The truth about Fania Fénelon and the women's orchestra of Auschwitz-Birkenau:
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Datensatz im Suchindex
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| adam_text | Bibliography Anderson, Susan Heller. 1978. Memories of a Nazi Death Camp, Where a Musical Gift Meant Survival. The New Tork Times, 10, January 7. Apthorp, Shirley. 2006. Auschwitz Women’s Orchestra Provided a Soundtrack for Suffering. 08 September, 2006 http://www.bloomberg.com/apps/news?. pid=206010888csid=abA.auUM.KmErefer=muse. Astor, Gerald. 1985. The Last Nuzi: The Life and Times ofJosefMengele. New York: Donald Fine Publishers. Bejarano, Esther. 2013. Erinnerungen. Hamburg: Laika Verlag. Bejarano, Esther, and Birgit Gärtner. 2005/2007. Wir leben trotzdem: Esther Bejarano—vom Mädchenorchester in Auschwitz zur Künstlerin für den Érieden. Bonn: Pahl-Rugenstein. Bergen, Doris. 1996. Music of the Holocaust. In The Holocaust; Introductory Essays, ed. David Scrase and Wolfgang Mieder, Burlington: University of Vermont Press. Burmeister, Holly. 2003. Fania Fénelon (1909-1983). In Holocaust Literature, vol. 1, ed. S. Lillian Kremer. London: Routledge Publisher. Chartock, Roselle. 1998. Preparing a High School Unit for High School Students. In The Holocaust: Memories, Research, Reference, ed. Robert Hauptman and Susan Hubbs Morin, 37. New York: Haworth Press. Chernel, Lona. 1994. Musizieren um zu überleben. Wiener Zeitung, January 14. Collins Weitz, Margaret. 1995. Sisters in the Resistance. New York: Wiley. Cykowiak, Zofia. 1985. Recollections of Alma Rosé. September. Państwowe Muzeum Auschwitz-Birkenau w Oświęcimiu (ΑΡΜΟ), wsppomnienia + 190. Ss 1-19, Wsp./Cykowiak/1021,1735-18. © The Editor(s) (if applicable) and The Author(s) 2016 S. Eischeid, The Truth about Tania Eénelon
and the Women’s Orchestra ofAuschwitz-Birkenau, DOI 10.1007/978-3-319-31038-1 139
140 BIBLIOGRAPHY Cykowiak, Zofia. 1985. Zarys historii kobiecej orkiestry w Oświęcimiu—Brzezince. (An Outline History of the Women’s Orchestra in Oświęcim-Brzezinka), Krakow, nr rejestracyjny 44527, Państwowe Muzeum Auschwitz-Birkenau w Oświęcimiu (ΑΡΜΟ). Czech, Danuta. 1990. Auschwitz Chronicie 1939-1945. London: I.B. Tauris. Daëron, Michael. 2000. Bach in Auschwitz (Klm Documentary). New York: Winstar TV and Video. Deautchkron, Inga. 1987. The Auschwitz Women’s Orchestra. Maariv, March 26. Defonseca, Misha. 1997. Misha: A Mémoire of the Holocaust Years. Boston, MA: Mount Ivy Press. Dobnik, Verena (Associated Press). 2009. U.S. Group Re-creates Nazi Death Camp Orchestra. USA Today, March 25. Donadío, Rachel. 2008. The Story of Night. Sunday Book Review. The New York Times, January 20. http://www.nytimes.com/2008/01/20/.../Donadio-t. html? Esrati, Stephen. 1998. Mala’s Last Words, January 1. http://www.ideajournal. com/arddes.php?id=l 5 Fabry-Francy, Georges. 1981. La Tele U.S. a Fait D’Auschwitz une Affaire de Sexe. Paris Match. Fania Fénelon Baps CBS for Hating Redgrave Portray her in TV Movie. Jewish Telegram Agency, October 23, 1979. Fania Fénelon Speaks About Her Life. Jewish Public Library, Montreal, Canada, January 29, 1980. http://www.ia902700.us.archive.org/17/items/ FaniaFenelonSpeaksAboutHerLifeenglishJanuary291980/ Fénelon, Fania. 1976. Sursis pour l’orchestre. Paris: Stock Publishers. Fénelon, Fania. 1977a. Playingfor Time. New York: Berkley Books. Fénelon, Fania. 1977b. The Musicians ofAuschwitz. London: Billings and Sons Ltd. Fénelon, Fania. 1978. The
Musicians of Auschwitz. Interview by Morley Safer, 60 Minutes, CBS Television, August 27. Fénelon, Fania. 1981. Das Mädchenorchester in Auschwitz. München: Deutscher Taschenbuch Verlag. Fénelon, Fania. 1983. Memoirs Described Auschwitz Singing Obituary. The New York Times, December 22. Fénelon, Fania. 1997. Playingfor Time. New York: Syracuse University Press. Flam, Gila. Music of the Heartstrings/Music of the Holocaust. Yad Vashem, http://www.yadvashem.org/yv/en/.. ./music_and_Holocaust.asp Flander, Judy. 1980. Artístic Coup for Redgrave. The Washington Star, September 30. Frank, Niklas. 1980. Nach Mord Schumann’s Träumerei. Stern 41: 280-283. Franken, Inge. 2010. Gegen das Vergessen. Erinnerungen an das Jüdische Kinderheim. Berlin: Text Verlag, Erweitete Auflage.
BIBLIOGRAPHY 141 Freedman, Samuel. 1983. Bearing Witness. The New York Times, October 23. http://www.nytimes.com/1983/10/23/magazine/bearing-witness. html ?pagewanted=all Freyhan, H.W. 1978. Ghasdy Concerts, Musicians ofAuschwitz. AJK Information, July 6. Garlinski, Jozef. 1975. Lighting Auschwitz: The Resistance Movement in the Concentration Camp. London: Juliann Friedmann Pub. Gilbert, Shirli. 2005. Music in the Holocaust. New York: Oxford University Press. Goldfarb, Alvin. 1999. Theatrical Activities in the Nazi Concentrations Camps. In Theatrical Performance during the Holocaust, ed. Rebecca Rovit 8c Alvin Goldfarb, Baltimore: Johns Hopkins Press. Grossert, Werner. Berichtigung und Ergänzung (über Sylvia und Carla Wagenberg), Dessauer Chronik, personal collection Niwiriska. Henke, Krystyna. Louis Bannet: Virtuoso of Birkenau. Canadian Association for the Advancement of Netherlandic Studies, http://www.www-caens-acaen.ca/ JonraI/issues_online/Issue_XIXJ.. ./HENKE.pdf Herzberg, Nathaniel. 2014. Violette Jacquet-Silberstein (1925-2014), Seven Decades after Auschwitz, Happiness. Le Monde, February 3. Holler, Gerhard. 1994. Theater der Jugend: Todesfuge als Rettung. STANDARD, Wien, January 15-16. Höhne, Heinz. 1981. The Horror Avoided. Der Spiegel, 206, March 12. How Arthur Miller Struck a Dischord with the Women’s Orchestra of Auschwitz. The Guardian. March 6, 2015. Ingrams, Richard. 1981. Television Hold-Up. The Spectator, 30, January 24. Insdorf, Annette. 2003. Indelible Shadows; Tiim and the Holocaust, 3rd ed. London: Cambridge University Press. Jacobs, Flora Schrijver,
and Mirjam Verheijen. 1994. Het meisje de accordion. Utrecht: Uitgeverij Scheffers. Je chante. 1938. Christian Stengel, Director, Paris: Gaumont Films. Joly, Laurent. 2006. Vichy dans la “solution finale”. France: Grasset. Kammertons, Karlheinz. 1980a. Wir waren keine menschen fur sie, wir waren wie Läuse: Die Sängerin Fania Fénelon über das Mädchenorchester in Auschwitz. Eiserne Lerche 4: 26-27. Kammertons, Karlheinz. 1980b. Ensemble der Hölle. Das Mädchenorchester in Auschwitz - ein Gespräch mit der Sängerin Fania Fénelon. DerZeit, October 3. Kater, Michael. 1997. The Twisted Muse, Musicians and their Music in the Third Reich. New York: Oxford University Press. Kelly, Kevin. 1980. Miller is Proud of the Product. The Boston Globe, September 30. Kilgannon, Corey. 2009. One Group’s Music, Telling of a Struggle for Survival in the Holocaust. The New York Times, March 25. Klaus Barbie: Women Testify of Torture at His Hands. The Philadelphia Inquirer, March 23,1987.
