Statements and Performance Transcripts -- Two Biographical Statements (2012 and 2019) -- Cutting Out the New York Times (CONYT), 1977 (2006) -- Mlle Bourgeoise Noire 1955 (1981) -- Rivers, First Draft, 1982: Working Script, Cast List, Production Credits (1982) ............. -- Statement for Moira Ro...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	O'Grady, Lorraine (VerfasserIn)
Weitere Verfasser:	D'Souza, Aruna (HerausgeberIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Durham Duke University Press 2020
Schlagworte:	O'Grady, Lorraine O'Grady, Lorraine > 1934- Geschichte 1973-2019 Conceptual art Words in art Concept-art USA Aufsatzsammlung
Zusammenfassung:	Statements and Performance Transcripts -- Two Biographical Statements (2012 and 2019) -- Cutting Out the New York Times (CONYT), 1977 (2006) -- Mlle Bourgeoise Noire 1955 (1981) -- Rivers, First Draft, 1982: Working Script, Cast List, Production Credits (1982) ............. -- Statement for Moira Roth re: Art Is . . . , 1983 (2007) -- Body Is the Ground of My Experience, 1991: Image Descriptions (2010) -- Studies for a 16-diptych installation to be called Flowers of Evil and Good, 1995-present -- (1998) -- Writing in Space -- Performance Statement #1: Thoughts about myself, when seen as a political performance -- artist (1981) -- Performance Statement #2: Why Judson Memorial? or, Thoughts about the spiritual -- attitudes of my work (1982) -- Performance Statement #3: Thinking Out Loud: About Performance Art and My Place in It -- (1983) -- Nefertiti/Devonia Evangeline (1997) -- Interview with Cecilia Alemani: Living Symbols of New Epochs (2010) -- Interview with Amanda Hunt on Art Is . . . (2015) -- iv -- On creating a counter-confessional poetry (2018) -- Reclaiming Black Female Subjectivity -- Black Dreams (1982) -- Interview with Linda Montano (1986) -- Dada Meets Mama: Lorraine O'Grady on WAC (1992) -- The Cave: Lorraine O'Grady on Black Women Film Directors (1992) -- Olympia's Maid: Reclaiming Black Female Subjectivity (1992/1994) -- Mlle Bourgeoise Noire and Feminism (2007) -- Hybridity, Diaspora, and Thinking Both/And -- On being the presence that signals an absence (1993) -- Some Thoughts on Diaspora and Hybridity (1994) -- Flannery and Other Regions (1999) -- Responding Politically to William Kentridge (2002) -- Sketchy Thoughts on My Attraction to the Surrealists (2013) -- Two Exhibits: The Diptych vs. The Triptych (1998) and Notes on the Diptych (2018) -- Introducing: Lorraine O'Grady and Juliana Huxtable (2016) -- Other Art Worlds -- A Day at the Races: Lorraine O'Grady on Jean-Michel Basquiat and the Black Art World -- (1993) -- SWM: on Sean Landers (1994) -- Poison Ivy (1998) -- The Black and White Show, 1982 (2009) -- Email QA with Artforum Editor (2009) -- My 1980s (2012) -- Rivers and Just Above Midtown (2013, 2015) -- RetrospectivesPortal Logo -- MARC Editor -- Input TOC Content -- v -- Interview with Laura Cottingham (1995) -- Interview with Jarrett Earnest (2016) -- The Mademoiselle Bourgeoise Noire Project, 1980-1983 (2018) -- Job History (from a feminist "retrospective") (2004) -- First there is a mountain, Then there is no mountain, Then . . . ? (1973) -- The Wailers and Bruce Springsteen at Max's Kansas City, July 18, 1973 (1973)
Beschreibung:	Includes index. - Description based on print version record
Beschreibung:	1 Online-Ressource (xxxv, 336 pages) illustrations
ISBN:	9781478012658 147801265X