The Oxford handbook of Shakespeare and music:
"This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare's plays and poems, the contributors' lines of enquiry extending from the Bard's own time to the present day. The coverage is global in its scope, and inc...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | "This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare's plays and poems, the contributors' lines of enquiry extending from the Bard's own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the UK and USA. The range of genres surveyed by the book's team of distinguished authors embraces music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare's ongoing afterlives in folk music, jazz, and popular music. The authors take a range of diverse approaches: some investigate the evidence for performative practices in the Early Modern and later eras, while others offer detailed analyses of representative case studies, situating these firmly in their cultural contexts, or reflecting on the political and sociological ramifications of the music. As a whole, the volume provides a wide-ranging compendium of cutting-edge scholarship engaging with an extraordinarily rich body of music without parallel in the history of the global arts"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxx, 1251 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780190945145 |
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgements Notes on Contributors List ofIllustrations List ofAbbreviations xi xv xxvii xxix Introduction: Music, Shakespeare, and the Shakespearean i CHRISTOPHER R. WILSON AND MERVYN COOKE PART I PERSPECTIVES i. ‘Where should this music be?’: Cataloguing Shakespearean Music 33 JOHN CUNNINGHAM 2. ‘Sing Willow, c.’: Willow Songs, Cultural Memory, and the Establishment of an ‘Authentic’ Shakespeare Music Canon 75 LINDA PHYLLIS AUSTERN 3. ‘Let the sky rain potatoes’: Music, Memory, and Sonic Nationhood in Shakespeare 120 FLORENCE HAZRAT 4. Gender and Music in Shakespeare 155 KATRINE K. WONG 5. Tangled Relations: Shakespeare and Ballet 189 NANCY ISENBERG 6. Shakespeare’s Musical Time Signatures 223 JOSEPH Μ. ORTIZ 7. Shakespeare and Folk 241 ADAM HANSEN 8. Ά noise of thunder’: Shakespeare and Jazz STUART HAMPTON-REEVES 275
viii CONTENTS 9. ‘In comes Romeo, he’s moaning’: Shakespeare, Melancholy, and the Cult of the Rock Auteur since i960 295 HOWARD WILDE PART II MUSIC IN SHAKESPEAREAN THEATRE 10. Early Encounters with Shakespeare Music: Experiencing Playhouse Musical Performance, 1590-1613 315 SIMON SMITH 336 11. Soundscapes of the Outdoor Playhouses, 1567-1608 LUCY MUNRO 12. Thomas Morley, Robert Johnson, and Songs for the Shakespearean Stage 356 ROSS W. DUFFIN 13. ‘Let’s have a dance: Staging Shakespeare in Restoration London 387 AMANDA EUBANKS WINKLER 14. ‘What’s in a name?’: Authorship and Shakespeare Songs in the Eighteenth Century 409 JOHN CUNNINGHAM 15. Music for Shakespeare in Nineteenth-Century American Theatre 447 MICHAEL V. PISANI WITH MERVYN COOKE 16. Shakespeare in Sweden: Wilhelm Stenhammar and Modern Theatre Music 479 LEAH BROAD 17. Music for Shakespeare at Stratford-upon-Avon: ‘Revels, dances, masques, and merry hours’ 508 VAL BRODIE 18. Historically Informed Experience: Music in Globe III 549 BILL BARCLAY PART III SHAKESPEARE’S GLOBAL MUSIC 19. Living with Ghosts: Beethoven, Wagner, and Shakespeare 575 DAVID ROBERTS 20. Shakespeare in Berlioz, Berlioz in Shakespeare JULIAN RUSHTON 607