142 BIBLIOGRAPHY Knapp, Gabriele. 1996. Das Frauenorchester in Auschwitz: musikalische Zwangsarbeit unå Bewältigung. Hamburg: von Bockei Verlag. Knapp, Gabriele. 1996. Music as a Means of Survival. Feministische Studien, vol. 1, 26-34. Translated by Katherine Deeg, Annette Bauer, Liane Curtis. Koonz, Claudia. 1993. Consequences: Women, Nazis, and Moral Choice. In Different Voices: Women and the Holocaust, eds. Carol Bittner and John K. Roth. New York: Paragon House. Koren, Yehuda, and Eilat Negev. 2004. In Our Hearts We Were Giants. New York: Carroll and Graf Publishers. Krupnik, Jerry. 1980. Redgrave is Superb in Playing for Time. The Star-Ledger, September 30. La Chaste Suzanne. 1937. Theatre Municipal de la Gaite-Lyrique, Paris, France. Langbein, Herman. 2004. People in Auschwitz. Chapel НШ: University of North Carolina Press. Langer, Lawrence. 1991. Holocaust Testimonies; The Ruins of Memory. New Haven, CT: Yale University Press. Lasker-Wallfisch, Anita. 1996. Inherit the Truth. New York: St. Martin’s Press. Lear, Jonathan. 2002. Binjamin Wiłkomirski, the Man Who Never Was. The New York Times, February 24. Liempt, Paul van. 2000. Flora Schrijver—Ik huil nooit. NCRV—gids dé tvgids met onderscheidende interviews, April 28. http://www.ncvrgids.nl/gids/ interviews/66 Lock, Helen. 2012. Het meisje met de accordion. Aansprak, June 12. Ludtke, Alf. 1993. Coming to Terms with the Past: Illusions of Remembering, Ways of Forgetting Nazism in West Germany. Journal of Modern History 65: 544-546. Maltz, Albert. 1980. The Dischordant Note in Playing for Time. Newsday, 41, October 6.
Marmion, Patrick. 2015. Playing for Time, Theatre Review. The Daily Mail, March 19. Martin, Rob. 2000-2003. Claudia Stevens finds Harmony in Hell: An Evening with Madame F. Jewish Theatre News. Mason, Wyatt. 2008. A False Story: Six Questions for Ken Waltzer. Harper’s Magazine Browsings; The Harper’s Blog, December 21. McGrane, Sally. 2014. Amid the Rap Music, Echoes of an Orchestra Playing in a Dark Past. International New York Times, June 27. Miller, Arthur. 1985. Playing for Time (Stage Adaptation). New York: Dramatic Publishing Company. Miller, Judith. 1990. One; By One, By One. New York: Simon and Schuster. Miller Arthur. 1993-1994. Spiel um Zeit. Directed by Reinhard Urbach. Translation by Maik Hamburger, Theater der Jugend, Vienna, Austria, Theaterim-Zentrum, Producktion 4.
BIBLIOGRAPHY 143 Mózes, Zehava. 1987. Music in the Shade of Death. Al Hamaishmar, April 24. Translated by David Lupo. Nahmany, Irit. 1987. Madame Butterfly in Front of the Crematorium. Davar Hashavuaa, April 3. Nathan-Davis, Sarah. 2001. Music of the Holocaust. In Journal Rememberingfor the Future: The Holocaust in an Age of Genocide, voi. 3, ed. John K. Roth and Elisabeth Maxwell. New York: Paigrave. Newman, Richard, and Karen Kirtley. 2000. Alma Rosé: Vienna to Auschwitz. Portland: Amadeus Press. Newman, Richard (of The Free Press). 1981. Private Collection Anita Lasker Wallfisch. They’re Still Talking About Playing for Time, 32. Niwińska, Helena Dunicz. 2014. One ofthe Girls in the Band. Oświęcim: Auschwitz Birkenau State Museum. Niwińska, Helena Dunicz. 1996. Truth and Fantasy. Pro Memoria Nr. 3-4 (Państwowe Muzeum Auschwitz-Birkenau). Novičk, Peter. 2000. The Holocaust in American Life. New York: Mariner Books. Ohad, Michael. 1987. The Chorus Line. Haaretz, April. Translated by David Lupo. Olewski, Rachela Zelmanowicz. 2009. Crying Is Forbidden Here! Tel-Aviv: Olewski Family. Paley Center for the Arts. 2010. A Look Back at Playing for Time. November 21 (Video Clip). Patterson, David. 2002. Fania Fénelon (1918-1983). In Encyclopedia ofHolocaust Literature. Oryx Holocaust Series. Greenwood Press. Paxton, Robert. 1972. Vichy France: Old Guard and New Order 1940-1944. New York: Columbia University Press. Paz, Miri. 1987. Back to Kitsch and Death, Playing for Time is Jarring to the Ear. Maariv, April 17. Translated by David Lupo. Piper, Franciszek. 2000. The Exploitation of
Prisoner Labor. In Auschwitz 19401945, ed. Wacław Długoborski Fraciszek Piper, vol. II, 71-127. Oświęcim: Auschwitz-Birkenau State Museum. Plass, Sarah. 2006. Arts, Briefly; Germany’s First Holocaust Opera. The New York Times, August 25. Provenzano, Frank. 2007. University Unveils Latest Cultural Jewel. The University Record Online, March 26. The University of Michigan. Rachwałowa, Stanisława. 1990. Spotkanie z Marią Mandel. Przegląd Lekarski Tom XLVII, Nr. 1: 185-189. Redgrave, Vanessa. 1979. Vanessa. Interview by Mike Wallace and Morley Safer, 60 Minutes, CBS, August 19 (Fania Fénelon also Appears in this Interview). Reiner, Ella Lingens. 1948. Prisoners ofFear. London: Victor Gollancz Ltd. Roberts, Sam. 2015. Herman Rosenblatt, 85, Dies; Made up Holocaust Love Story. The New York Times, February 21.
