Carrie Moyer:
"Carrie Moyer's first major monograph expansively represents the influential abstract painter's work and queer agitprop. Carrie Moyer consciously centers her painting as a practice about painting, with history as a subtext. Known for her incursions into Color Field painting, Moyer als...
Gespeichert in:
Weitere Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Rizzoli Electa
2021
|
Schlagworte: | |
Zusammenfassung: | "Carrie Moyer's first major monograph expansively represents the influential abstract painter's work and queer agitprop. Carrie Moyer consciously centers her painting as a practice about painting, with history as a subtext. Known for her incursions into Color Field painting, Moyer also traces her influences to iconic female artists of the twentieth century, such as Georgia O'Keeffe, and surrounding questions of taste, once quipping of her paintings that "[Helen] Frankenthaler and [Fernand] Léger met in a dark corner and had Elizabeth Murray." Moyer's complex work merges abstract aesthetics and legible imagery: vividly colored and textured forms are embedded with a range of historical, stylistic, and physical references to Surrealism, Modernism, 1960s and '70s counterculture graphics, and '70s feminist art. Moyer often works on the floor, pouring, rolling, stippling, mopping the paint, and embellishing with glitter. An exploration of acrylic's unique properties is a driving force in her work. Beginning as an intern at HERESIES, the pioneering feminist art magazine, Moyer has also engaged in critical practices beyond the studio. This monograph enriches a deep dive into Moyer's painting practice, in particular her work of the past decade, with a portfolio of the artist's agitprop from the 1990s, including Dyke Action Machine! (DAM!), one of the first lesbian public art projects". |
Beschreibung: | 263 Seiten |
ISBN: | 9780847870264 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV047841707 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | t | ||
008 | 220217s2021 xxu |||| 00||| eng d | ||
020 | |a 9780847870264 |c hardcover |9 978-0-8478-7026-4 | ||
035 | |a (OCoLC)1298750296 | ||
035 | |a (DE-599)BVBBV047841707 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
044 | |a xxu |c XD-US | ||
049 | |a DE-255 | ||
100 | 1 | |a Moyer, Carrie |d 1960- |0 (DE-588)1035468859 |4 art |4 ive | |
245 | 1 | 0 | |a Carrie Moyer |c essays by Katy Siegel and Lauren O'Neill-Butler ; Carrie Moyer in conversation with Johanna Fateman |
264 | 1 | |a New York |b Rizzoli Electa |c 2021 | |
300 | |a 263 Seiten | ||
336 | |b sti |2 rdacontent | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a "Carrie Moyer's first major monograph expansively represents the influential abstract painter's work and queer agitprop. Carrie Moyer consciously centers her painting as a practice about painting, with history as a subtext. Known for her incursions into Color Field painting, Moyer also traces her influences to iconic female artists of the twentieth century, such as Georgia O'Keeffe, and surrounding questions of taste, once quipping of her paintings that "[Helen] Frankenthaler and [Fernand] Léger met in a dark corner and had Elizabeth Murray." Moyer's complex work merges abstract aesthetics and legible imagery: vividly colored and textured forms are embedded with a range of historical, stylistic, and physical references to Surrealism, Modernism, 1960s and '70s counterculture graphics, and '70s feminist art. Moyer often works on the floor, pouring, rolling, stippling, mopping the paint, and embellishing with glitter. An exploration of acrylic's unique properties is a driving force in her work. Beginning as an intern at HERESIES, the pioneering feminist art magazine, Moyer has also engaged in critical practices beyond the studio. This monograph enriches a deep dive into Moyer's painting practice, in particular her work of the past decade, with a portfolio of the artist's agitprop from the 1990s, including Dyke Action Machine! (DAM!), one of the first lesbian public art projects". | |
600 | 1 | 7 | |a Moyer, Carrie |d 1960- |0 (DE-588)1035468859 |2 gnd |9 rswk-swf |
655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
689 | 0 | 0 | |a Moyer, Carrie |d 1960- |0 (DE-588)1035468859 |D p |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Siegel, Katy |d 1966- |0 (DE-588)129391476 |4 wst | |
700 | 1 | |a O'Neill-Butler, Lauren |d 1980- |0 (DE-588)1078266638 |4 wst | |
700 | 1 | |a Fateman, Johanna |d 1974- |0 (DE-588)1118416473 |4 ivr | |
999 | |a oai:aleph.bib-bvb.de:BVB01-033224760 |
Datensatz im Suchindex
_version_ | 1804183399303217152 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author2 | Fateman, Johanna 1974- |
author2_role | ivr |
author2_variant | j f jf |
author_GND | (DE-588)1035468859 (DE-588)129391476 (DE-588)1078266638 (DE-588)1118416473 |
author_facet | Fateman, Johanna 1974- |
building | Verbundindex |
bvnumber | BV047841707 |
ctrlnum | (OCoLC)1298750296 (DE-599)BVBBV047841707 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02673nam a2200373 c 4500</leader><controlfield tag="001">BV047841707</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220217s2021 xxu |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780847870264</subfield><subfield code="c">hardcover</subfield><subfield code="9">978-0-8478-7026-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1298750296</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047841707</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">XD-US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Moyer, Carrie</subfield><subfield code="d">1960-</subfield><subfield code="0">(DE-588)1035468859</subfield><subfield code="4">art</subfield><subfield code="4">ive</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Carrie Moyer</subfield><subfield code="c">essays by Katy Siegel and Lauren O'Neill-Butler ; Carrie Moyer in conversation with Johanna Fateman</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Rizzoli