbn | 9780822382836 0822382830 |
| language | English |
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| physical | xiv, 226 p 24 cm |
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| publishDate | 1990 |
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| publisher | Duke University Press |
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| spelling | Mooney, Michael E. 1947- Verfasser aut Shakespeare's dramatic transactions Michael E. Mooney Durham Duke University Press 1990 xiv, 226 p 24 cm txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (p. 193-216) and index Integrating Actor and Audience -- Language, Staging, and ''Affect'': Figurenposition in Richard III -- Engagement and Detachment in Richard II -- Representation and Privileged Knowledge in Hamlet -- Location and Idiom in Othello -- Multiconsciousness in King Lear -- Voice and Multiple Awareness in Macbeth -- Directing Sympathy in Antony and Cleopatra Shakespeare, William / 1564-1616 / Tragedies Shakespeare, William / 1564-1616 / Dramatic production Theater audiences / History / 16th century / England Theater audiences / History / 17th century / England |
| spellingShingle | Mooney, Michael E. 1947- Shakespeare's dramatic transactions Shakespeare, William / 1564-1616 / Tragedies Shakespeare, William / 1564-1616 / Dramatic production Theater audiences / History / 16th century / England Theater audiences / History / 17th century / England |
| title | Shakespeare's dramatic transactions |
| title_auth | Shakespeare's dramatic transactions |
| title_exact_search | Shakespeare's dramatic transactions |
| title_exact_search_txtP | Shakespeare's dramatic transactions |
| title_full | Shakespeare's dramatic transactions Michael E. Mooney |
| title_fullStr | Shakespeare's dramatic transactions Michael E. Mooney |
| title_full_unstemmed | Shakespeare's dramatic transactions Michael E. Mooney |
| title_short | Shakespeare's dramatic transactions |
| title_sort | shakespeare s dramatic transactions |
| topic | Shakespeare, William / 1564-1616 / Tragedies Shakespeare, William / 1564-1616 / Dramatic production Theater audiences / History / 16th century / England Theater audiences / History / 17th century / England |
| topic_facet | Shakespeare, William / 1564-1616 / Tragedies Shakespeare, William / 1564-1616 / Dramatic production Theater audiences / History / 16th century / England Theater audiences / History / 17th century / England |
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