144 BIBLIOGRAPHY Rosenberg, Howard. 1980. Playingfor Time is Unveiled by CBS. The Los Angeles Times, September 8. Routier, Marcelle. 2001. Obituary. Le Monde, August 25. Shephard, Ben. 2005. After Daybreak: The Liberation of Bergen Belsen 1945. New York: Schocken Books. Shipton, Alyn. 2004. When the Music Stopped. The Times, 18, February 23. Sichelschmidt, Lorenz. 1995. Mala: Ein Leben und eine Liebe in Auschwitz. Bremen: Donat Verlag. Silberstein, Violette Jacquet. 2007. Les sanglots longs des violons. Paris: Oskar jeunesse. Theatre Review: Playingfor Time. The Gay UK, March 19, 2015. Theolleyre, Jean-Marc. Th. 1976. Sous le ciel de Birkenau, Les Flonfons du Massacre. Le Courier de l’histoire. Unger, Arthur. 1980. Behind the Debate. Christian Science Monitor, September 3. Unger, Arthur. 1980. Moving—and Controversial—New Arthur Miller Drama. Christian Science Monitor, September 3. Unpaidfilmcritic. 2011. Playingfor Time -30th Anniversary Screening at the Jewish Museum of Cultural Heritage, March 29. Van Gelder, Lawrence. 2008. Holocaust Memoir Turns Out to Be Fiction. The New Tork Times, March 3. Völklein, Ulrich. Medizin in Auschwitz: Der Schöne Satan Josef Mengele, 3—4. http://www.ibihs.at/VolkleinMedizin.pdf Weitz, Margaret Collins. 1995. Sisters in the Resistance: How Women Fought to Free France, 1940-1945. New York: Wiley. Wiłkomirski, Binjamin. 1996. Fragments: Memories of a Wartime Childhood. New York: Schocken Books. Yellen, Linda, Executive Producer. 1980. Playing for Time. Syzygy Productions Ltd. Directed by Daniel Mann. Written for Television by Arthur Miller.
Based on the Book by Fania Fénelon. Young, James E. 1990. Writing and Re-Writing the Holocaust. Bloomington, IL: Indiana University Press. Interviews and Major Eesources Anita Lasker-WaUfisch, London, 2003-2016. Telephone Interview 2003; Correspondence and Electronic Communications 2003-2015; Personal Correspondence Archive of Anita Lasker-Wallfisch 1977-2014. Ari Olewski, Son of Rachela Zelmanowicz Olewski, Tel Aviv, 2006-2016. Correspondence, Electronic Correspondence. Helen Spitzer Tichauer, New York. Telephone Interviews, January-February, 2003.
BIBLIOGRAPHY 145 Helena Dunicz-Niwińska, Krakow, 2003-2016; Personal Interviews in 2003, 2004, and 2014; Correspondence with 2003-2016; Annotated Copy of Playing for Time; Archival Testimony; Personal Correspondence Archive of Helena Niwińska 1987-2015. Helene Scheps, Correspondence, 2005. Hilde Grünbaum Zimche, Tel Aviv, March 2006. Personal Interview by Eva Kalousova for Susan Eischeid. March 2014 Telephone Interview, and Correspondence. Margit Burda, Munich, Germany. Personal Interviews 2006 and 2008; Correspondence 2006-2014. Margot Anzenbacher Vetrovcova, Personal Interview, Karlovy Vary, Czech Republic, 2006 and Subsequent Correspondence, 2006-2007. Mme Cèche Grand, Paris, Head Librarian and Archivist Conservatoire de Paris, 2015. Telephone Interview by Ofelia Nikolova for Susan Eischeid. Olivier Jacquet, Son of Violette Jacquet Silberstein, Paris. Electronic Correspondence and Interviews, 2014-2016. Philippe Khan, Son of Claire Monis, California. Electronic Correspondence 2015-2016. Rachela Zelmanowicz Olewski, Annotated Copy of Playing for Time Compiled Between 1980-1986, Shared by Arie Olewski after Rachela’s Death. Sivanne Cohen. Granddaughter of Regina Kupferberg Bacia, Electronic Correspondence, 2007-2015. Stefan Heucke, Composer of the Holocaust Opera Based on the Women’s Orchestra. Germany and the United States, Correspondence and Interviews, 2008-2016. Violette Jacquet Silberstein, Paris (Annotated Copy of Sursis pour Porchestre), Compiled 1987-1992, Translated by Kenneth Kirk. Shared by Olivier Jacquet. Zofia Cykowiak, Krakow, 2003-2009; Personal Interviews
2003 8c 2004, Correspondence 2003-2009, Archival Testimony.