Electa</subfield><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">263 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Carrie Moyer's first major monograph expansively represents the influential abstract painter's work and queer agitprop. Carrie Moyer consciously centers her painting as a practice about painting, with history as a subtext. Known for her incursions into Color Field painting, Moyer also traces her influences to iconic female artists of the twentieth century, such as Georgia O'Keeffe, and surrounding questions of taste, once quipping of her paintings that "[Helen] Frankenthaler and [Fernand] Léger met in a dark corner and had Elizabeth Murray." Moyer's complex work merges abstract aesthetics and legible imagery: vividly colored and textured forms are embedded with a range of historical, stylistic, and physical references to Surrealism, Modernism, 1960s and '70s counterculture graphics, and '70s feminist art. Moyer often works on the floor, pouring, rolling, stippling, mopping the paint, and embellishing with glitter. An exploration of acrylic's unique properties is a driving force in her work. Beginning as an intern at HERESIES, the pioneering feminist art magazine, Moyer has also engaged in critical practices beyond the studio. This monograph enriches a deep dive into Moyer's painting practice, in particular her work of the past decade, with a portfolio of the artist's agitprop from the 1990s, including Dyke Action Machine! (DAM!), one of the first lesbian public art projects".</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Moyer, Carrie</subfield><subfield code="d">1960-</subfield><subfield code="0">(DE-588)1035468859</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4145395-5</subfield><subfield code="a">Bildband</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Moyer, Carrie</subfield><subfield code="d">1960-</subfield><subfield code="0">(DE-588)1035468859</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Siegel, Katy</subfield><subfield code="d">1966-</subfield><subfield code="0">(DE-588)129391476</subfield><subfield code="4">wst</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">O'Neill-Butler, Lauren</subfield><subfield code="d">1980-</subfield><subfield code="0">(DE-588)1078266638</subfield><subfield code="4">wst</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Fateman, Johanna</subfield><subfield code="d">1974-</subfield><subfield code="0">(DE-588)1118416473</subfield><subfield code="4">ivr</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033224760</subfield></datafield></record></collection> |
genre | (DE-588)4145395-5 Bildband gnd-content |
genre_facet | Bildband |
id | DE-604.BV047841707 |
illustrated | Not Illustrated |
index_date | 2024-07-03T19:12:11Z |
indexdate | 2024-07-10T09:22:49Z |
institution | BVB |
isbn | 9780847870264 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033224760 |
oclc_num | 1298750296 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
physical | 263 Seiten |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | Rizzoli Electa |
record_format | marc |
spelling | Moyer, Carrie 1960- (DE-588)1035468859 art ive Carrie Moyer essays by Katy Siegel and Lauren O'Neill-Butler ; Carrie Moyer in conversation with Johanna Fateman New York Rizzoli Electa 2021 263 Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier "Carrie Moyer's first major monograph expansively represents the influential abstract painter's work and queer agitprop. Carrie Moyer consciously centers her painting as a practice about painting, with history as a subtext. Known for her incursions into Color Field painting, Moyer also traces her influences to iconic female artists of the twentieth century, such as Georgia O'Keeffe, and surrounding questions of taste, once quipping of her paintings that "[Helen] Frankenthaler and [Fernand] Léger met in a dark corner and had Elizabeth Murray." Moyer's complex work merges abstract aesthetics and legible imagery: vividly colored and textured forms are embedded with a range of historical, stylistic, and physical references to Surrealism, Modernism, 1960s and '70s counterculture graphics, and '70s feminist art. Moyer often works on the floor, pouring, rolling, stippling, mopping the paint, and embellishing with glitter. An exploration of acrylic's unique properties is a driving force in her work. Beginning as an intern at HERESIES, the pioneering feminist art magazine, Moyer has also engaged in critical practices beyond the studio. This monograph enriches a deep dive into Moyer's painting practice, in particular her work of the past decade, with a portfolio of the artist's agitprop from the 1990s, including Dyke Action Machine! (DAM!), one of the first lesbian public art projects". Moyer, Carrie 1960- (DE-588)1035468859 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content Moyer, Carrie 1960- (DE-588)1035468859 p DE-604 Siegel, Katy 1966- (DE-588)129391476 wst O'Neill-Butler, Lauren 1980- (DE-588)1078266638 wst Fateman, Johanna 1974- (DE-588)1118416473 ivr |
spellingShingle | Carrie Moyer Moyer, Carrie 1960- (DE-588)1035468859 gnd |
subject_GND | (DE-588)1035468859 (DE-588)4145395-5 |
title | Carrie Moyer |
title_auth | Carrie Moyer |
title_exact_search | Carrie Moyer |
title_exact_search_txtP | Carrie Moyer |
title_full | Carrie Moyer essays by Katy Siegel and Lauren O'Neill-Butler ; Carrie Moyer in conversation with Johanna Fateman |
title_fullStr | Carrie Moyer essays by Katy Siegel and Lauren O'Neill-Butler ; Carrie Moyer in conversation with Johanna Fateman |
title_full_unstemmed | Carrie Moyer essays by Katy Siegel and Lauren O'Neill-Butler ; Carrie Moyer in conversation with Johanna Fateman |
title_short | Carrie Moyer |
title_sort | carrie moyer |
topic | Moyer, Carrie 1960- (DE-588)1035468859 gnd |
topic_facet | Moyer, Carrie 1960- Bildband |
work_keys_str_mv | AT moyercarrie carriemoyer AT siegelkaty carriemoyer AT oneillbutlerlauren carriemoyer AT fatemanjohanna carriemoyer |