Forms of emotion: human to nonhuman in drama, theatre and contemporary performance
"Forms of Emotion analyses how drama, theatre and contemporary performance present emotion and its human and nonhuman diversity. This book explores the emotions, emotional feelings, mood, and affect, which make up a spectrum of 'emotion', to illuminate theatrical knowledge and practic...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2022
|
| Schriftenreihe: | Routledge advances in theatre & performance studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Forms of Emotion analyses how drama, theatre and contemporary performance present emotion and its human and nonhuman diversity. This book explores the emotions, emotional feelings, mood, and affect, which make up a spectrum of 'emotion', to illuminate theatrical knowledge and practice and reflect the distinctions and debates in philosophy, neuroscience, psychology, and other disciplines. This study asserts that specific forms of emotion are intentionally unified in drama, theatre, and performance to convey meaning, counteract separation and subversively champion emotional freedom. The book progressively shows that the dramatic and theatrical representation of the nonhuman reveals how human dominance is offset by emotional connection with birds, animals, and the natural environment. This book will be of great interest to students and researchers interested in the emotions and affect in dramatic literature, theatre studies, performance studies, psychology, and philosophy as well as artists working with emotionally expressive performance"-- |
| Beschreibung: | x, 255 Seiten Illustrationen 24 cm |
| ISBN: | 0367644975 9780367644970 9780367644987 |
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Datensatz im Suchindex
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| adam_text | Contents List offigures Acknowledgements Introduction Chapter summaries 8 Framing the emotions, emotional feeling, mood and affect 10 Performing is notfeeling that emotion 19 1 Affect theory and performance intention Distinctions in performance 24 Feeling divided 26 Affect currents 32 Contested intentions 34 Live - in theory 37 Impersonal affect and personal feeling 41 Presence and transmission 43 Resistance 45 Formless affect and aesthetic form 47 2 Judging pity, fear and humanness Pity and fear in action 49 Fear of shame 54 Opposition shocks 57 Wonder and catharsis 60 Mimetic natures 62 Towards compassion 65 Fear and animalness 67
vi Contents 3 Appraising emotional feeling Talk offeeling 71 Navigating obstruction 75 Substitute passions 76 Appraisal of emotional feeling 80 Ugly metaphor 82 Inexplicable feeling 85 Cruel structures of colonized feeling 86 4 Performing moods, tears and bodily phenomena Theatrical exchange 91 Modernist convergence 95 Acting an inner self 99 Imagined spaces of longing and happiness 103 Doing bodily affect 106 Performing freedom 109 Unifying aesthetic moods 111 5 Political belief and social cognition of emotions Contesting courage 115 Acting science and the brain—body 124 Trauma’s affect 128 Unifying empathy 130 Theatre’s emotional economy 135 Emotional feeling as belief 138 6 En/Acting diverse emotional freedoms Rule-breaking paradox 141 Love’s force fields 145 Human right to emotional feeling 149 Politics offear 155 Rage against postemotional denial 157 Theatrical freedoms 160 7 Animals and anthropocentric emotionalism Comic surrogates 163 Tragic symbols 167 Sensory body insensitivity 171 Performing emotional connections 174
Contents 8 Enveloping the nonhuman: Contemporary indigenous performance vii 179 Collaborating traditions 180 Continuities in storytelling 181 Bodily perceiving movement 184 Unity in Bangarra’s Dark Emu 187 Enveloping affect and emotional movement 189 Feeling knowledge and nonhuman time 191 9 Prosodies of affect and emotional climates 195 Walking, trusting 196 Weather worlds 202 Motivating 206 Breathing 210 Sharing 214 Conclusion: Emotional freedom in performance 217 References Index 221 245
Forms of Emotion analyses how drama, theatre and contemporary performance present emotion and its human and nonhuman diversity. This book explores the emotions, emotional feelings, mood, and affect, which make up a spectrum of ‘emotion’, to illuminate theatrical knowledge and practice and reflect the distinctions and debates in philosophy, neurosci ence, psychology, and other disciplines. This study asserts that specific forms of emotion are intentionally unified in drama, theatre, and performance to convey meaning, counteract separation and subversively champion emotional freedom. The book progressively shows that the dramatic and theatrical rep resentation of the nonhuman reveals how human dominance is offset by emotional connection with birds, animals, and the natural environment. This book will be of great interest to students and researchers considering the emotions and affect in dramatic literature, theatre studies, performance studies, psychology, and philosophy as well as artists working with emotion ally expressive performance.