Index a Alexander, Jane, 35,108,122 Anderson, Susan Heller, 95 An Evening with Madame F, 123 Ars Choralis, 122 Arthur Miller Theatre (University of Michigan), 121 Auschwitz-Birkenau concentration camp, 43,108,123,138 formation of women’s camp, 5, 8, 53, 57, 63 Auschwitz-Birkenau women’s orchestra barracks, 5-7, 29, 53 daily routine, 8 false repertoire claims, 47-8 fear of retribution, 48-9 formation of, 5-7 hunger of, 7,19, 36, 51 instrumentation, 6-8, 27, 33, 35,60 inter-relationships between the women, 26-7,109 language barrier, 26 night work, rehearsal hours, 46 personnel, 8 recruitment for, 6 repertoire, 8, 33, 47, 63 Auschwitz State Museum, 68, 119,125 В Bach in Auschwitz, 54, 67,120,125 Bacia, Regina Kupferberg, 19, 94, 118 Beecham, Richard, 124 Beer Sheva Theatre, 118 Beethoven, Symphony No. 5,47, 48, 80 Bejarano, Esther Loewy, 19, 40, 60, 68,122,128,131 Bergen-Belsen, 9,12, 37, 38,43, 84,135 Birkenwald, Fanny Korenblum, 18, 19, 29, 48-9, 50, 59, 87, 88, 102,103, 111, 113,138 B’nai B’rith, 101 © The Editor(s) (if applicable) and The Author(s) 2016 S. Eischeid, The Truth about Tania Ténelon and the Women’s Orchestra ofAuschwitz-Birkenau, DOI 10.1007/978-3-319-31038-1 147
148 INDEX Bradley, Jeff (Associated Press), 41, 109,110, 114 Brinn, Herb, 101,112 E Eichmann, Adolf, 52 F C Calif, Sylvia Wagenberg, 19, 27, 29,31,46,50,55,57,94, 118, 119,124 CBS News, 40-2,96,114 Cohen, Sivanne, 130,131 Cooper, Rabbi Abraham, 107 Crucible Theatre, 123-4 Cykowiak, Zofia, 6, 7,9,18, 26, 29, 31-2, 34,40-2, 51, 54-6, 60, 66-8, 78, 83, 93, 97, 125 Czajkowska, Zofia cruel depiction of, 60 defense of, 35 musical skills, 6, 60 D Daëron, Michael, 67, 120, 125 Das Frauenorchester von Auschwitz (opera), 120 Defonseca, Misha, 135, 136 Die Zeit, 109,114 Der Spießet, 31 Drancy transit camp, 12, 71-72 Dunicz-Niwiñska, Helena, 8, 18, 26, 29-32, 34, 36, 46-51, 53-55, 59-60, 62, 78, 89, 92, 109, 137 campaign against Playinßfor Time, 108, 109, 119-120 defense of Claire Monis, 37, 38 memoir, 63, 97, 128 publications, 128 thoughts about Fénelon’s anti-Polish prejudice, 50-2 Fabry-Francy, Georges, 99 Federation of Deportees (FNDIRP), 38 Fénelon, Fania age controversies, 47,12 alleged torture and interrogation, 72-73 anti-Polish prejudice, 50-2 appearances on 60 Minutes, 101 arrest of, 71—4 background, 12, 95, 96,120 Bergen-Belsen, time in, 12, 38,135 biographical embellishment and inconsistencies, 21-3, 71-6 Das Mädchenorchester in Auschwitz, 68, 69, 75 death of, 12,14,118 Drancy, time in, 38, 73 education, 82 hands, damage to, 12, 30, 63, 72 interrogation of, 71-3 interviews, public, 18, 27, 72, 100, 109,138 marriage, 12, 71 The Musicians ofAuschwitz, 13-15, 19, 20, 69, 75, 96 Playinß for Time, 2, 3, 11-15, 17-20, 25^3, 71-85, 89, 99-115,117-26 resistance activities, 72-4
response to other survivors, 87-98 Sursis pour /^orchestre, 2, 14, 15, 58, 59, 94, 99 transport to Auschwitz, 7, 38, 66, 73 Frank, Anne, 108,134,135 Freyhan, H.W., 95, 98
INDEX 149 G L Galiński, Edek, 53, 80 Carli riski, Jozef Resistance in Auschwitz, 110 response to Fénelon, 110-111 Gestapo, 72, 73 Gilbert, Shirk, 81, 83 Goldstein, Fany, 12, 73 Gres, Ala, 33 La Grange, Henry-Louis, 94, 98 Langer, Lawrence, 22, 23, 71, 74, 134 Lasker-Wallfish, Anita, 2, 18-19, 26-27, 30, 34-37, 46,48-51, 53-56, 59, 62, 78, 82, 88, 92-93,105,130 campaign against Playingfor Time, 13, 92-94,102-111,108, 118 the “Marta” chapter, 59 memoir Inherit the Truth, 127-128 sister Renate, 56 Lawler, Terry, 123 Lennon, Yvette Assael, 19, 31, 56, 57, H Hamburger, Maik, 119,125 Hasfari, Shmuel adaptation of Playing for Time, 118-119 Heucke, Stefan, 120,121,125 Hier, Rabbi Marvin, 101 Himmler, Heinrich, 48, 52, 58, 76, 79 Holocaust, television series, 96 Hössler, Franz, 5-6 Hunger edema, 36, 37 I Ingrams, Richard, 110,115 J Jacobs, Flora Schrijver, 6, 19, 49, 109, 129,131 Jacquet, Olivier, 19, 47, 89, 97,109, 114,129,130,131 Jacquet, Violette. See .Silberstein, Violette Jacquet К Knapp, Gabriele, 14,15,19,41, 77, 78,83,112,114,119,121 Kramer, Josef, 49-50, 65, 80 Kressel, Lynn, 123 120 Lichtenburg, 53 M Madame Butterfly, 40, 55, 96,121 Mahler, Gustav, 7, 28, 32, 94 Mala and Edek (Mala Zimetbaum and Edek Galiński), 53, 80 Maltz, Albert, 13,108,114 Mandl, Maria, 5-7, 34 Mandl and the child, 56, 57 physical description, 54 portrayal of, 53-8 shoe incident, 55, 57-8 Mendelssohn, Violin Concerto, 48 Mengele, Josef, 34,49, 50, 61, 63, 65, 80, 84 sexualization of, 49-50 Miller, Arthur pride in final project and defense of, 105 public response to Fénelon, 100 response to the other
survivors, 104-105,108-11,121,138 screenplay for television movie, 2, 100,111,119 Mitchell, Pat, 122
150 INDEX Monis, Claire background, 35֊6 Bergen-Belsen, time in, 12, 38 death of, 39 denigration of character, 18, 36, 37 false charges against her, 38, 79 Fania’s assumption of Claire’s persona, 39 Fania’s jealousy towards, 29, 37, 38 hunger edema, 36, 37 life in occupation, 39 life post-occupation, 36, 39 musical skills, 37, 62 rebuttal of Fénelon’s summary, 3 transport to Auschwitz, 38 Montreal public lecture, Fénelon, 72 Museum of Jewish Heritage, 123 Music in Desperate Times: Remembering the Women’s Orchestra ofBirkenau, 122 N Nahmany, Irit, 94 Neustadt-Glewe, 9 Newman, Richard, 9, 10, 20, 42, 60, 66, 68,82,97, 98, 111, 115 Niwińska, Helena. See DuniczNiwiñska, Helena Noten der Not, 120, 121 О Olewski, Arie, 2, 3,19, 40, 93, 98, 118,123,124,126,130,131 Olewski, Rachela Zelmanowicz, 2,19, 27, 29,31,33, 34,40,41,93, 98,128-129,131 Ovitz dwarf family characterization of, 61-62 inaccurate assessment of numbers and fate, 63 involvement with Mengele, 64 Ovitz, Perla, 62 P Paley Center for Media, 122 Paley, William, 101 Paris Conservatory, 12 Pankey, Aubrey, 13 Peabody Award, 108 Phillips, Sian, 124 Piper, Franciszek, 9, 83,119,125 Playingfor Time DVD of, 83,123 inception of, 3,11-15 marketing and distribution of, 95 reviews of, 83, 95,107,108,126 sexual elements in, 118 television movie; awards won, 35, 108; premiere of, 35,107-!2 Polish women prisoners, 3,18 unfair representations of, 3 R Ravensbrück, 9, 53, 58,122 Redgrave, Vanessa, 100-101 acting awards for role, 108 casting of, 107,108,110,123 politics of, 101 thirtieth anniversary comments, 122,123 Rosé, Alma, 3
