Ekphrastic image-making in early modern Europe, 1500-1700:
Humanism, print, ekphrasis -- Poem, image, ekphrasis -- Sacred ekphrasis -- Ekphrastic images -- Nature, art, ekphrasis -- Global ekphrasis
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Elektronisch Tagungsbericht E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston
Brill
[2022]
|
| Schriftenreihe: | Intersections
volume 79 |
| Schlagworte: | |
| Online-Zugang: | DE-188 DE-Y7 DE-255 Volltext |
| Zusammenfassung: | Humanism, print, ekphrasis -- Poem, image, ekphrasis -- Sacred ekphrasis -- Ekphrastic images -- Nature, art, ekphrasis -- Global ekphrasis "In epideictic oratory, ekphrasis is typically identified as an advanced rhetorical exercise that verbally reproduces the experience of viewing a person, place, or thing; more specifically, it often purports to replicate the experience of viewing a work of art. Not only what was seen, but also how it was beheld, and the emotions attendant upon first viewing it, are implicitly construed as recoverable, indeed reproducible. This volume examines how and why many early modern pictures operate in an ekphrastic mode: such pictures claim to reconstitute works of art that solely survived in the textual form of an ekphrasis; or they invite the beholder to respond to a picture in the way s/he responds to a stirring verbal image; or they call attention to their status as an image, in the way that ekphrasis, as a rhetorical figure, makes one conscious of the process of image-making; or finally, they foreground the artist's or the viewer's agency, in the way that the rhetor or auditor is adduced as agent of the image being verbally produced |
| Beschreibung: | Konferenzdaten ermittelt. - Katalogisat basiert auf der Verlagsausgabe (Brill) |
| Beschreibung: | 1 Online-Ressource (XXXIX, 844 Seiten) Illustrationen |
| ISBN: | 9789004462069 |
| DOI: | 10.1163/9789004462069 |
Internformat
MARC
| LEADER | 00000nmm a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV047838696 | ||
| 003 | DE-604 | ||
| 005 | 20230126 | ||
| 006 | a |||| 10||| | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220215s2022 |||| o||u| ||||||eng d | ||
| 020 | |a 9789004462069 |c Online, PDF |9 978-90-04-46206-9 | ||
| 024 | 7 | |a 10.1163/9789004462069 |2 doi | |
| 035 | |a (ZDB-30-PQE)EBC6836722 | ||
| 035 | |a (OCoLC)1294741916 | ||
| 035 | |a (DE-599)BVBBV047838696 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y7 |a DE-188 |a DE-255 | ||
| 082 | 0 | |a 709.4 | |
| 084 | |a LH 65700 |0 (DE-625)94554: |2 rvk | ||
| 111 | 2 | |a Lovis Corinth Colloquium |n 10. |d 2019 |c Atlanta, Ga. |j Verfasser |4 aut | |
| 245 | 1 | 0 | |a Ekphrastic image-making in early modern Europe, 1500-1700 |c edited by Arthur J. DiFuria, Walter S. Melion |
| 264 | 1 | |a Leiden ; Boston |b Brill |c [2022] | |
| 264 | 4 | |c © 2022 | |
| 300 | |a 1 Online-Ressource (XXXIX, 844 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 1 | |a Intersections |v volume 79 | |
| 500 | |a Konferenzdaten ermittelt. - Katalogisat basiert auf der Verlagsausgabe (Brill) | ||
| 520 | 3 | |a Humanism, print, ekphrasis -- Poem, image, ekphrasis -- Sacred ekphrasis -- Ekphrastic images -- Nature, art, ekphrasis -- Global ekphrasis | |
| 520 | 3 | |a "In epideictic oratory, ekphrasis is typically identified as an advanced rhetorical exercise that verbally reproduces the experience of viewing a person, place, or thing; more specifically, it often purports to replicate the experience of viewing a work of art. Not only what was seen, but also how it was beheld, and the emotions attendant upon first viewing it, are implicitly construed as recoverable, indeed reproducible. This volume examines how and why many early modern pictures operate in an ekphrastic mode: such pictures claim to reconstitute works of art that solely survived in the textual form of an ekphrasis; or they invite the beholder to respond to a picture in the way s/he responds to a stirring verbal image; or they call attention to their status as an image, in the way that ekphrasis, as a rhetorical figure, makes one conscious of the process of image-making; or finally, they foreground the artist's or the viewer's agency, in the way that the rhetor or auditor is adduced as agent of the image being verbally produced | |
| 648 | 7 | |a Geschichte 1500-1700 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Natur |0 (DE-588)4041358-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Bild |0 (DE-588)4006568-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Religiöse Kunst |0 (DE-588)4193793-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ekphrasis |0 (DE-588)4151667-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Lyrik |0 (DE-588)4036774-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Art, European / Philosophy / Congresses | |
