Horn, or the counterside of media:
"Our daily dealings with media are characterized by a remarkable turn to the tactile. In practically all places, at practically all times, we touch and handle media devices. Conversely, these devices touch and scan us-and increasingly so: from pressure sensors in car seats and motion detectors...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
2022
|
| Schriftenreihe: | Sign, storage, transmission
|
| Schlagworte: | |
| Zusammenfassung: | "Our daily dealings with media are characterized by a remarkable turn to the tactile. In practically all places, at practically all times, we touch and handle media devices. Conversely, these devices touch and scan us-and increasingly so: from pressure sensors in car seats and motion detectors in front of automatic doors to body scanners, smart phones, and fitness trackers. To this development, Horn, or The Counterside of Media responds by considering a substance and surface that is an exemplary "medium." Horn stands for a natural substance but also an artificial object. It constitutes a boundary between interior and exterior, while functioning as decoration and ornament, shield and tool. From Rebekka Horn, Salvador Dali̹, and William Kentridge to Sigmund Freud, Walter Benjamin and Marshall McLuhan, this book enters into a creative dialogue with artists, scientists, and media philosophers that have dealt with animal horns, memory cones, musical instruments, and rhinoceroses. Presenting their respective contributions in a lavishly illustrated "fictitious exhibition," it unfolds a critical panorama of our tactile culture in which the counterside of media is clearly recognized and respected"-- |
| Beschreibung: | viii, 308 Seiten Illustrationen 23 cm |
| ISBN: | 9781478015109 1478015101 9781478017721 1478017724 |
Internformat
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| 100 | 1 | |a Schmidgen, Henning |e Verfasser |4 aut | |
| 240 | 1 | 0 | |a Horn, oder Die Gegenseite der Medien |
| 245 | 1 | 0 | |a Horn, or the counterside of media |c Henning Schmidgen ; translated by Nils F. Schott |
| 246 | 1 | 3 | |a Counterside of media |
| 246 | 1 | 0 | |a Counterside of media |
| 264 | 1 | |a Durham |b Duke University Press |c 2022 | |
| 300 | |a viii, 308 Seiten |b Illustrationen |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Sign, storage, transmission | |
| 505 | 8 | |a The Captured Unicorn -- Impressions of Modernity -- Rhinoceros Cybernetics -- A Surface Medium par Excellence -- Horn and Time | |
| 520 | 3 | |a "Our daily dealings with media are characterized by a remarkable turn to the tactile. In practically all places, at practically all times, we touch and handle media devices. Conversely, these devices touch and scan us-and increasingly so: from pressure sensors in car seats and motion detectors in front of automatic doors to body scanners, smart phones, and fitness trackers. To this development, Horn, or The Counterside of Media responds by considering a substance and surface that is an exemplary "medium." Horn stands for a natural substance but also an artificial object. It constitutes a boundary between interior and exterior, while functioning as decoration and ornament, shield and tool. From Rebekka Horn, Salvador Dali̹, and William Kentridge to Sigmund Freud, Walter Benjamin and Marshall McLuhan, this book enters into a creative dialogue with artists, scientists, and media philosophers that have dealt with animal horns, memory cones, musical instruments, and rhinoceroses. Presenting their respective contributions in a lavishly illustrated "fictitious exhibition," it unfolds a critical panorama of our tactile culture in which the counterside of media is clearly recognized and respected"-- | |
| 653 | 0 | |a Mass media / Philosophy | |
| 653 | 0 | |a Touch / Philosophy | |
| 653 | 0 | |a Horns | |
| 653 | 0 | |a SOCIAL SCIENCE / Media Studies | |
| 653 | 0 | |a ART / Criticism & Theory | |
| 653 | 0 | |a Horns | |
| 653 | 0 | |a Mass media / Philosophy | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |a Schmidgen, Henning |t Horn, or the counterside of media |d Durham : Duke University Press, 2022 |z 9781478022343 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033228806 | ||
Datensatz im Suchindex
| _version_ | 1804183406176632832 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Schmidgen, Henning |
| author_facet | Schmidgen, Henning |
| author_role | aut |
| author_sort | Schmidgen, Henning |
| author_variant | h s hs |
| building | Verbundindex |
| bvnumber | BV047845867 |
| classification_rvk | AP 15942 AP 15950 AP 14000 AP 13550 |
| contents | The Captured Unicorn -- Impressions of Modernity -- Rhinoceros Cybernetics -- A Surface Medium par Excellence -- Horn and Time |
| ctrlnum | (OCoLC)1295828332 (DE-599)BVBBV047845867 |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Book |
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| id | DE-604.BV047845867 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:13:29Z |
| indexdate | 2024-07-10T09:22:56Z |
| institution | BVB |
| isbn | 9781478015109 1478015101 9781478017721 1478017724 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033228806 |
| oclc_num | 1295828332 |
| open_access_boolean | |
| owner | DE-11 |
| owner_facet | DE-11 |
| physical | viii, 308 Seiten Illustrationen 23 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Duke University Press |
| record_format | marc |
| series2 | Sign, storage, transmission |
| spelling | Schmidgen, Henning Verfasser aut Horn, oder Die Gegenseite der Medien Horn, or the counterside of media Henning Schmidgen ; translated by Nils F. Schott Counterside of media Durham Duke University Press 2022 viii, 308 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Sign, storage, transmission The Captured Unicorn -- Impressions of Modernity -- Rhinoceros Cybernetics -- A Surface Medium par Excellence -- Horn and Time "Our daily dealings with media are characterized by a remarkable turn to the tactile. In practically all places, at practically all times, we touch and handle media devices. Conversely, these devices touch and scan us-and increasingly so: from pressure sensors in car seats and motion detectors in front of automatic doors to body scanners, smart phones, and fitness trackers. To this development, Horn, or The Counterside of Media responds by considering a substance and surface that is an exemplary "medium." Horn stands for a natural substance but also an artificial object. It constitutes a boundary between interior and exterior, while functioning as decoration and ornament, shield and tool. From Rebekka Horn, Salvador Dali̹, and William Kentridge to Sigmund Freud, Walter Benjamin and Marshall McLuhan, this book enters into a creative dialogue with artists, scientists, and media philosophers that have dealt with animal horns, memory cones, musical instruments, and rhinoceroses. Presenting their respective contributions in a lavishly illustrated "fictitious exhibition," it unfolds a critical panorama of our tactile culture in which the counterside of media is clearly recognized and respected"-- Mass media / Philosophy Touch / Philosophy Horns SOCIAL SCIENCE / Media Studies ART / Criticism & Theory Erscheint auch als Online-Ausgabe Schmidgen, Henning Horn, or the counterside of media Durham : Duke University Press, 2022 9781478022343 |
| spellingShingle | Schmidgen, Henning Horn, or the counterside of media The Captured Unicorn -- Impressions of Modernity -- Rhinoceros Cybernetics -- A Surface Medium par Excellence -- Horn and Time |
| title | Horn, or the counterside of media |
| title_alt | Horn, oder Die Gegenseite der Medien Counterside of media |
| title_auth | Horn, or the counterside of media |
| title_exact_search | Horn, or the counterside of media |
| title_exact_search_txtP | Horn, or the counterside of media |
| title_full | Horn, or the counterside of media Henning Schmidgen ; translated by Nils F. Schott |
| title_fullStr | Horn, or the counterside of media Henning Schmidgen ; translated by Nils F. Schott |
| title_full_unstemmed | Horn, or the counterside of media Henning Schmidgen ; translated by Nils F. Schott |
| title_short | Horn, or the counterside of media |
| title_sort | horn or the counterside of media |
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