characterization of, 29 conducting/musical skills, 7, 32, 33, 46, 81 corporal punishment, use of, 30, 31,92 death of, 8, 34-35 interactions with SS, 93 movie portrayal of, 18,27-35, 93, 95,110
INDEX support of younger musicians, 31 violinist, 7, 8, 31, 33 Rosé, Arnold, 7, 95 Rosenberg, Howard, 106,107, 112-14 Rosenblatt, Herman, 134 Routier, Marcelle, 13,17, 87-9, 96 S Safer, Morky, 69,75,96, 98,101, 113 Scheps, Hélène, 18-19, 29,48-9, 58-60, 68, 87, 88, 96,97,102, 103, 111 Schmidt, Elsa, 8 Schrijver, Flora. See Jacobs, Flora Schrijver Silberstein, Violette Jacquet, 7, 9,19, 29, 33-34, 38,46,48-50, 53, 55, 58-59, 88-89, 97,106,109, 128,130 Simche, Hilde Grünbaum, 18, 27, 29, 31,33,46, 50,55,94,129 Simon Wiesenthal Center for Holocaust Studies, 81,107, 108 Sixty Minutes television program, 63, 69, 75, 96,101-102 Smolen, Kazimierz, 121 Spiel am Zeit, 119 Steiner, Eva, 19 Szepansky, Gerda, 78 T Theater of the Youth, Vienna, 119 Tichauer, Helen Spitzer, 18-19, 34, 57, 68 Tisha B’Av alleged concert, 61, 62 151 camp activities during, 62 Mengele involvement, 61, 62 U United States Holocaust Memorial Museum (USHMM), 2-3, 80, 81,85 V Vichy France, 76 Vinogradova, Sonia, 8 Větrovcová, Margot An zen bacher, 18, 55, 67, 93, 97 W Wagenberg, Sylvia. See Calif, Sylvia Wagenberg Wallace, Mike, 101,102, 113 Waltzer, Ken, 135,136 Wiesel, Elie, 134 Wiłkomirski, Binjamin, 135, 136 Woolf, Virginia, 71 Y Yad Vashem, 2, 3, 81, 84,128 Yellen, Linda, 100, ИЗ, 122,123 YIVO Institute for Jewish Research, 2-3, 81, 84 Young, James, 22, 23 Z Zatorska, Jadwiga (Wïsia/Wisha), 52 Zelmanowicz, Rachela. See Olewski, Rachela Zelmanowicz Zimetbaum, Mala, 53, 80 Bayerische Staatsbibliothek՛ München
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BIBLIOGRAPHY 141 Freedman, Samuel. 1983. Bearing Witness. The New York Times, October 23. http://www.nytimes.com/1983/10/23/magazine/bearing-witness. html ?pagewanted=all Freyhan, H.W. 1978. Ghasdy Concerts, Musicians ofAuschwitz. AJK Information, July 6. Garlinski, Jozef. 1975. Lighting Auschwitz: The Resistance Movement in the Concentration Camp. London: Juliann Friedmann Pub. Gilbert, Shirli. 2005. Music in the Holocaust. New York: Oxford University Press. Goldfarb, Alvin. 1999. Theatrical Activities in the Nazi Concentrations Camps. In Theatrical Performance during the Holocaust, ed. Rebecca Rovit 8c Alvin Goldfarb, Baltimore: Johns Hopkins Press. Grossert, Werner. Berichtigung und Ergänzung (über Sylvia und Carla Wagenberg), Dessauer Chronik, personal collection Niwiriska. Henke, Krystyna. Louis Bannet: Virtuoso of Birkenau. Canadian Association for the Advancement of Netherlandic Studies, http://www.www-caens-acaen.ca/ JonraI/issues_online/Issue_XIXJ. ./HENKE.pdf Herzberg, Nathaniel. 2014. Violette Jacquet-Silberstein (1925-2014), Seven Decades after Auschwitz, Happiness. Le Monde, February 3. Holler, Gerhard. 1994. Theater der Jugend: Todesfuge als Rettung. STANDARD, Wien, January 15-16. Höhne, Heinz. 1981. The Horror Avoided. Der Spiegel, 206, March 12. How Arthur Miller Struck a Dischord with the Women’s Orchestra of Auschwitz. The Guardian. March 6, 2015. Ingrams, Richard. 1981. Television Hold-Up. The Spectator, 30, January 24. Insdorf, Annette. 2003. Indelible Shadows; Tiim and the Holocaust, 3rd ed. London: Cambridge University Press. Jacobs, Flora Schrijver,
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142 BIBLIOGRAPHY Knapp, Gabriele. 1996. Das Frauenorchester in Auschwitz: musikalische Zwangsarbeit unå Bewältigung. Hamburg: von Bockei Verlag. Knapp, Gabriele. 1996. Music as a Means of Survival. Feministische Studien, vol. 1, 26-34. Translated by Katherine Deeg, Annette Bauer, Liane Curtis. Koonz, Claudia. 1993. Consequences: Women, Nazis, and Moral Choice. In Different Voices: Women and the Holocaust, eds. Carol Bittner and John K. Roth. New York: Paragon House. Koren, Yehuda, and Eilat Negev. 2004. In Our Hearts We Were Giants. New York: Carroll and Graf Publishers. Krupnik, Jerry. 1980. Redgrave is Superb in Playing for Time. The Star-Ledger, September 30. La Chaste Suzanne. 1937. Theatre Municipal de la Gaite-Lyrique, Paris, France. Langbein, Herman. 2004. People in Auschwitz. Chapel НШ: University of North Carolina Press. Langer, Lawrence. 1991. Holocaust Testimonies; The Ruins of Memory. New Haven, CT: Yale University Press. Lasker-Wallfisch, Anita. 1996. Inherit the Truth. New York: St. Martin’s Press. Lear, Jonathan. 2002. Binjamin Wiłkomirski, the Man Who Never Was. The New York Times, February 24. Liempt, Paul van. 2000. Flora Schrijver—Ik huil nooit. NCRV—gids dé tvgids met onderscheidende interviews, April 28. http://www.ncvrgids.nl/gids/ interviews/66 Lock, Helen. 2012. Het meisje met de accordion. Aansprak, June 12. Ludtke, Alf. 1993. Coming to Terms with the Past: Illusions of Remembering, Ways of Forgetting Nazism in West Germany. Journal of Modern History 65: 544-546. Maltz, Albert. 1980. The Dischordant Note in Playing for Time. Newsday, 41, October 6.
Marmion, Patrick. 2015. Playing for Time, Theatre Review. The Daily Mail, March 19. Martin, Rob. 2000-2003. Claudia Stevens finds Harmony in Hell: An Evening with Madame F. Jewish Theatre News. Mason, Wyatt. 2008. A False Story: Six Questions for Ken Waltzer. Harper’s Magazine Browsings; The Harper’s Blog, December 21. McGrane, Sally. 2014. Amid the Rap Music, Echoes of an Orchestra Playing in a Dark Past. International New York Times, June 27. Miller, Arthur. 1985. Playing for Time (Stage Adaptation). New York: Dramatic Publishing Company. Miller, Judith. 1990. One; By One, By One. New York: Simon and Schuster. Miller Arthur. 1993-1994. Spiel um Zeit. Directed by Reinhard Urbach. Translation by Maik Hamburger, Theater der Jugend, Vienna, Austria, Theaterim-Zentrum, Producktion 4.