| 653 | 0 | |a Ekphrasis / Congresses | |
| 653 | 0 | |a Image (Philosophy) / Congresses | |
| 655 | 7 | |0 (DE-588)1071861417 |a Konferenzschrift |y 06.12.2019-07.12.2019 |z Atlanta, Ga. |2 gnd-content | |
| 689 | 0 | 0 | |a Ekphrasis |0 (DE-588)4151667-9 |D s |
| 689 | 0 | 1 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 0 | 2 | |a Lyrik |0 (DE-588)4036774-5 |D s |
| 689 | 0 | 3 | |a Religiöse Kunst |0 (DE-588)4193793-4 |D s |
| 689 | 0 | 4 | |a Natur |0 (DE-588)4041358-5 |D s |
| 689 | 0 | 5 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | 6 | |a Bild |0 (DE-588)4006568-6 |D s |
| 689 | 0 | 7 | |a Geschichte 1500-1700 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a DiFuria, Arthur J. |0 (DE-588)1119268710 |4 edt | |
| 700 | 1 | |a Melion, Walter S. |d 1952- |0 (DE-588)137223943 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 90-04-10997-8 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-90-04-10997-1 |w (DE-604)BV047700488 |
| 830 | 0 | |a Intersections |v volume 79 |w (DE-604)BV047431340 |9 79 | |
| 856 | 4 | 0 | |u https://doi.org/10.1163/9789004462069 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-30-PQE |a ZDB-95-BOC | ||
| 940 | 1 | |q KUBA2-ZDB-30-PAD-2024 | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033221821 | |
| 966 | e | |u https://doi.org/10.1163/9789004462069 |l DE-188 |p ZDB-95-BOC |x Verlag |3 Volltext | |
| 966 | e | |u https://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=6836722 |l DE-Y7 |p ZDB-30-PQE |q DFK |x Aggregator |3 Volltext | |
| 966 | e | |u https://ebookcentral.proquest.com/lib/zikg/detail.action?docID=6836722 |l DE-255 |p ZDB-30-PAD |q BZI |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1809312338073878528 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | DiFuria, Arthur J. Melion, Walter S. 1952- |
| author2_role | edt edt |
| author2_variant | a j d aj ajd w s m ws wsm |
| author_GND | (DE-588)1119268710 (DE-588)137223943 |
| author_corporate | Lovis Corinth Colloquium Atlanta, Ga |
| author_corporate_role | aut |
| author_facet | DiFuria, Arthur J. Melion, Walter S. 1952- Lovis Corinth Colloquium Atlanta, Ga |
| author_sort | Lovis Corinth Colloquium Atlanta, Ga |
| building | Verbundindex |
| bvnumber | BV047838696 |
| classification_rvk | LH 65700 |
| collection | ZDB-30-PQE ZDB-95-BOC |
| ctrlnum | (ZDB-30-PQE)EBC6836722 (OCoLC)1294741916 (DE-599)BVBBV047838696 |
| dewey-full | 709.4 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.4 |
| dewey-search | 709.4 |
| dewey-sort | 3709.4 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| doi_str_mv | 10.1163/9789004462069 |
| era | Geschichte 1500-1700 gnd |
| era_facet | Geschichte 1500-1700 |
| format | Electronic Conference Proceeding eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000 cb4500</leader><controlfield tag="001">BV047838696</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230126</controlfield><controlfield tag="006">a |||| 10|||</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220215s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789004462069</subfield><subfield code="c">Online, PDF</subfield><subfield code="9">978-90-04-46206-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1163/9789004462069</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PQE)EBC6836722</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1294741916</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047838696</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y7</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">709.4</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 65700</subfield><subfield code="0">(DE-625)94554:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="111" ind1="2" ind2=" "><subfield code="a">Lovis Corinth Colloquium</subfield><subfield code="n">10.</subfield><subfield code="d">2019</subfield><subfield code="c">Atlanta, Ga.</subfield><subfield code="j">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Ekphrastic image-making in early modern Europe, 1500-1700</subfield><subfield code="c">edited by Arthur J. DiFuria, Walter S. Melion</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Leiden ; Boston</subfield><subfield code="b">Brill</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (XXXIX, 844 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Intersections</subfield><subfield code="v">volume 79</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Konferenzdaten ermittelt. - Katalogisat basiert auf der Verlagsausgabe (Brill)</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Humanism, print, ekphrasis -- Poem, image, ekphrasis -- Sacred ekphrasis -- Ekphrastic images -- Nature, art, ekphrasis -- Global ekphrasis</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"In epideictic