CONTENTS շւ. ІХ Shekspirshchina: Nineteenth-Century Russian Musical Responses to Shakespeare 624 PHILIP ROSS BULLOCK 22. Shakespeare and Soviet Music 642 MICHELLE ASSAY 23. Shakespearean Concert Songs in Victorian England 671 CHRISTOPHER R. WILSON 24. English Shakespeare Song in British Concerts, 1901-1951 695 PAM WADDINGTON MUSE 25. Musical Response to Shakespeare in Greater China: Mandopop and Cantopop 717 KATRINE K. WONG 26. Shakespeare, Music, and South Africa: From Afrikaner Titus to Township Opera 737 MERVYN COOKE PART IV SHAKESPEARE AS MUSIC DRAMA 761 27. Dramaturgy of the Shakespearean Libretto PAVEL DRÁBEK 28. Shakespeare and the Nineteenth-Century Italian Operatic Stage 805 WILLIAM GERMANO 29. Performing Verdi’s Otello in Fin֊de-Siecle London 834 ADRIAN STREETE 30. Shakespeare in Czechoslovakia: The Comedy ofErrors, Hamlet, and Coriolanus on the Operatic Stage 849 KLÁRA ŠKROBÁNKOVÁ 31. Shakespeare and Opera in the Czech Lands JIŘÍ KOPECKÝ 32. Audio-visual Metaphors in Operatic Shakespeare: Verdis Macbeth and Otello in Czech Theatres 894 ŠÁRKA HAVLÍČKOVÁ KYSOVÁ 33. Translation and Transformation in Brittens A Midsummer Nights Dream 926 KATHERINE R. LARSON AND LAWRENCE WILIFORD 866
X CONTENTS 34. From Hal to Henry: Wartime Masculinity in Holst’s At the Boar’s Head 950 MICHAEL GRAHAM 35. Otherness and Strange Sounds: Operatic and Vocal Adaptations of The Tempest in the Twentieth Century and Beyond 974 ANNETTE SIMONIS 36. ‘If it’s good enough for Shakespeare, its good enough for us’: Shakespeare and the Broadway Musical 987 BEN FRANCIS PART V MUSIC IN SHAKESPEAREAN FILMS 37. Sonic Spectacle in Erich Wolfgang Korngolds score to Max Reinhardt’s A Midsummer Night’s Dream (1935) 1023 NINA PENNER 38. ‘Genuine attempts at enlarging the scope of film’: William Waltons and Laurence Olivier’s Shakespeare Trilogy 1044 BRIAN HOYLE 39. Reshaping Shakespeare: Dmitri Shostakovich’s Music for Grigori Kozintsevs Film Adaptations of Hamlet (1964) and King Lear (1971) 1077 FIONA FORD 40. Music in Akira Kurosawas Filmic Adaptations of Shakespeare: Throne ofBlood (1957), The Bad Sleep Well (i960), and Ran (1985) 1104 TIMOTHY KOOZIN 41. Rhizomatic Harmonies: Music in the Shakespeare Films of Vishal Bhardwaj 1131 AMY RODGERS 42. ‘More hits than you can possibly imagine’: The Music of Baz Luhrmanns William Shakespeare’s Romeo + Juliet 1153 JAN BUTLER 43. ‘Let your indulgence set me free’: Elliot Goldenthals Music for the Shakespeare Films of Julie Taymor 1189 MERVYN COOKE Index of Shakespeares Works General Index 1215 1219
|
| adam_txt |
Contents Acknowledgements Notes on Contributors List ofIllustrations List ofAbbreviations xi xv xxvii xxix Introduction: Music, Shakespeare, and the Shakespearean i CHRISTOPHER R. WILSON AND MERVYN COOKE PART I PERSPECTIVES i. ‘Where should this music be?’: Cataloguing Shakespearean Music 33 JOHN CUNNINGHAM 2. ‘Sing Willow, c.’: Willow Songs, Cultural Memory, and the Establishment of an ‘Authentic’ Shakespeare Music Canon 75 LINDA PHYLLIS AUSTERN 3. ‘Let the sky rain potatoes’: Music, Memory, and Sonic Nationhood in Shakespeare 120 FLORENCE HAZRAT 4. Gender and Music in Shakespeare 155 KATRINE K. WONG 5. Tangled Relations: Shakespeare and Ballet 189 NANCY ISENBERG 6. Shakespeare’s Musical Time Signatures 223 JOSEPH Μ. ORTIZ 7. Shakespeare and Folk 241 ADAM HANSEN 8. Ά noise of thunder’: Shakespeare and Jazz STUART HAMPTON-REEVES 275
