Listening to the Lomax Archive: the sonic rhetorics of African American folksong in the 1930s
In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
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Ann Arbor
University of Michigan Press
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound |
| Beschreibung: | XVII, 240 Seiten Illustrationen |
| ISBN: | 9780472038558 |
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| 520 | 3 | |a In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound | |
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgments For Pete ’s Sake: Audio Preface Finding Folkness in the Rhetorical Tradition (Turn, Turn, Turn) ix xiii introduction: Interlude I: Resimplifications Sonic Rhetorical Historiography: Reorienting Authenticity during the Interwar Period i 31 one. Rhetoric, Representation, and Race in the Lomax Prison Recordings 47 two . Interlude П: Oral History’s Exigence Inventing Jazz: Jelly Roll Morton and the Sonic Rhetorics of Hot Musical Performance 71 103 three. Interlude Ш: Popular Front Education 115 147 Folksong on the Radio: The Sounds of Broadcast Democracy on Columbia’s American School ofthe Air 159 Hearing the Lomax Archive 191 four. conclusion: Appendix: List ofAudio Resources 203
viii · Contenu Notes год Worh Cited 221 Index 233 ThroughoutListening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a J3 in the text. These digital materials can be found on the Fulcrum platform via the following citable URL: https://doi.org/10.3998/mpub.9871097
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Contents Acknowledgments For Pete ’s Sake: Audio Preface Finding Folkness in the Rhetorical Tradition (Turn, Turn, Turn) ix xiii introduction: Interlude I: Resimplifications Sonic Rhetorical Historiography: Reorienting Authenticity during the Interwar Period i 31 one. Rhetoric, Representation, and Race in the Lomax Prison Recordings 47 two . Interlude П: Oral History’s Exigence Inventing Jazz: Jelly Roll Morton and the Sonic Rhetorics of Hot Musical Performance 71 103 three. Interlude Ш: Popular Front Education 115 147 Folksong on the Radio: The Sounds of Broadcast Democracy on Columbia’s American School ofthe Air 159 Hearing the Lomax Archive 191 four. conclusion: Appendix: List ofAudio Resources 203
viii · Contenu Notes год Worh Cited 221 Index 233 ThroughoutListening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a J3 in the text. These digital materials can be found on the Fulcrum platform via the following citable URL: https://doi.org/10.3998/mpub.9871097 |
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| spelling | Stone, Jonathan W. Verfasser (DE-588)1255297271 aut Listening to the Lomax Archive the sonic rhetorics of African American folksong in the 1930s Jonathan W. Stone Ann Arbor University of Michigan Press 2021 XVII, 240 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound Geschichte 1930-1940 gnd rswk-swf Afroamerikanische Musik (DE-588)4122767-0 gnd rswk-swf Volkslied (DE-588)4063852-2 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Lomax, John A. / Jr / (John Avery) / 1907-1974 Lomax, Alan / 1915-2002 African Americans / Music / History and criticism Folk songs, English / United States / History and criticism Folk songs, English / United States / Texts / History and criticism African American prisoners / Songs and music / History and criticism United States / History / 1933-1945 African Americans / Music Folk songs, English United States 1933-1945 Criticism, interpretation, etc History USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s Volkslied (DE-588)4063852-2 s Afroamerikanische Musik (DE-588)4122767-0 s Geschichte 1930-1940 z DE-604 Erscheint auch als Online-Ausgabe 978-0-472-90244-6 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033226979&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Stone, Jonathan W. Listening to the Lomax Archive the sonic rhetorics of African American folksong in the 1930s Afroamerikanische Musik (DE-588)4122767-0 gnd Volkslied (DE-588)4063852-2 gnd Schwarze (DE-588)4116433-7 gnd |
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| title | Listening to the Lomax Archive the sonic rhetorics of African American folksong in the 1930s |
| title_auth | Listening to the Lomax Archive the sonic rhetorics of African American folksong in the 1930s |
| title_exact_search | Listening to the Lomax Archive the sonic rhetorics of African American folksong in the 1930s |
| title_exact_search_txtP | Listening to the Lomax Archive the sonic rhetorics of African American folksong in the 1930s |
| title_full | Listening to the Lomax Archive the sonic rhetorics of African American folksong in the 1930s Jonathan W. Stone |
| title_fullStr | Listening to the Lomax Archive the sonic rhetorics of African American folksong in the 1930s Jonathan W. Stone |
| title_full_unstemmed | Listening to the Lomax Archive the sonic rhetorics of African American folksong in the 1930s Jonathan W. Stone |
| title_short | Listening to the Lomax Archive |
| title_sort | listening to the lomax archive the sonic rhetorics of african american folksong in the 1930s |
| title_sub | the sonic rhetorics of African American folksong in the 1930s |
| topic | Afroamerikanische Musik (DE-588)4122767-0 gnd Volkslied (DE-588)4063852-2 gnd Schwarze (DE-588)4116433-7 gnd |
| topic_facet | Afroamerikanische Musik Volkslied Schwarze USA |
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