Adapting Macbeth: a cultural history
In this study, William Carroll analyses a wide range of adaptations and appropriations of the play across different media to answer what it is about the play that compels this need or desire to reshape it. Arguing that behind many of these adaptations lies an attempt to ‘improve’ or ‘correct’ the pl...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
The Arden Shakespeare
2022
|
| Schriftenreihe: | Shakespeare and adaptation
|
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Zusammenfassung: | In this study, William Carroll analyses a wide range of adaptations and appropriations of the play across different media to answer what it is about the play that compels this need or desire to reshape it. Arguing that behind many of these adaptations lies an attempt to ‘improve’ or ‘correct’ the play’s perceived political or aesthetic flaws. He traces how Macbeth’s popularity as a point of departure stems from several of its formal features: its openly political nature; its inclusion of supernatural elements; its parable of the dangers of ambition; its violence; its brevity, and its domestic focus on a husband and wife. The study examines a wide-array of adaptations, ranging across elite and popular culture divides: Sir William Davenant’s adaptation for the Restoration stage (1663–4), an early 18th-century novel, The Secret History of Mackbeth and Verdi's Macbeth, through to 20th- and 21st-century adaptations for stage and screen, besides contemporary novelizations, comic books, young adult literature, and commercial appropriations that testify to the play's absorption into contemporary culture. |
| Beschreibung: | xv, 267 Seiten Illustrationen 22 cm |
| ISBN: | 9781350181397 |
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Datensatz im Suchindex
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| adam_text | In this study, William C. Carroll analyses a wide range of adaptations and appropriations of Macbeth across different media to consider what it is about the plav that compels our desire to reshape it. Arguing that many of these adaptations attempt to ‘improve’ or ‘correct’ the plav’s perceived political or aesthetic flaws, Carroll traces how Macbeth’s popularity and adaptability stem from formal features such as its openly political nature; its inclusion of supernatural elements; its parable of the dangers of ambition; its violence; its brevity; and its domestic focus on a husband and wife. The study ranges across elite and popular culture divides: from Sir William Davenant’s adaptation for the Restoration stage (1663-4), an early 18th-century novel, The Secret History ofMackbeth and Giuseppe Verdi s Macbeth, through to 20th- and 21st-century adaptations for stage and screen, as well as contemporary novelizations, young adult literature and commercial appropriations that testify to the play s absorption into contemporary culture.
CONTENTS List of Illustrations x Acknowledgements xiii Note on Text xvi Introduction: Macbeth and Mackbeth, the prequel 1 1 Political Macbeth 23 2 ‘The gracious Duncan’ and ‘our eldest, Malcolm’ 63 3 The return of Fleance 83 4 Noir Macbeth юз 5 Recuperating Lady Macbeth 125 6 Novelizing Macbeth 151 7 Global and racial Macbeth 171 8 Macbeth, the musical 197 Epilogue: Macbeth 3.0 215 Notes 222 Works Cited 236 Index 259
|
| adam_txt |
In this study, William C. Carroll analyses a wide range of adaptations and appropriations of Macbeth across different media to consider what it is about the plav that compels our desire to reshape it. Arguing that many of these adaptations attempt to ‘improve’ or ‘correct’ the plav’s perceived political or aesthetic flaws, Carroll traces how Macbeth’s popularity and adaptability stem from formal features such as its openly political nature; its inclusion of supernatural elements; its parable of the dangers of ambition; its violence; its brevity; and its domestic focus on a husband and wife. The study ranges across elite and popular culture divides: from Sir William Davenant’s adaptation for the Restoration stage (1663-4), an early 18th-century novel, The Secret History ofMackbeth and Giuseppe Verdi's Macbeth, through to 20th- and 21st-century adaptations for stage and screen, as well as contemporary novelizations, young adult literature and commercial appropriations that testify to the play's absorption into contemporary culture.
CONTENTS List of Illustrations x Acknowledgements xiii Note on Text xvi Introduction: Macbeth and Mackbeth, the prequel 1 1 Political Macbeth 23 2 ‘The gracious Duncan’ and ‘our eldest, Malcolm’ 63 3 The return of Fleance 83 4 Noir Macbeth юз 5 Recuperating Lady Macbeth 125 6 Novelizing Macbeth 151 7 Global and racial Macbeth 171 8 Macbeth, the musical 197 Epilogue: Macbeth 3.0 215 Notes 222 Works Cited 236 Index 259 |
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| author | Carroll, William C. 1945- |
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| author_sort | Carroll, William C. 1945- |
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| bvnumber | BV047841567 |
| classification_rvk | HI 3428 |
| ctrlnum | (OCoLC)1309955154 (DE-599)BVBBV047841567 |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| format | Book |
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| spelling | Carroll, William C. 1945- Verfasser (DE-588)131885235 aut Adapting Macbeth a cultural history William C. Carroll London ; New York ; Oxford ; New Delhi ; Sydney The Arden Shakespeare 2022 xv, 267 Seiten Illustrationen 22 cm txt rdacontent n rdamedia nc rdacarrier Shakespeare and adaptation In this study, William Carroll analyses a wide range of adaptations and appropriations of the play across different media to answer what it is about the play that compels this need or desire to reshape it. Arguing that behind many of these adaptations lies an attempt to ‘improve’ or ‘correct’ the play’s perceived political or aesthetic flaws. He traces how Macbeth’s popularity as a point of departure stems from several of its formal features: its openly political nature; its inclusion of supernatural elements; its parable of the dangers of ambition; its violence; its brevity, and its domestic focus on a husband and wife. The study examines a wide-array of adaptations, ranging across elite and popular culture divides: Sir William Davenant’s adaptation for the Restoration stage (1663–4), an early 18th-century novel, The Secret History of Mackbeth and Verdi's Macbeth, through to 20th- and 21st-century adaptations for stage and screen, besides contemporary novelizations, comic books, young adult literature, and commercial appropriations that testify to the play's absorption into contemporary culture. Shakespeare, William 1564-1616 Macbeth (DE-588)4099361-9 gnd rswk-swf Adaption Literatur (DE-588)102289935X gnd rswk-swf Bearbeitung (DE-588)4120981-3 gnd rswk-swf Shakespeare, William / 1564-1616 / Macbeth Shakespeare, William / 1564-1616 / Adaptations Shakespeare, William / 1564-1616 Macbeth (Shakespeare, William) Adaptations Shakespeare, William 1564-1616 Macbeth (DE-588)4099361-9 u Bearbeitung (DE-588)4120981-3 s Adaption Literatur (DE-588)102289935X s DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-3501-8141-0 Erscheint auch als Online-Ausgabe 978-1-3501-8140-3 Erscheint auch als Online-Ausgabe 9781350181427 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033224627&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033224627&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Carroll, William C. 1945- Adapting Macbeth a cultural history Shakespeare, William 1564-1616 Macbeth (DE-588)4099361-9 gnd Adaption Literatur (DE-588)102289935X gnd Bearbeitung (DE-588)4120981-3 gnd |
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| title | Adapting Macbeth a cultural history |
| title_auth | Adapting Macbeth a cultural history |
| title_exact_search | Adapting Macbeth a cultural history |
| title_exact_search_txtP | Adapting Macbeth a cultural history |
| title_full | Adapting Macbeth a cultural history William C. Carroll |
| title_fullStr | Adapting Macbeth a cultural history William C. Carroll |
| title_full_unstemmed | Adapting Macbeth a cultural history William C. Carroll |
| title_short | Adapting Macbeth |
| title_sort | adapting macbeth a cultural history |
| title_sub | a cultural history |
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