How Romantics and Victorians organized information: commonplace books, scrapbooks, and albums
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2022
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| Ausgabe: | First edition |
| Schriftenreihe: | Oxford textual perspectives
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xviii, 303 Seiten Illustrationen |
| ISBN: | 9780192896070 9780192895318 |
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Datensatz im Suchindex
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| adam_text | CONTENTS xvii List of Figures Introduction: The Commonplace Method i. Anatomy of the Commonplace Locke’s Legacy Books of Scraps Personal Organizational Systems i 18 19 26 34 PART I. ORGANIZING IDEAS 2. Commonplace Books of the Imagination The Notebooks: An Overview Liber Aureus: Coleridge, the Student The Diary and the Romantic Paradox The Fell-Walking Pocket-Books: Coleridge, the Poet of Nature Referentiary: Coleridge the Philosopher The Fly-Catchers: Coleridge, the Christian 3. Laboratory Commonplace Books “Nothing Exists but Thoughts”: Davy’s Laboratory Notes The Book Seller’s Apprentice: Faraday’s Philosophical Miscellany Chemical Notes Faraday’s Cut-up Index 4. Commonplace Books of History Collecting Ballads: Remediating Orality Scott’s Rebellious Papers” Eliot’s Quarry Scrapbooks, Scrapboxes, and Historical Empiricism 43 5θ 58 68 71 80 87 too 108 118 126 128 138 14Յ 152 164 176 PART II. ORGANIZING PEOPLE 5· Social Commonplace Books Epistemology of the Lady’s Album Autographs Keats’s Hand Milton’s Hair The Sisterhood of Slade 19Յ 199 202 206 211 217
xvi I CONTENTS 6. Commonplace Books of Mourning Audrey Tennyson’s “Talks and Walks” and “Illness, etc.” “A Hand that Can be Clasp’d no More” Empty Pages “Common is the Commonplace” “The footsteps of his life in mine”: Queen Victoria’s Album Consolativum 231 235 238 242 245 253 “The living soul was flash’d on mine” 256 Coda 261 Manuscript Sources Bibliography Index 267 275 297
OXFORD TEXTUAL PERSPECTIVES GENERAL EDITORS: ELAINE TREMARNE AND GREG WALKER Oxford Textual Perspectives is a series of informative and provocative studies focused upon literary texts (conceived of in the broadest sense of that term) and the technologies, cultures, and communities that produce, inform, and receive them. It provides fresh interpretations offundamental works and of the vital and challenging issues emerging in English literary studies. By engaging with the materiality of the literary text, its production, and reception history, andfrequently testing and exploring the boundaries of the notion of text itself, the volumes in the series question familiarframeworks and provide innovative interpretations of both canonical and lesser-known works. Everv literarv household in nineteenth-century Britain had a commonplace book, scrapbook, or album. Coleridge called his collection “Fly-Catchers,” while George Eliot referred to one of her commonplace books as a “Quarry,” and Michael Faraday kept quotations in his “Philosophical Miscellany.” Nevertheless, the nineteenth-century commonplace book, along with associated traditions like the scrapbook and album, remain under-studied. This book tells the story of how technological and social changes altered methods for gathering, storing, and organizing information in nineteenth-centurv Britain. As the commonplace book moved out of the schoolroom and into the home, it took on elements of the friendship album. At the same time, the explosion of print allowed readers to cheaply cut-and-paste extractions rather than copying out
quotations by hand. Built on the evidence of over 300 manuscripts, this volume unearths the composition practices of well-known writers and their less well-known contemporaries. Divided into two sections, the first half of the book contends that methods for organizing knowledge developed in line with the period’s dominant epistemic frameworks, while the second half argues that commonplace books helped Romantics and Victorians organize people.