viii CONTENTS 9. ‘In comes Romeo, he’s moaning’: Shakespeare, Melancholy, and the Cult of the Rock Auteur since i960 295 HOWARD WILDE PART II MUSIC IN SHAKESPEAREAN THEATRE 10. Early Encounters with Shakespeare Music: Experiencing Playhouse Musical Performance, 1590-1613 315 SIMON SMITH 336 11. Soundscapes of the Outdoor Playhouses, 1567-1608 LUCY MUNRO 12. Thomas Morley, Robert Johnson, and Songs for the Shakespearean Stage 356 ROSS W. DUFFIN 13. ‘Let’s have a dance: Staging Shakespeare in Restoration London 387 AMANDA EUBANKS WINKLER 14. ‘What’s in a name?’: Authorship and Shakespeare Songs in the Eighteenth Century 409 JOHN CUNNINGHAM 15. Music for Shakespeare in Nineteenth-Century American Theatre 447 MICHAEL V. PISANI WITH MERVYN COOKE 16. Shakespeare in Sweden: Wilhelm Stenhammar and Modern Theatre Music 479 LEAH BROAD 17. Music for Shakespeare at Stratford-upon-Avon: ‘Revels, dances, masques, and merry hours’ 508 VAL BRODIE 18. Historically Informed Experience: Music in Globe III 549 BILL BARCLAY PART III SHAKESPEARE’S GLOBAL MUSIC 19. Living with Ghosts: Beethoven, Wagner, and Shakespeare 575 DAVID ROBERTS 20. Shakespeare in Berlioz, Berlioz in Shakespeare JULIAN RUSHTON 607
CONTENTS շւ. ІХ Shekspirshchina: Nineteenth-Century Russian Musical Responses to Shakespeare 624 PHILIP ROSS BULLOCK 22. Shakespeare and Soviet Music 642 MICHELLE ASSAY 23. Shakespearean Concert Songs in Victorian England 671 CHRISTOPHER R. WILSON 24. English Shakespeare Song in British Concerts, 1901-1951 695 PAM WADDINGTON MUSE 25. Musical Response to Shakespeare in Greater China: Mandopop and Cantopop 717 KATRINE K. WONG 26. Shakespeare, Music, and South Africa: From Afrikaner Titus to Township Opera 737 MERVYN COOKE PART IV SHAKESPEARE AS MUSIC DRAMA 761 27. Dramaturgy of the Shakespearean Libretto PAVEL DRÁBEK 28. Shakespeare and the Nineteenth-Century Italian Operatic Stage 805 WILLIAM GERMANO 29. Performing Verdi’s Otello in Fin֊de-Siecle London 834 ADRIAN STREETE 30. Shakespeare in Czechoslovakia: The Comedy ofErrors, Hamlet, and Coriolanus on the Operatic Stage 849 KLÁRA ŠKROBÁNKOVÁ 31. Shakespeare and Opera in the Czech Lands JIŘÍ KOPECKÝ 32. Audio-visual Metaphors in Operatic Shakespeare: Verdis Macbeth and Otello in Czech Theatres 894 ŠÁRKA HAVLÍČKOVÁ KYSOVÁ 33. Translation and Transformation in Brittens A Midsummer Nights Dream 926 KATHERINE R. LARSON AND LAWRENCE WILIFORD 866
X CONTENTS 34. From Hal to Henry: Wartime Masculinity in Holst’s At the Boar’s Head 950 MICHAEL GRAHAM 35. Otherness and Strange Sounds: Operatic and Vocal Adaptations of The Tempest in the Twentieth Century and Beyond 974 ANNETTE SIMONIS 36. ‘If it’s good enough for Shakespeare, its good enough for us’: Shakespeare and the Broadway Musical 987 BEN FRANCIS PART V MUSIC IN SHAKESPEAREAN FILMS 37. Sonic Spectacle in Erich Wolfgang Korngolds score to Max Reinhardt’s A Midsummer Night’s Dream (1935) 1023 NINA PENNER 38. ‘Genuine attempts at enlarging the scope of film’: William Waltons and Laurence Olivier’s Shakespeare Trilogy 1044 BRIAN HOYLE 39. Reshaping Shakespeare: Dmitri Shostakovich’s Music for Grigori Kozintsevs Film Adaptations of Hamlet (1964) and King Lear (1971) 1077 FIONA FORD 40. Music in Akira Kurosawas Filmic Adaptations of Shakespeare: Throne ofBlood (1957), The Bad Sleep Well (i960), and Ran (1985) 1104 TIMOTHY KOOZIN 41. Rhizomatic Harmonies: Music in the Shakespeare Films of Vishal Bhardwaj 1131 AMY RODGERS 42. ‘More hits than you can possibly imagine’: The Music of Baz Luhrmanns William Shakespeare’s Romeo + Juliet 1153 JAN BUTLER 43. ‘Let your indulgence set me free’: Elliot Goldenthals Music for the Shakespeare Films of Julie Taymor 1189 MERVYN COOKE Index of Shakespeares Works General Index 1215 1219 |