oratory, ekphrasis is typically identified as an advanced rhetorical exercise that verbally reproduces the experience of viewing a person, place, or thing; more specifically, it often purports to replicate the experience of viewing a work of art. Not only what was seen, but also how it was beheld, and the emotions attendant upon first viewing it, are implicitly construed as recoverable, indeed reproducible. This volume examines how and why many early modern pictures operate in an ekphrastic mode: such pictures claim to reconstitute works of art that solely survived in the textual form of an ekphrasis; or they invite the beholder to respond to a picture in the way s/he responds to a stirring verbal image; or they call attention to their status as an image, in the way that ekphrasis, as a rhetorical figure, makes one conscious of the process of image-making; or finally, they foreground the artist's or the viewer's agency, in the way that the rhetor or auditor is adduced as agent of the image being verbally produced</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1500-1700</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Natur</subfield><subfield code="0">(DE-588)4041358-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Bild</subfield><subfield code="0">(DE-588)4006568-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Religiöse Kunst</subfield><subfield code="0">(DE-588)4193793-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ekphrasis</subfield><subfield code="0">(DE-588)4151667-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Lyrik</subfield><subfield code="0">(DE-588)4036774-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art, European / Philosophy / Congresses</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Ekphrasis / Congresses</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Image (Philosophy) / Congresses</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)1071861417</subfield><subfield code="a">Konferenzschrift</subfield><subfield code="y">06.12.2019-07.12.2019</subfield><subfield code="z">Atlanta, Ga.</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Ekphrasis</subfield><subfield code="0">(DE-588)4151667-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Lyrik</subfield><subfield code="0">(DE-588)4036774-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Religiöse Kunst</subfield><subfield code="0">(DE-588)4193793-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Natur</subfield><subfield code="0">(DE-588)4041358-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Bild</subfield><subfield code="0">(DE-588)4006568-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="7"><subfield code="a">Geschichte 1500-1700</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">DiFuria, Arthur J.</subfield><subfield code="0">(DE-588)1119268710</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Melion, Walter S.</subfield><subfield code="d">1952-</subfield><subfield code="0">(DE-588)137223943</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">90-04-10997-8</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-90-04-10997-1</subfield><subfield code="w">(DE-604)BV047700488</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Intersections</subfield><subfield code="v">volume 79</subfield><subfield code="w">(DE-604)BV047431340</subfield><subfield code="9">79</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1163/9789004462069</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-30-PQE</subfield><subfield code="a">ZDB-95-BOC</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUBA2-ZDB-30-PAD-2024</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033221821</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1163/9789004462069</subfield><subfield code="l">DE-188</subfield><subfield code="p">ZDB-95-BOC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=6836722</subfield><subfield code="l">DE-Y7</subfield><subfield code="p">ZDB-30-PQE</subfield><subfield code="q">DFK</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/zikg/detail.action?docID=6836722</subfield><subfield code="l">DE-255</subfield><subfield code="p">ZDB-30-PAD</subfield><subfield code="q">BZI</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)1071861417 Konferenzschrift 06.12.2019-07.12.2019 Atlanta, Ga. gnd-content |
| genre_facet | Konferenzschrift 06.12.2019-07.12.2019 Atlanta, Ga. |
| id | DE-604.BV047838696 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:11:09Z |
| indexdate | 2024-09-05T00:05:07Z |
| institution | BVB |
| isbn | 9789004462069 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033221821 |
| oclc_num | 1294741916 |
| open_access_boolean | |
| owner | DE-Y7 DE-188 DE-255 |
| owner_facet | DE-Y7 DE-188 DE-255 |
| physical | 1 Online-Ressource (XXXIX, 844 Seiten) Illustrationen |