BIBLIOGRAPHY 143 Mózes, Zehava. 1987. Music in the Shade of Death. Al Hamaishmar, April 24. Translated by David Lupo. Nahmany, Irit. 1987. Madame Butterfly in Front of the Crematorium. Davar Hashavuaa, April 3. Nathan-Davis, Sarah. 2001. Music of the Holocaust. In Journal Rememberingfor the Future: The Holocaust in an Age of Genocide, voi. 3, ed. John K. Roth and Elisabeth Maxwell. New York: Paigrave. Newman, Richard, and Karen Kirtley. 2000. Alma Rosé: Vienna to Auschwitz. Portland: Amadeus Press. Newman, Richard (of The Free Press). 1981. Private Collection Anita Lasker Wallfisch. They’re Still Talking About Playing for Time, 32. Niwińska, Helena Dunicz. 2014. One ofthe Girls in the Band. Oświęcim: Auschwitz Birkenau State Museum. Niwińska, Helena Dunicz. 1996. Truth and Fantasy. Pro Memoria Nr. 3-4 (Państwowe Muzeum Auschwitz-Birkenau). Novičk, Peter. 2000. The Holocaust in American Life. New York: Mariner Books. Ohad, Michael. 1987. The Chorus Line. Haaretz, April. Translated by David Lupo. Olewski, Rachela Zelmanowicz. 2009. Crying Is Forbidden Here! Tel-Aviv: Olewski Family. Paley Center for the Arts. 2010. A Look Back at Playing for Time. November 21 (Video Clip). Patterson, David. 2002. Fania Fénelon (1918-1983). In Encyclopedia ofHolocaust Literature. Oryx Holocaust Series. Greenwood Press. Paxton, Robert. 1972. Vichy France: Old Guard and New Order 1940-1944. New York: Columbia University Press. Paz, Miri. 1987. Back to Kitsch and Death, Playing for Time is Jarring to the Ear. Maariv, April 17. Translated by David Lupo. Piper, Franciszek. 2000. The Exploitation of
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144 BIBLIOGRAPHY Rosenberg, Howard. 1980. Playingfor Time is Unveiled by CBS. The Los Angeles Times, September 8. Routier, Marcelle. 2001. Obituary. Le Monde, August 25. Shephard, Ben. 2005. After Daybreak: The Liberation of Bergen Belsen 1945. New York: Schocken Books. Shipton, Alyn. 2004. When the Music Stopped. The Times, 18, February 23. Sichelschmidt, Lorenz. 1995. Mala: Ein Leben und eine Liebe in Auschwitz. Bremen: Donat Verlag. Silberstein, Violette Jacquet. 2007. Les sanglots longs des violons. Paris: Oskar jeunesse. Theatre Review: Playingfor Time. The Gay UK, March 19, 2015. Theolleyre, Jean-Marc. Th. 1976. Sous le ciel de Birkenau, Les Flonfons du Massacre. Le Courier de l’histoire. Unger, Arthur. 1980. Behind the Debate. Christian Science Monitor, September 3. Unger, Arthur. 1980. Moving—and Controversial—New Arthur Miller Drama. Christian Science Monitor, September 3. Unpaidfilmcritic. 2011. Playingfor Time -30th Anniversary Screening at the Jewish Museum of Cultural Heritage, March 29. Van Gelder, Lawrence. 2008. Holocaust Memoir Turns Out to Be Fiction. The New Tork Times, March 3. Völklein, Ulrich. Medizin in Auschwitz: Der Schöne Satan Josef Mengele, 3—4. http://www.ibihs.at/VolkleinMedizin.pdf Weitz, Margaret Collins. 1995. Sisters in the Resistance: How Women Fought to Free France, 1940-1945. New York: Wiley. Wiłkomirski, Binjamin. 1996. Fragments: Memories of a Wartime Childhood. New York: Schocken Books. Yellen, Linda, Executive Producer. 1980. Playing for Time. Syzygy Productions Ltd. Directed by Daniel Mann. Written for Television by Arthur Miller.
Based on the Book by Fania Fénelon. Young, James E. 1990. Writing and Re-Writing the Holocaust. Bloomington, IL: Indiana University Press. Interviews and Major Eesources Anita Lasker-WaUfisch, London, 2003-2016. Telephone Interview 2003; Correspondence and Electronic Communications 2003-2015; Personal Correspondence Archive of Anita Lasker-Wallfisch 1977-2014. Ari Olewski, Son of Rachela Zelmanowicz Olewski, Tel Aviv, 2006-2016. Correspondence, Electronic Correspondence. Helen Spitzer Tichauer, New York. Telephone Interviews, January-February, 2003.
BIBLIOGRAPHY 145 Helena Dunicz-Niwińska, Krakow, 2003-2016; Personal Interviews in 2003, 2004, and 2014; Correspondence with 2003-2016; Annotated Copy of Playing for Time; Archival Testimony; Personal Correspondence Archive of Helena Niwińska 1987-2015. Helene Scheps, Correspondence, 2005. Hilde Grünbaum Zimche, Tel Aviv, March 2006. Personal Interview by Eva Kalousova for Susan Eischeid. March 2014 Telephone Interview, and Correspondence. Margit Burda, Munich, Germany. Personal Interviews 2006 and 2008; Correspondence 2006-2014. Margot Anzenbacher Vetrovcova, Personal Interview, Karlovy Vary, Czech Republic, 2006 and Subsequent Correspondence, 2006-2007. Mme Cèche Grand, Paris, Head Librarian and Archivist Conservatoire de Paris, 2015. Telephone Interview by Ofelia Nikolova for Susan Eischeid. Olivier Jacquet, Son of Violette Jacquet Silberstein, Paris. Electronic Correspondence and Interviews, 2014-2016. Philippe Khan, Son of Claire Monis, California. Electronic Correspondence 2015-2016. Rachela Zelmanowicz Olewski, Annotated Copy of Playing for Time Compiled Between 1980-1986, Shared by Arie Olewski after Rachela’s Death. Sivanne Cohen. Granddaughter of Regina Kupferberg Bacia, Electronic Correspondence, 2007-2015. Stefan Heucke, Composer of the Holocaust Opera Based on the Women’s Orchestra. Germany and the United States, Correspondence and Interviews, 2008-2016. Violette Jacquet Silberstein, Paris (Annotated Copy of Sursis pour Porchestre), Compiled 1987-1992, Translated by Kenneth Kirk. Shared by Olivier Jacquet. Zofia Cykowiak, Krakow, 2003-2009; Personal Interviews
2003 8c 2004, Correspondence 2003-2009, Archival Testimony.