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| physical | xxx, 1251 Seiten Illustrationen, Notenbeispiele |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | The Oxford handbook of Shakespeare and music edited by Christopher R. Wilson and Mervyn Cooke Handbook of Shakespeare and music Shakespeare and music New York Oxford University Press [2022] ©2022 xxx, 1251 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare's plays and poems, the contributors' lines of enquiry extending from the Bard's own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the UK and USA. The range of genres surveyed by the book's team of distinguished authors embraces music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare's ongoing afterlives in folk music, jazz, and popular music. The authors take a range of diverse approaches: some investigate the evidence for performative practices in the Early Modern and later eras, while others offer detailed analyses of representative case studies, situating these firmly in their cultural contexts, or reflecting on the political and sociological ramifications of the music. As a whole, the volume provides a wide-ranging compendium of cutting-edge scholarship engaging with an extraordinarily rich body of music without parallel in the history of the global arts"-- Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William / 1564-1616 / Musical settings / History and criticism Shakespeare, William / 1564-1616 / Songs and music / History and criticism Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William / 1564-1616 / Stage history Music and literature (DE-588)4143413-4 Aufsatzsammlung gnd-content Shakespeare, William 1564-1616 (DE-588)118613723 p Musik (DE-588)4040802-4 s DE-604 Wilson, Christopher R. 1952- (DE-588)13722155X edt Cooke, Mervyn 1963- (DE-588)143604759 edt Erscheint auch als Online-Ausgabe, EPUB 978-0-19-094516-9 V:DE-605;X:semantics application/pdf http://digitale-objekte.hbz-nrw.de/storage2/2022/07/08/file_115/9231495.pdf Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033224807&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Oxford handbook of Shakespeare and music Shakespeare, William 1564-1616 (DE-588)118613723 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4040802-4 (DE-588)4143413-4 |
| title | The Oxford handbook of Shakespeare and music |
| title_alt | Handbook of Shakespeare and music Shakespeare and music |
| title_auth | The Oxford handbook of Shakespeare and music |
| title_exact_search | The Oxford handbook of Shakespeare and music |
| title_exact_search_txtP | The Oxford handbook of Shakespeare and music |
| title_full | The Oxford handbook of Shakespeare and music edited by Christopher R. Wilson and Mervyn Cooke |
| title_fullStr | The Oxford handbook of Shakespeare and music edited by Christopher R. Wilson and Mervyn Cooke |
| title_full_unstemmed | The Oxford handbook of Shakespeare and music edited by Christopher R. Wilson and Mervyn Cooke |
| title_short | The Oxford handbook of Shakespeare and music |
| title_sort | the oxford handbook of shakespeare and music |
| topic | Shakespeare, William 1564-1616 (DE-588)118613723 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Shakespeare, William 1564-1616 Musik Aufsatzsammlung |
| url | http://digitale-objekte.hbz-nrw.de/storage2/2022/07/08/file_115/9231495.pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033224807&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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Inhaltsverzeichnis