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| adam_txt |
Contents List offigures Acknowledgements Introduction Chapter summaries 8 Framing the emotions, emotional feeling, mood and affect 10 Performing is notfeeling that emotion 19 1 Affect theory and performance intention Distinctions in performance 24 Feeling divided 26 Affect currents 32 Contested intentions 34 Live - in theory 37 Impersonal affect and personal feeling 41 Presence and transmission 43 Resistance 45 Formless affect and aesthetic form 47 2 Judging pity, fear and humanness Pity and fear in action 49 Fear of shame 54 Opposition shocks 57 Wonder and catharsis 60 Mimetic natures 62 Towards compassion 65 Fear and animalness 67
vi Contents 3 Appraising emotional feeling Talk offeeling 71 Navigating obstruction 75 Substitute passions 76 Appraisal of emotional feeling 80 Ugly metaphor 82 Inexplicable feeling 85 Cruel structures of colonized feeling 86 4 Performing moods, tears and bodily phenomena Theatrical exchange 91 Modernist convergence 95 Acting an inner self 99 Imagined spaces of longing and happiness 103 Doing bodily affect 106 Performing freedom 109 Unifying aesthetic moods 111 5 Political belief and social cognition of emotions Contesting courage 115 Acting science and the brain—body 124 Trauma’s affect 128 Unifying empathy 130 Theatre’s emotional economy 135 Emotional feeling as belief 138 6 En/Acting diverse emotional freedoms Rule-breaking paradox 141 Love’s force fields 145 Human right to emotional feeling 149 Politics offear 155 Rage against postemotional denial 157 Theatrical freedoms 160 7 Animals and anthropocentric emotionalism Comic surrogates 163 Tragic symbols 167 Sensory body insensitivity 171 Performing emotional connections 174
Contents 8 Enveloping the nonhuman: Contemporary indigenous performance vii 179 Collaborating traditions 180 Continuities in storytelling 181 Bodily perceiving movement 184 Unity in Bangarra’s Dark Emu 187 Enveloping affect and emotional movement 189 Feeling knowledge and nonhuman time 191 9 Prosodies of affect and emotional climates 195 Walking, trusting 196 Weather worlds 202 Motivating 206 Breathing 210 Sharing 214 Conclusion: Emotional freedom in performance 217 References Index 221 245
Forms of Emotion analyses how drama, theatre and contemporary performance present emotion and its human and nonhuman diversity. This book explores the emotions, emotional feelings, mood, and affect, which make up a spectrum of ‘emotion’, to illuminate theatrical knowledge and practice and reflect the distinctions and debates in philosophy, neurosci ence, psychology, and other disciplines. This study asserts that specific forms of emotion are intentionally unified in drama, theatre, and performance to convey meaning, counteract separation and subversively champion emotional freedom. The book progressively shows that the dramatic and theatrical rep resentation of the nonhuman reveals how human dominance is offset by emotional connection with birds, animals, and the natural environment. This book will be of great interest to students and researchers considering the emotions and affect in dramatic literature, theatre studies, performance studies, psychology, and philosophy as well as artists working with emotion ally expressive performance. |
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| spelling | Tait, Peta 1953- Verfasser (DE-588)172910943 aut Forms of emotion human to nonhuman in drama, theatre and contemporary performance Peta Tait London ; New York Routledge 2022 x, 255 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Routledge advances in theatre & performance studies "Forms of Emotion analyses how drama, theatre and contemporary performance present emotion and its human and nonhuman diversity. This book explores the emotions, emotional feelings, mood, and affect, which make up a spectrum of 'emotion', to illuminate theatrical knowledge and practice and reflect the distinctions and debates in philosophy, neuroscience, psychology, and other disciplines. This study asserts that specific forms of emotion are intentionally unified in drama, theatre, and performance to convey meaning, counteract separation and subversively champion emotional freedom. The book progressively shows that the dramatic and theatrical representation of the nonhuman reveals how human dominance is offset by emotional connection with birds, animals, and the natural environment. This book will be of great interest to students and researchers interested in the emotions and affect in dramatic literature, theatre studies, performance studies, psychology, and philosophy as well as artists working with emotionally expressive performance"-- Gefühl Motiv (DE-588)4207378-9 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Performing arts / Psychological aspects Emotions / Psychological aspects Animal psychology Performance Gefühl Motiv (DE-588)4207378-9 s Drama (DE-588)4012899-4 s Theater (DE-588)4059702-7 s DE-604 Erscheint auch als Online-Ausgabe 978-1-003-12483-2 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033219897&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033219897&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Tait, Peta 1953- Forms of emotion human to nonhuman in drama, theatre and contemporary performance Gefühl Motiv (DE-588)4207378-9 gnd Theater (DE-588)4059702-7 gnd Drama (DE-588)4012899-4 gnd |
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| title | Forms of emotion human to nonhuman in drama, theatre and contemporary performance |
| title_auth | Forms of emotion human to nonhuman in drama, theatre and contemporary performance |
| title_exact_search | Forms of emotion human to nonhuman in drama, theatre and contemporary performance |
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| title_full | Forms of emotion human to nonhuman in drama, theatre and contemporary performance Peta Tait |
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