Index a Alexander, Jane, 35,108,122 Anderson, Susan Heller, 95 An Evening with Madame F, 123 Ars Choralis, 122 Arthur Miller Theatre (University of Michigan), 121 Auschwitz-Birkenau concentration camp, 43,108,123,138 formation of women’s camp, 5, 8, 53, 57, 63 Auschwitz-Birkenau women’s orchestra barracks, 5-7, 29, 53 daily routine, 8 false repertoire claims, 47-8 fear of retribution, 48-9 formation of, 5-7 hunger of, 7,19, 36, 51 instrumentation, 6-8, 27, 33, 35,60 inter-relationships between the women, 26-7,109 language barrier, 26 night work, rehearsal hours, 46 personnel, 8 recruitment for, 6 repertoire, 8, 33, 47, 63 Auschwitz State Museum, 68, 119,125 В Bach in Auschwitz, 54, 67,120,125 Bacia, Regina Kupferberg, 19, 94, 118 Beecham, Richard, 124 Beer Sheva Theatre, 118 Beethoven, Symphony No. 5,47, 48, 80 Bejarano, Esther Loewy, 19, 40, 60, 68,122,128,131 Bergen-Belsen, 9,12, 37, 38,43, 84,135 Birkenwald, Fanny Korenblum, 18, 19, 29, 48-9, 50, 59, 87, 88, 102,103, 111, 113,138 B’nai B’rith, 101 © The Editor(s) (if applicable) and The Author(s) 2016 S. Eischeid, The Truth about Tania Ténelon and the Women’s Orchestra ofAuschwitz-Birkenau, DOI 10.1007/978-3-319-31038-1 147
148 INDEX Bradley, Jeff (Associated Press), 41, 109,110, 114 Brinn, Herb, 101,112 E Eichmann, Adolf, 52 F C Calif, Sylvia Wagenberg, 19, 27, 29,31,46,50,55,57,94, 118, 119,124 CBS News, 40-2,96,114 Cohen, Sivanne, 130,131 Cooper, Rabbi Abraham, 107 Crucible Theatre, 123-4 Cykowiak, Zofia, 6, 7,9,18, 26, 29, 31-2, 34,40-2, 51, 54-6, 60, 66-8, 78, 83, 93, 97, 125 Czajkowska, Zofia cruel depiction of, 60 defense of, 35 musical skills, 6, 60 D Daëron, Michael, 67, 120, 125 Das Frauenorchester von Auschwitz (opera), 120 Defonseca, Misha, 135, 136 Die Zeit, 109,114 Der Spießet, 31 Drancy transit camp, 12, 71-72 Dunicz-Niwiñska, Helena, 8, 18, 26, 29-32, 34, 36, 46-51, 53-55, 59-60, 62, 78, 89, 92, 109, 137 campaign against Playinßfor Time, 108, 109, 119-120 defense of Claire Monis, 37, 38 memoir, 63, 97, 128 publications, 128 thoughts about Fénelon’s anti-Polish prejudice, 50-2 Fabry-Francy, Georges, 99 Federation of Deportees (FNDIRP), 38 Fénelon, Fania age controversies, 47,12 alleged torture and interrogation, 72-73 anti-Polish prejudice, 50-2 appearances on 60 Minutes, 101 arrest of, 71—4 background, 12, 95, 96,120 Bergen-Belsen, time in, 12, 38,135 biographical embellishment and inconsistencies, 21-3, 71-6 Das Mädchenorchester in Auschwitz, 68, 69, 75 death of, 12,14,118 Drancy, time in, 38, 73 education, 82 hands, damage to, 12, 30, 63, 72 interrogation of, 71-3 interviews, public, 18, 27, 72, 100, 109,138 marriage, 12, 71 The Musicians ofAuschwitz, 13-15, 19, 20, 69, 75, 96 Playinß for Time, 2, 3, 11-15, 17-20, 25^3, 71-85, 89, 99-115,117-26 resistance activities, 72-4
response to other survivors, 87-98 Sursis pour /^orchestre, 2, 14, 15, 58, 59, 94, 99 transport to Auschwitz, 7, 38, 66, 73 Frank, Anne, 108,134,135 Freyhan, H.W., 95, 98
INDEX 149 G L Galiński, Edek, 53, 80 Carli riski, Jozef Resistance in Auschwitz, 110 response to Fénelon, 110-111 Gestapo, 72, 73 Gilbert, Shirk, 81, 83 Goldstein, Fany, 12, 73 Gres, Ala, 33 La Grange, Henry-Louis, 94, 98 Langer, Lawrence, 22, 23, 71, 74, 134 Lasker-Wallfish, Anita, 2, 18-19, 26-27, 30, 34-37, 46,48-51, 53-56, 59, 62, 78, 82, 88, 92-93,105,130 campaign against Playingfor Time, 13, 92-94,102-111,108, 118 the “Marta” chapter, 59 memoir Inherit the Truth, 127-128 sister Renate, 56 Lawler, Terry, 123 Lennon, Yvette Assael, 19, 31, 56, 57, H Hamburger, Maik, 119,125 Hasfari, Shmuel adaptation of Playing for Time, 118-119 Heucke, Stefan, 120,121,125 Hier, Rabbi Marvin, 101 Himmler, Heinrich, 48, 52, 58, 76, 79 Holocaust, television series, 96 Hössler, Franz, 5-6 Hunger edema, 36, 37 I Ingrams, Richard, 110,115 J Jacobs, Flora Schrijver, 6, 19, 49, 109, 129,131 Jacquet, Olivier, 19, 47, 89, 97,109, 114,129,130,131 Jacquet, Violette. See .Silberstein, Violette Jacquet К Knapp, Gabriele, 14,15,19,41, 77, 78,83,112,114,119,121 Kramer, Josef, 49-50, 65, 80 Kressel, Lynn, 123 120 Lichtenburg, 53 M Madame Butterfly, 40, 55, 96,121 Mahler, Gustav, 7, 28, 32, 94 Mala and Edek (Mala Zimetbaum and Edek Galiński), 53, 80 Maltz, Albert, 13,108,114 Mandl, Maria, 5-7, 34 Mandl and the child, 56, 57 physical description, 54 portrayal of, 53-8 shoe incident, 55, 57-8 Mendelssohn, Violin Concerto, 48 Mengele, Josef, 34,49, 50, 61, 63, 65, 80, 84 sexualization of, 49-50 Miller, Arthur pride in final project and defense of, 105 public response to Fénelon, 100 response to the other
survivors, 104-105,108-11,121,138 screenplay for television movie, 2, 100,111,119 Mitchell, Pat, 122
150 INDEX Monis, Claire background, 35֊6 Bergen-Belsen, time in, 12, 38 death of, 39 denigration of character, 18, 36, 37 false charges against her, 38, 79 Fania’s assumption of Claire’s persona, 39 Fania’s jealousy towards, 29, 37, 38 hunger edema, 36, 37 life in occupation, 39 life post-occupation, 36, 39 musical skills, 37, 62 rebuttal of Fénelon’s summary, 3 transport to Auschwitz, 38 Montreal public lecture, Fénelon, 72 Museum of Jewish Heritage, 123 Music in Desperate Times: Remembering the Women’s Orchestra ofBirkenau, 122 N Nahmany, Irit, 94 Neustadt-Glewe, 9 Newman, Richard, 9, 10, 20, 42, 60, 66, 68,82,97, 98, 111, 115 Niwińska, Helena. See DuniczNiwiñska, Helena Noten der Not, 120, 121 О Olewski, Arie, 2, 3,19, 40, 93, 98, 118,123,124,126,130,131 Olewski, Rachela Zelmanowicz, 2,19, 27, 29,31,33, 34,40,41,93, 98,128-129,131 Ovitz dwarf family characterization of, 61-62 inaccurate assessment of numbers and fate, 63 involvement with Mengele, 64 Ovitz, Perla, 62 P Paley Center for Media, 122 Paley, William, 101 Paris Conservatory, 12 Pankey, Aubrey, 13 Peabody Award, 108 Phillips, Sian, 124 Piper, Franciszek, 9, 83,119,125 Playingfor Time DVD of, 83,123 inception of, 3,11-15 marketing and distribution of, 95 reviews of, 83, 95,107,108,126 sexual elements in, 118 television movie; awards won, 35, 108; premiere of, 35,107-!2 Polish women prisoners, 3,18 unfair representations of, 3 R Ravensbrück, 9, 53, 58,122 Redgrave, Vanessa, 100-101 acting awards for role, 108 casting of, 107,108,110,123 politics of, 101 thirtieth anniversary comments, 122,123 Rosé, Alma, 3
