Origins and brinks: multiple modernisms in postwar London
This chapter stages speculative encounters between four artists who lived in the British capital for a substantial period of time in the 1950s in an attempt to recapture a sense of the fluidity and idiosyncrasy of this cultural landscape. With powerful associations to questions of origins, identity...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2021
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| Schlagworte: | |
| Zusammenfassung: | This chapter stages speculative encounters between four artists who lived in the British capital for a substantial period of time in the 1950s in an attempt to recapture a sense of the fluidity and idiosyncrasy of this cultural landscape. With powerful associations to questions of origins, identity and inheritance, the study of this motif offers an ideal vantage point from which to deconstruct the fiction of single modernism unfolding along a teleological axis. The drawing, which Sarah and Anthony Jackson acquired in 1952, portrays a pterosaur cranium and is one in series of studies for a much larger canvas titled The Origins of the Land. Art historians have typically related this repertoire to wartime trauma. "In the aftermath of death camps and Hiroshima," Sarah Wilson argued in her seminal account of postwar existentialism, "the idea of a reversal of evolution, the degeneration of the human through mammal and bat to bird and insect forms was a powerful metaphor of regression.". |
| Beschreibung: | Illustrationen |
| ISBN: | 978-0-367-14084-7 |
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| 520 | 3 | |a This chapter stages speculative encounters between four artists who lived in the British capital for a substantial period of time in the 1950s in an attempt to recapture a sense of the fluidity and idiosyncrasy of this cultural landscape. With powerful associations to questions of origins, identity and inheritance, the study of this motif offers an ideal vantage point from which to deconstruct the fiction of single modernism unfolding along a teleological axis. The drawing, which Sarah and Anthony Jackson acquired in 1952, portrays a pterosaur cranium and is one in series of studies for a much larger canvas titled The Origins of the Land. Art historians have typically related this repertoire to wartime trauma. "In the aftermath of death camps and Hiroshima," Sarah Wilson argued in her seminal account of postwar existentialism, "the idea of a reversal of evolution, the degeneration of the human through mammal and bat to bird and insect forms was a powerful metaphor of regression.". | |
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| spelling | Smith, Giulia Verfasser aut Origins and brinks multiple modernisms in postwar London Giulia Smith 2021 Illustrationen txt rdacontent n rdamedia nc rdacarrier This chapter stages speculative encounters between four artists who lived in the British capital for a substantial period of time in the 1950s in an attempt to recapture a sense of the fluidity and idiosyncrasy of this cultural landscape. With powerful associations to questions of origins, identity and inheritance, the study of this motif offers an ideal vantage point from which to deconstruct the fiction of single modernism unfolding along a teleological axis. The drawing, which Sarah and Anthony Jackson acquired in 1952, portrays a pterosaur cranium and is one in series of studies for a much larger canvas titled The Origins of the Land. Art historians have typically related this repertoire to wartime trauma. "In the aftermath of death camps and Hiroshima," Sarah Wilson argued in her seminal account of postwar existentialism, "the idea of a reversal of evolution, the degeneration of the human through mammal and bat to bird and insect forms was a powerful metaphor of regression.". Jackson, Sarah 1924-2004 (DE-588)1203005741 gnd rswk-swf Williams, Aubrey 1926-1990 (DE-588)121110613 gnd rswk-swf Scanavino, Emilio 1922-1986 (DE-588)119233258 gnd rswk-swf Sutherland, Graham 1903-1980 (DE-588)11862010X gnd rswk-swf Geschichte 1950-1960 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf London (DE-588)4074335-4 gnd rswk-swf Scanavino, Emilio 1922-1986 (DE-588)119233258 p Jackson, Sarah 1924-2004 (DE-588)1203005741 p Sutherland, Graham 1903-1980 (DE-588)11862010X p Williams, Aubrey 1926-1990 (DE-588)121110613 p London (DE-588)4074335-4 g Kunst (DE-588)4114333-4 s Moderne (DE-588)4039827-4 s Geschichte 1950-1960 z DE-604 pages:43-56 New histories of art in the global postwar era / edited by Flavia Frigeri and Kristian Handberg New York ; London, 2021 Seite 43-56 (DE-604)BV047683278 978-0-367-14084-7 |
| spellingShingle | Smith, Giulia Origins and brinks multiple modernisms in postwar London Jackson, Sarah 1924-2004 (DE-588)1203005741 gnd Williams, Aubrey 1926-1990 (DE-588)121110613 gnd Scanavino, Emilio 1922-1986 (DE-588)119233258 gnd Sutherland, Graham 1903-1980 (DE-588)11862010X gnd Kunst (DE-588)4114333-4 gnd Moderne (DE-588)4039827-4 gnd |
| subject_GND | (DE-588)1203005741 (DE-588)121110613 (DE-588)119233258 (DE-588)11862010X (DE-588)4114333-4 (DE-588)4039827-4 (DE-588)4074335-4 |
| title | Origins and brinks multiple modernisms in postwar London |
| title_auth | Origins and brinks multiple modernisms in postwar London |
| title_exact_search | Origins and brinks multiple modernisms in postwar London |
| title_exact_search_txtP | Origins and brinks multiple modernisms in postwar London |
| title_full | Origins and brinks multiple modernisms in postwar London Giulia Smith |
| title_fullStr | Origins and brinks multiple modernisms in postwar London Giulia Smith |
| title_full_unstemmed | Origins and brinks multiple modernisms in postwar London Giulia Smith |
| title_short | Origins and brinks |
| title_sort | origins and brinks multiple modernisms in postwar london |
| title_sub | multiple modernisms in postwar London |
| topic | Jackson, Sarah 1924-2004 (DE-588)1203005741 gnd Williams, Aubrey 1926-1990 (DE-588)121110613 gnd Scanavino, Emilio 1922-1986 (DE-588)119233258 gnd Sutherland, Graham 1903-1980 (DE-588)11862010X gnd Kunst (DE-588)4114333-4 gnd Moderne (DE-588)4039827-4 gnd |
| topic_facet | Jackson, Sarah 1924-2004 Williams, Aubrey 1926-1990 Scanavino, Emilio 1922-1986 Sutherland, Graham 1903-1980 Kunst Moderne London |
| work_keys_str_mv | AT smithgiulia originsandbrinksmultiplemodernismsinpostwarlondon |