Wet: on painting, feminism, and art culture
Appropriated sexuality -- Representations of the penis -- Forensics: the part for the hole -- The bitter tea of General Yen: paintings by David Diao -- From liberation to lack -- Ana Mendieta -- Medusa redux: Ida Appelbroog and the spaces of postmodernity -- The return of the same -- Just the facts,...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham, NC, USA
Duke University Press
[2012?]
|
Schlagworte: | |
Online-Zugang: | FUBA1 Volltext |
Zusammenfassung: | Appropriated sexuality -- Representations of the penis -- Forensics: the part for the hole -- The bitter tea of General Yen: paintings by David Diao -- From liberation to lack -- Ana Mendieta -- Medusa redux: Ida Appelbroog and the spaces of postmodernity -- The return of the same -- Just the facts, ma'am -- Patrilineage -- On failure and anonymity -- Authority and learning -- Bonnard's ants -- Figure/ground -- Researching visual pleasure -- The erotics of visuality -- Course proposal -- Painting as manual -- You can't leave home without it |
Beschreibung: | Informationen wurden der Landingpage entnommen, da weder Titelblatt noch Impressum vorhanden sind (Duke University Press) |
Beschreibung: | 1 Online-Ressource (xviii, 261 Seiten) Illustrationen |
ISBN: | 9780822399353 |
DOI: | 10.1215/9780822399353 |
Internformat
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Datensatz im Suchindex
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isbn | 9780822399353 |
language | English |
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spelling | Schor, Mira 1950- Verfasser (DE-588)139063757 aut Wet on painting, feminism, and art culture by Mira Schor Durham, NC, USA Duke University Press [2012?] 1 Online-Ressource (xviii, 261 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Informationen wurden der Landingpage entnommen, da weder Titelblatt noch Impressum vorhanden sind (Duke University Press) Appropriated sexuality -- Representations of the penis -- Forensics: the part for the hole -- The bitter tea of General Yen: paintings by David Diao -- From liberation to lack -- Ana Mendieta -- Medusa redux: Ida Appelbroog and the spaces of postmodernity -- The return of the same -- Just the facts, ma'am -- Patrilineage -- On failure and anonymity -- Authority and learning -- Bonnard's ants -- Figure/ground -- Researching visual pleasure -- The erotics of visuality -- Course proposal -- Painting as manual -- You can't leave home without it 1997 Feminism and art / United States Frauenkunst (DE-588)4370467-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Frauenkunst (DE-588)4370467-0 s DE-604 Elektronische Reproduktion von Schor, Mira, 1950- Wet Durham : Duke University Press, 1997 978-0-8223-1910-8 978-0-8223-1915-3 (DE-604)BV026554582 https://doi.org/10.1215/9780822399353 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Schor, Mira 1950- Wet on painting, feminism, and art culture Feminism and art / United States Frauenkunst (DE-588)4370467-0 gnd |
subject_GND | (DE-588)4370467-0 (DE-588)4078704-7 |
title | Wet on painting, feminism, and art culture |
title_auth | Wet on painting, feminism, and art culture |
title_exact_search | Wet on painting, feminism, and art culture |
title_exact_search_txtP | Wet on painting, feminism, and art culture |
title_full | Wet on painting, feminism, and art culture by Mira Schor |
title_fullStr | Wet on painting, feminism, and art culture by Mira Schor |
title_full_unstemmed | Wet on painting, feminism, and art culture by Mira Schor |
title_short | Wet |
title_sort | wet on painting feminism and art culture |
title_sub | on painting, feminism, and art culture |
topic | Feminism and art / United States Frauenkunst (DE-588)4370467-0 gnd |
topic_facet | Feminism and art / United States Frauenkunst USA |
url | https://doi.org/10.1215/9780822399353 |
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