characterization of, 29 conducting/musical skills, 7, 32, 33, 46, 81 corporal punishment, use of, 30, 31,92 death of, 8, 34-35 interactions with SS, 93 movie portrayal of, 18,27-35, 93, 95,110
INDEX support of younger musicians, 31 violinist, 7, 8, 31, 33 Rosé, Arnold, 7, 95 Rosenberg, Howard, 106,107, 112-14 Rosenblatt, Herman, 134 Routier, Marcelle, 13,17, 87-9, 96 S Safer, Morky, 69,75,96, 98,101, 113 Scheps, Hélène, 18-19, 29,48-9, 58-60, 68, 87, 88, 96,97,102, 103, 111 Schmidt, Elsa, 8 Schrijver, Flora. See Jacobs, Flora Schrijver Silberstein, Violette Jacquet, 7, 9,19, 29, 33-34, 38,46,48-50, 53, 55, 58-59, 88-89, 97,106,109, 128,130 Simche, Hilde Grünbaum, 18, 27, 29, 31,33,46, 50,55,94,129 Simon Wiesenthal Center for Holocaust Studies, 81,107, 108 Sixty Minutes television program, 63, 69, 75, 96,101-102 Smolen, Kazimierz, 121 Spiel am Zeit, 119 Steiner, Eva, 19 Szepansky, Gerda, 78 T Theater of the Youth, Vienna, 119 Tichauer, Helen Spitzer, 18-19, 34, 57, 68 Tisha B’Av alleged concert, 61, 62 151 camp activities during, 62 Mengele involvement, 61, 62 U United States Holocaust Memorial Museum (USHMM), 2-3, 80, 81,85 V Vichy France, 76 Vinogradova, Sonia, 8 Větrovcová, Margot An zen bacher, 18, 55, 67, 93, 97 W Wagenberg, Sylvia. See Calif, Sylvia Wagenberg Wallace, Mike, 101,102, 113 Waltzer, Ken, 135,136 Wiesel, Elie, 134 Wiłkomirski, Binjamin, 135, 136 Woolf, Virginia, 71 Y Yad Vashem, 2, 3, 81, 84,128 Yellen, Linda, 100, ИЗ, 122,123 YIVO Institute for Jewish Research, 2-3, 81, 84 Young, James, 22, 23 Z Zatorska, Jadwiga (Wïsia/Wisha), 52 Zelmanowicz, Rachela. See Olewski, Rachela Zelmanowicz Zimetbaum, Mala, 53, 80 Bayerische Staatsbibliothek՛ München |
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| bvnumber | BV047834982 |
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| edition | Softcover reprint of the original 1st edition |
| era | Geschichte gnd |
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| indexdate | 2024-07-10T09:22:38Z |
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| spelling | Eischeid, Susan Verfasser (DE-588)1107029872 aut The truth about Fania Fénelon and the women's orchestra of Auschwitz-Birkenau Susan Eischeid Softcover reprint of the original 1st edition Cham, Switzerland Palgrave Macmillan [2016] © 2016 xiii, 151 Seiten Illustrationen 21 cm x 14.8 cm, 2255 g txt rdacontent n rdamedia nc rdacarrier Fénelon, Fania 1918-1983 (DE-588)118532456 gnd rswk-swf Konzentrationslager Auschwitz Frauenorchester (DE-588)4425674-7 gnd rswk-swf Geschichte gnd rswk-swf Paperback / softback HIS027100 HBWQ Concentration camp Holocaust Music Second World War Women's history PER004030 HIS010000 APF HBJD C SC717110: History of World War II and the Holocaust SUCO41172: History SC413070: Film History SC717080: History of Modern Europe 1556: Hardcover, Softcover / Geschichte/20. Jahrhundert (bis 1945) Fénelon, Fania 1918-1983 (DE-588)118532456 p Konzentrationslager Auschwitz Frauenorchester (DE-588)4425674-7 b Geschichte z DE-604 Springer International Publishing (DE-588)1064344704 pbl Erscheint auch als Druck-Ausgabe 978-3-319-31037-4 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=51e43fabc6484701841aa44ee547bb6e&prov=M&dok_var=1&dok_ext=htm Inhaltstext X:MVB http://www.springer.com/ Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033218173&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033218173&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Eischeid, Susan The truth about Fania Fénelon and the women's orchestra of Auschwitz-Birkenau Fénelon, Fania 1918-1983 (DE-588)118532456 gnd Konzentrationslager Auschwitz Frauenorchester (DE-588)4425674-7 gnd |
| subject_GND | (DE-588)118532456 (DE-588)4425674-7 |
| title | The truth about Fania Fénelon and the women's orchestra of Auschwitz-Birkenau |
| title_auth | The truth about Fania Fénelon and the women's orchestra of Auschwitz-Birkenau |
| title_exact_search | The truth about Fania Fénelon and the women's orchestra of Auschwitz-Birkenau |
| title_exact_search_txtP | The truth about Fania Fénelon and the women's orchestra of Auschwitz-Birkenau |
| title_full | The truth about Fania Fénelon and the women's orchestra of Auschwitz-Birkenau Susan Eischeid |
| title_fullStr | The truth about Fania Fénelon and the women's orchestra of Auschwitz-Birkenau Susan Eischeid |
| title_full_unstemmed | The truth about Fania Fénelon and the women's orchestra of Auschwitz-Birkenau Susan Eischeid |
| title_short | The truth about Fania Fénelon and the women's orchestra of Auschwitz-Birkenau |
| title_sort | the truth about fania fenelon and the women s orchestra of auschwitz birkenau |
| topic | Fénelon, Fania 1918-1983 (DE-588)118532456 gnd Konzentrationslager Auschwitz Frauenorchester (DE-588)4425674-7 gnd |
| topic_facet | Fénelon, Fania 1918-1983 Konzentrationslager Auschwitz Frauenorchester |
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