|
| adam_txt |
CONTENTS xvii List of Figures Introduction: The Commonplace Method i. Anatomy of the Commonplace Locke’s Legacy Books of Scraps Personal Organizational Systems i 18 19 26 34 PART I. ORGANIZING IDEAS 2. Commonplace Books of the Imagination The Notebooks: An Overview Liber Aureus: Coleridge, the Student The Diary and the Romantic Paradox The Fell-Walking Pocket-Books: Coleridge, the Poet of Nature Referentiary: Coleridge the Philosopher The Fly-Catchers: Coleridge, the Christian 3. Laboratory Commonplace Books “Nothing Exists but Thoughts”: Davy’s Laboratory Notes The Book Seller’s Apprentice: Faraday’s Philosophical Miscellany Chemical Notes Faraday’s Cut-up Index 4. Commonplace Books of History Collecting Ballads: Remediating Orality Scott’s "Rebellious Papers” Eliot’s Quarry Scrapbooks, Scrapboxes, and Historical Empiricism 43 5θ 58 68 71 80 87 too 108 118 126 128 138 14Յ 152 164 176 PART II. ORGANIZING PEOPLE 5· Social Commonplace Books Epistemology of the Lady’s Album Autographs Keats’s Hand Milton’s Hair The Sisterhood of Slade 19Յ 199 202 206 211 217
xvi I CONTENTS 6. Commonplace Books of Mourning Audrey Tennyson’s “Talks and Walks” and “Illness, etc.” “A Hand that Can be Clasp’d no More” Empty Pages “Common is the Commonplace” “The footsteps of his life in mine”: Queen Victoria’s Album Consolativum 231 235 238 242 245 253 “The living soul was flash’d on mine” 256 Coda 261 Manuscript Sources Bibliography Index 267 275 297
OXFORD TEXTUAL PERSPECTIVES GENERAL EDITORS: ELAINE TREMARNE AND GREG WALKER Oxford Textual Perspectives is a series of informative and provocative studies focused upon literary texts (conceived of in the broadest sense of that term) and the technologies, cultures, and communities that produce, inform, and receive them. It provides fresh interpretations offundamental works and of the vital and challenging issues emerging in English literary studies. By engaging with the materiality of the literary text, its production, and reception history, andfrequently testing and exploring the boundaries of the notion of text itself, the volumes in the series question familiarframeworks and provide innovative interpretations of both canonical and lesser-known works. Everv literarv household in nineteenth-century Britain had a commonplace book, scrapbook, or album. Coleridge called his collection “Fly-Catchers,” while George Eliot referred to one of her commonplace books as a “Quarry,” and Michael Faraday kept quotations in his “Philosophical Miscellany.” Nevertheless, the nineteenth-century commonplace book, along with associated traditions like the scrapbook and album, remain under-studied. This book tells the story of how technological and social changes altered methods for gathering, storing, and organizing information in nineteenth-centurv Britain. As the commonplace book moved out of the schoolroom and into the home, it took on elements of the friendship album. At the same time, the explosion of print allowed readers to cheaply cut-and-paste extractions rather than copying out
quotations by hand. Built on the evidence of over 300 manuscripts, this volume unearths the composition practices of well-known writers and their less well-known contemporaries. Divided into two sections, the first half of the book contends that methods for organizing knowledge developed in line with the period’s dominant epistemic frameworks, while the second half argues that commonplace books helped Romantics and Victorians organize people. |
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| spelling | Hess, Jillian M. Verfasser (DE-588)1266017429 aut How Romantics and Victorians organized information commonplace books, scrapbooks, and albums Jillian M. Hess First edition Oxford Oxford University Press 2022 xviii, 303 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Oxford textual perspectives Geschichte 1800-1900 gnd rswk-swf Einklebebuch (DE-588)7645451-4 gnd rswk-swf Kollektaneen (DE-588)4732356-5 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Kollektaneen (DE-588)4732356-5 s Einklebebuch (DE-588)7645451-4 s Geschichte 1800-1900 z DE-604 Erscheint auch als Online-Ausgabe 978-0-19-191613-7 Erscheint auch als Online-Ausgabe 978-0-19-264848-8 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033226408&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033226408&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Hess, Jillian M. How Romantics and Victorians organized information commonplace books, scrapbooks, and albums Einklebebuch (DE-588)7645451-4 gnd Kollektaneen (DE-588)4732356-5 gnd |
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| title | How Romantics and Victorians organized information commonplace books, scrapbooks, and albums |
| title_auth | How Romantics and Victorians organized information commonplace books, scrapbooks, and albums |
| title_exact_search | How Romantics and Victorians organized information commonplace books, scrapbooks, and albums |
| title_exact_search_txtP | How Romantics and Victorians organized information commonplace books, scrapbooks, and albums |
| title_full | How Romantics and Victorians organized information commonplace books, scrapbooks, and albums Jillian M. Hess |
| title_fullStr | How Romantics and Victorians organized information commonplace books, scrapbooks, and albums Jillian M. Hess |
| title_full_unstemmed | How Romantics and Victorians organized information commonplace books, scrapbooks, and albums Jillian M. Hess |
| title_short | How Romantics and Victorians organized information |
| title_sort | how romantics and victorians organized information commonplace books scrapbooks and albums |
| title_sub | commonplace books, scrapbooks, and albums |
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