The audible past: cultural origins of sound reproduction
1. Machines to Hear for Them -- 2. Techniques of Listening -- 3. Audile Technique and Media -- 4. Plastic Aurality: Technologies into Media -- 5. The Social Genesis of Sound Fidelity -- 6. A Resonant Tomb -- Conclusion: Audible Futures
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
c2003
|
| Schlagworte: | |
| Zusammenfassung: | 1. Machines to Hear for Them -- 2. Techniques of Listening -- 3. Audile Technique and Media -- 4. Plastic Aurality: Technologies into Media -- 5. The Social Genesis of Sound Fidelity -- 6. A Resonant Tomb -- Conclusion: Audible Futures |
| Beschreibung: | Includes bibliographical references (p. [415]-436) and index |
| Beschreibung: | xvi, 450 p ill 26 cm |
| ISBN: | 9780822384250 0822384256 |
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| 245 | 1 | 0 | |a The audible past |b cultural origins of sound reproduction |c Jonathan Sterne |
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| 520 | |a 1. Machines to Hear for Them -- 2. Techniques of Listening -- 3. Audile Technique and Media -- 4. Plastic Aurality: Technologies into Media -- 5. The Social Genesis of Sound Fidelity -- 6. A Resonant Tomb -- Conclusion: Audible Futures | ||
| 650 | 4 | |a Sound / Recording and reproducing / History | |
| 650 | 4 | |a Sound recording industry / Social aspects | |
| 650 | 4 | |a Sound in mass media | |
| 650 | 4 | |a Sound recordings / Social aspects | |
| 650 | 4 | |a Popular culture | |
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Datensatz im Suchindex
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:14:58Z |
| indexdate | 2024-07-10T09:23:04Z |
| institution | BVB |
| isbn | 9780822384250 0822384256 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033233808 |
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| physical | xvi, 450 p ill 26 cm |
| psigel | ZDB-198-DUP |
| publishDate | 2003 |
| publishDateSearch | 2003 |
| publishDateSort | 2003 |
| publisher | Duke University Press |
| record_format | marc |
| spelling | Sterne, Jonathan 1970- Verfasser aut The audible past cultural origins of sound reproduction Jonathan Sterne Durham Duke University Press c2003 xvi, 450 p ill 26 cm txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (p. [415]-436) and index 1. Machines to Hear for Them -- 2. Techniques of Listening -- 3. Audile Technique and Media -- 4. Plastic Aurality: Technologies into Media -- 5. The Social Genesis of Sound Fidelity -- 6. A Resonant Tomb -- Conclusion: Audible Futures Sound / Recording and reproducing / History Sound recording industry / Social aspects Sound in mass media Sound recordings / Social aspects Popular culture |
| spellingShingle | Sterne, Jonathan 1970- The audible past cultural origins of sound reproduction Sound / Recording and reproducing / History Sound recording industry / Social aspects Sound in mass media Sound recordings / Social aspects Popular culture |
| title | The audible past cultural origins of sound reproduction |
| title_auth | The audible past cultural origins of sound reproduction |
| title_exact_search | The audible past cultural origins of sound reproduction |
| title_exact_search_txtP | The audible past cultural origins of sound reproduction |
| title_full | The audible past cultural origins of sound reproduction Jonathan Sterne |
| title_fullStr | The audible past cultural origins of sound reproduction Jonathan Sterne |
| title_full_unstemmed | The audible past cultural origins of sound reproduction Jonathan Sterne |
| title_short | The audible past |
| title_sort | the audible past cultural origins of sound reproduction |
| title_sub | cultural origins of sound reproduction |
| topic | Sound / Recording and reproducing / History Sound recording industry / Social aspects Sound in mass media Sound recordings / Social aspects Popular culture |
| topic_facet | Sound / Recording and reproducing / History Sound recording industry / Social aspects Sound in mass media Sound recordings / Social aspects Popular culture |
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