| psigel | ZDB-30-PQE ZDB-95-BOC KUBA2-ZDB-30-PAD-2024 ZDB-30-PQE DFK ZDB-30-PAD BZI |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Brill |
| record_format | marc |
| series | Intersections |
| series2 | Intersections |
| spelling | Lovis Corinth Colloquium 10. 2019 Atlanta, Ga. Verfasser aut Ekphrastic image-making in early modern Europe, 1500-1700 edited by Arthur J. DiFuria, Walter S. Melion Leiden ; Boston Brill [2022] © 2022 1 Online-Ressource (XXXIX, 844 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Intersections volume 79 Konferenzdaten ermittelt. - Katalogisat basiert auf der Verlagsausgabe (Brill) Humanism, print, ekphrasis -- Poem, image, ekphrasis -- Sacred ekphrasis -- Ekphrastic images -- Nature, art, ekphrasis -- Global ekphrasis "In epideictic oratory, ekphrasis is typically identified as an advanced rhetorical exercise that verbally reproduces the experience of viewing a person, place, or thing; more specifically, it often purports to replicate the experience of viewing a work of art. Not only what was seen, but also how it was beheld, and the emotions attendant upon first viewing it, are implicitly construed as recoverable, indeed reproducible. This volume examines how and why many early modern pictures operate in an ekphrastic mode: such pictures claim to reconstitute works of art that solely survived in the textual form of an ekphrasis; or they invite the beholder to respond to a picture in the way s/he responds to a stirring verbal image; or they call attention to their status as an image, in the way that ekphrasis, as a rhetorical figure, makes one conscious of the process of image-making; or finally, they foreground the artist's or the viewer's agency, in the way that the rhetor or auditor is adduced as agent of the image being verbally produced Geschichte 1500-1700 gnd rswk-swf Natur (DE-588)4041358-5 gnd rswk-swf Bild (DE-588)4006568-6 gnd rswk-swf Religiöse Kunst (DE-588)4193793-4 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Ekphrasis (DE-588)4151667-9 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Art, European / Philosophy / Congresses Ekphrasis / Congresses Image (Philosophy) / Congresses (DE-588)1071861417 Konferenzschrift 06.12.2019-07.12.2019 Atlanta, Ga. gnd-content Ekphrasis (DE-588)4151667-9 s Literatur (DE-588)4035964-5 s Lyrik (DE-588)4036774-5 s Religiöse Kunst (DE-588)4193793-4 s Natur (DE-588)4041358-5 s Kunst (DE-588)4114333-4 s Bild (DE-588)4006568-6 s Geschichte 1500-1700 z DE-604 DiFuria, Arthur J. (DE-588)1119268710 edt Melion, Walter S. 1952- (DE-588)137223943 edt Erscheint auch als Druck-Ausgabe 90-04-10997-8 Erscheint auch als Druck-Ausgabe, Hardcover 978-90-04-10997-1 (DE-604)BV047700488 Intersections volume 79 (DE-604)BV047431340 79 https://doi.org/10.1163/9789004462069 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Ekphrastic image-making in early modern Europe, 1500-1700 Intersections Natur (DE-588)4041358-5 gnd Bild (DE-588)4006568-6 gnd Religiöse Kunst (DE-588)4193793-4 gnd Literatur (DE-588)4035964-5 gnd Ekphrasis (DE-588)4151667-9 gnd Lyrik (DE-588)4036774-5 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4041358-5 (DE-588)4006568-6 (DE-588)4193793-4 (DE-588)4035964-5 (DE-588)4151667-9 (DE-588)4036774-5 (DE-588)4114333-4 (DE-588)1071861417 |
| title | Ekphrastic image-making in early modern Europe, 1500-1700 |
| title_auth | Ekphrastic image-making in early modern Europe, 1500-1700 |
| title_exact_search | Ekphrastic image-making in early modern Europe, 1500-1700 |
| title_exact_search_txtP | Ekphrastic image-making in early modern Europe, 1500-1700 |
| title_full | Ekphrastic image-making in early modern Europe, 1500-1700 edited by Arthur J. DiFuria, Walter S. Melion |
| title_fullStr | Ekphrastic image-making in early modern Europe, 1500-1700 edited by Arthur J. DiFuria, Walter S. Melion |
| title_full_unstemmed | Ekphrastic image-making in early modern Europe, 1500-1700 edited by Arthur J. DiFuria, Walter S. Melion |
| title_short | Ekphrastic image-making in early modern Europe, 1500-1700 |
| title_sort | ekphrastic image making in early modern europe 1500 1700 |
| topic | Natur (DE-588)4041358-5 gnd Bild (DE-588)4006568-6 gnd Religiöse Kunst (DE-588)4193793-4 gnd Literatur (DE-588)4035964-5 gnd Ekphrasis (DE-588)4151667-9 gnd Lyrik (DE-588)4036774-5 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Natur Bild Religiöse Kunst Literatur Ekphrasis Lyrik Kunst Konferenzschrift 06.12.2019-07.12.2019 Atlanta, Ga. |
| url | https://doi.org/10.1163/9789004462069 |
| volume_link | (DE-604)BV047431340 |
| work_keys_str_mv | AT loviscorinthcolloquiumatlantaga ekphrasticimagemakinginearlymoderneurope15001700 AT difuriaarthurj ekphrasticimagemakinginearlymoderneurope15001700 AT melionwalters ekphrasticimagemakinginearlymoderneurope15001700 |