All that Jazz: Rome's Galleria Nazionale d'Arte Moderna and the rise of abstraction in postwar Italy
On 3 February 1951, the opening night of the exhibition Arte astratta e concreta in Italia (Abstract and concrete art in Italy) at the Galleria Nazionale d'Arte Moderna (GNAM) in Rome a jazz band took the art world by storm. Indeed, a jazz band was an uncommon sight in the context of a modern a...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2021
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| Schlagworte: | |
| Zusammenfassung: | On 3 February 1951, the opening night of the exhibition Arte astratta e concreta in Italia (Abstract and concrete art in Italy) at the Galleria Nazionale d'Arte Moderna (GNAM) in Rome a jazz band took the art world by storm. Indeed, a jazz band was an uncommon sight in the context of a modern art museum and yet it signaled a seismic shift in the development of postwar Italian art. While the polarization of the Italian art world of the 1950s, ensuing from the abstraction versus figuration feud, has been extensively rehearsed, this chapter focuses specifically on the strategic role played by the GNAM and its legendary director Palma Bucarelli in the deployment of abstraction to reclaim a place for Italy in the larger modernist narrative. Abstraction was, in fact, given center stage in the gallery’s program of temporary exhibitions, permanent collection displays and acquisitions, concurrently sanctioning the internationalization of the GNAM and of postwar Italian art. |
| ISBN: | 978-0-367-14084-7 |
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| 520 | 3 | |a On 3 February 1951, the opening night of the exhibition Arte astratta e concreta in Italia (Abstract and concrete art in Italy) at the Galleria Nazionale d'Arte Moderna (GNAM) in Rome a jazz band took the art world by storm. Indeed, a jazz band was an uncommon sight in the context of a modern art museum and yet it signaled a seismic shift in the development of postwar Italian art. While the polarization of the Italian art world of the 1950s, ensuing from the abstraction versus figuration feud, has been extensively rehearsed, this chapter focuses specifically on the strategic role played by the GNAM and its legendary director Palma Bucarelli in the deployment of abstraction to reclaim a place for Italy in the larger modernist narrative. Abstraction was, in fact, given center stage in the gallery’s program of temporary exhibitions, permanent collection displays and acquisitions, concurrently sanctioning the internationalization of the GNAM and of postwar Italian art. | |
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| spelling | Frigeri, Flavia Verfasser (DE-588)1069891800 aut All that Jazz Rome's Galleria Nazionale d'Arte Moderna and the rise of abstraction in postwar Italy Flavia Frigeri 2021 txt rdacontent n rdamedia nc rdacarrier On 3 February 1951, the opening night of the exhibition Arte astratta e concreta in Italia (Abstract and concrete art in Italy) at the Galleria Nazionale d'Arte Moderna (GNAM) in Rome a jazz band took the art world by storm. Indeed, a jazz band was an uncommon sight in the context of a modern art museum and yet it signaled a seismic shift in the development of postwar Italian art. While the polarization of the Italian art world of the 1950s, ensuing from the abstraction versus figuration feud, has been extensively rehearsed, this chapter focuses specifically on the strategic role played by the GNAM and its legendary director Palma Bucarelli in the deployment of abstraction to reclaim a place for Italy in the larger modernist narrative. Abstraction was, in fact, given center stage in the gallery’s program of temporary exhibitions, permanent collection displays and acquisitions, concurrently sanctioning the internationalization of the GNAM and of postwar Italian art. Bucarelli, Palma 1910-1998 (DE-588)121141411 gnd rswk-swf Galleria nazionale d'arte moderna e contemporanea (DE-588)1021300-4 gnd rswk-swf Geschichte 1950-1960 gnd rswk-swf Figuration Kunst (DE-588)4435923-8 gnd rswk-swf Abstrakte Kunst (DE-588)4141146-8 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Galleria nazionale d'arte moderna e contemporanea (DE-588)1021300-4 b Italien (DE-588)4027833-5 g Kunst (DE-588)4114333-4 s Abstrakte Kunst (DE-588)4141146-8 s Figuration Kunst (DE-588)4435923-8 s Geschichte 1950-1960 z DE-604 Bucarelli, Palma 1910-1998 (DE-588)121141411 p pages:232-243 New histories of art in the global postwar era / edited by Flavia Frigeri and Kristian Handberg New York ; London, 2021 Seite 232-243 (DE-604)BV047683278 978-0-367-14084-7 |
| spellingShingle | Frigeri, Flavia All that Jazz Rome's Galleria Nazionale d'Arte Moderna and the rise of abstraction in postwar Italy Bucarelli, Palma 1910-1998 (DE-588)121141411 gnd Galleria nazionale d'arte moderna e contemporanea (DE-588)1021300-4 gnd Figuration Kunst (DE-588)4435923-8 gnd Abstrakte Kunst (DE-588)4141146-8 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)121141411 (DE-588)1021300-4 (DE-588)4435923-8 (DE-588)4141146-8 (DE-588)4114333-4 (DE-588)4027833-5 |
| title | All that Jazz Rome's Galleria Nazionale d'Arte Moderna and the rise of abstraction in postwar Italy |
| title_auth | All that Jazz Rome's Galleria Nazionale d'Arte Moderna and the rise of abstraction in postwar Italy |
| title_exact_search | All that Jazz Rome's Galleria Nazionale d'Arte Moderna and the rise of abstraction in postwar Italy |
| title_exact_search_txtP | All that Jazz Rome's Galleria Nazionale d'Arte Moderna and the rise of abstraction in postwar Italy |
| title_full | All that Jazz Rome's Galleria Nazionale d'Arte Moderna and the rise of abstraction in postwar Italy Flavia Frigeri |
| title_fullStr | All that Jazz Rome's Galleria Nazionale d'Arte Moderna and the rise of abstraction in postwar Italy Flavia Frigeri |
| title_full_unstemmed | All that Jazz Rome's Galleria Nazionale d'Arte Moderna and the rise of abstraction in postwar Italy Flavia Frigeri |
| title_short | All that Jazz |
| title_sort | all that jazz rome s galleria nazionale d arte moderna and the rise of abstraction in postwar italy |
| title_sub | Rome's Galleria Nazionale d'Arte Moderna and the rise of abstraction in postwar Italy |
| topic | Bucarelli, Palma 1910-1998 (DE-588)121141411 gnd Galleria nazionale d'arte moderna e contemporanea (DE-588)1021300-4 gnd Figuration Kunst (DE-588)4435923-8 gnd Abstrakte Kunst (DE-588)4141146-8 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Bucarelli, Palma 1910-1998 Galleria nazionale d'arte moderna e contemporanea Figuration Kunst Abstrakte Kunst Kunst Italien |
| work_keys_str_mv | AT frigeriflavia allthatjazzromesgallerianazionaledartemodernaandtheriseofabstractioninpostwaritaly |