Researching historical screen audiences:
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xiii, 250 Seiten Illustrationen, Karten 24 cm |
| ISBN: | 9781474477819 |
Internformat
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Datensatz im Suchindex
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| adam_text | CONTENTS List of Figures Acknowledgements Notes on Contributors vii ix x Introduction Kate Egan, Martin Ian Smith and Jamie Terrill 1 PART I BEING CREATIVE IN HISTORICAL AUDIENCE RESEARCH: RE-EVALUATING THE FIELD 1. Audience as Palimpsest, or the Structures of Cinematic Feeling: On Historical Film Audience Research and Cinema’s Imaginative Power Daniel Biltereyst 2. 3. 17 From Cinema Culture to Cinema Memory: A Conceptual and Methodological Trajectory Annette Kuhn 34 Constructing Cinema Audience Histories: Methodological Choices and Challenges 49 Karina Aveyard PART II RECONSIDERING NATIONAL AND TRANSNATIONAL CINEMAGOING HISTORIES 4. Cinemas and Cinema Audiences in the ‘Third Space’ in Warsaw, 1908-1939 Karina Pryt 65
CONTENTS 5. German Films in Brazil: Immigration, Associations and National Film Culture 86 Wolfgang Fuhrmann 6. Emotional Communities in the Cinema: Tracing Emotion in Mass Observation Cinema Records, 1937-1950 102 fames Jones PART ІП SHAPING AUDIENCE EXPECTATIONS: CINEMA MANAGERS AND MARKE TING STRATEGIES 7. ‘Make Your Public Curious’: Cinema Management, Film Advertising and Audience Taste in England, c. 1920-c. 1960 Robert James 123 8. Harry Sanders: Remembering a Life in Cinema Management Robert Shall 9. 146 The Yellow Teddybears: Exploitation as Education Adrian Smith 166 PART ГѴ HOME VIEWING CONTEXTS AND AUDIENCE MEMORIES 10. Archives, Sources and Memories for a History of Early Italian TV Audiences Damiano Garofalo and Cecilia Penati 185 11. The Exorcist in the Home: Remembering Parental Regulation Martin lan Smith 203 12. Childhood Memories of Horror Films in the Home: Questions, Patterns and Contexts 223 Kate Egan Index vi 239
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| adam_txt |
CONTENTS List of Figures Acknowledgements Notes on Contributors vii ix x Introduction Kate Egan, Martin Ian Smith and Jamie Terrill 1 PART I BEING CREATIVE IN HISTORICAL AUDIENCE RESEARCH: RE-EVALUATING THE FIELD 1. Audience as Palimpsest, or the Structures of Cinematic Feeling: On Historical Film Audience Research and Cinema’s Imaginative Power Daniel Biltereyst 2. 3. 17 From Cinema Culture to Cinema Memory: A Conceptual and Methodological Trajectory Annette Kuhn 34 Constructing Cinema Audience Histories: Methodological Choices and Challenges 49 Karina Aveyard PART II RECONSIDERING NATIONAL AND TRANSNATIONAL CINEMAGOING HISTORIES 4. Cinemas and Cinema Audiences in the ‘Third Space’ in Warsaw, 1908-1939 Karina Pryt 65
CONTENTS 5. German Films in Brazil: Immigration, Associations and National Film Culture 86 Wolfgang Fuhrmann 6. Emotional Communities in the Cinema: Tracing Emotion in Mass Observation Cinema Records, 1937-1950 102 fames Jones PART ІП SHAPING AUDIENCE EXPECTATIONS: CINEMA MANAGERS AND MARKE TING STRATEGIES 7. ‘Make Your Public Curious’: Cinema Management, Film Advertising and Audience Taste in England, c. 1920-c. 1960 Robert James 123 8. Harry Sanders: Remembering a Life in Cinema Management Robert Shall 9. 146 The Yellow Teddybears: Exploitation as Education Adrian Smith 166 PART ГѴ HOME VIEWING CONTEXTS AND AUDIENCE MEMORIES 10. Archives, Sources and Memories for a History of Early Italian TV Audiences Damiano Garofalo and Cecilia Penati 185 11. The Exorcist in the Home: Remembering Parental Regulation Martin lan Smith 203 12. Childhood Memories of Horror Films in the Home: Questions, Patterns and Contexts 223 Kate Egan Index vi 239 |
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| spellingShingle | Researching historical screen audiences Zuschauer (DE-588)4127324-2 gnd Film (DE-588)4017102-4 gnd Kino (DE-588)4129654-0 gnd Publikum (DE-588)4047764-2 gnd |
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| title | Researching historical screen audiences |
| title_auth | Researching historical screen audiences |
| title_exact_search | Researching historical screen audiences |
| title_exact_search_txtP | Researching historical screen audiences |
| title_full | Researching historical screen audiences edited by Kate Egan, Martin Ian Smith and Jamie Terrill |
| title_fullStr | Researching historical screen audiences edited by Kate Egan, Martin Ian Smith and Jamie Terrill |
| title_full_unstemmed | Researching historical screen audiences edited by Kate Egan, Martin Ian Smith and Jamie Terrill |
| title_short | Researching historical screen audiences |
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