The cry of the senses: listening to Latinx and Caribbean poetics
"In The Cry of the Senses, Ren Ellis Neyra examines the imaginative possibility for sound and poetics to foster new modes of sensorial solidarity in the Caribbean Americas. Weaving together the black radical tradition with Caribbean and Latinx performance, cinema, music, and literature, Ellis N...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Durham ; London
Duke University Press
2020
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| Schriftenreihe: | Dissident acts
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| Schlagworte: | |
| Zusammenfassung: | "In The Cry of the Senses, Ren Ellis Neyra examines the imaginative possibility for sound and poetics to foster new modes of sensorial solidarity in the Caribbean Americas. Weaving together the black radical tradition with Caribbean and Latinx performance, cinema, music, and literature, Ellis Neyra highlights the ways Latinx and Caribbean sonic practices challenge antiblack, colonial, post-Enlightenment, and humanist epistemologies. They locate and address the sonic in its myriad manifestations-across genres and forms, in a legal trial, and in the art and writing of Xandra Ibarra, the Fania All-Stars, Beatriz Santiago Muñóz, Edouard Glissant, and Eduardo Corral - while demonstrating how it operates as a raucous form of diasporic dissent and connectivity. Throughout, Ellis Neyra emphasizes Caribbean and Latinx sensorial practices while attuning readers to the many forms of blackness and queerness. Tracking the sonic through their method of multi-sensorial, poetic listening, Ellis Neyra shows how attending to the senses can inspire alternate, ethical ways of collective listening and being"-- |
| Beschreibung: | xxii, 222 pages, 8 pages of plates illustrations (some color) 23 cm |
Internformat
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| 505 | 8 | |a Introduction: Cry Bomba -- Chapter 1: "¡Anormales!": Unruly Audition in Performances of 1970s Salsa -- Chapter 2: "I have been forced to hear a lot": The FALN, The Masses Are Asses, and the Sounds, Shapes, and Speeds of Puerto Rican Defiance -- Chapter 3: Sensorial Errancy in Beatriz Santiago Muñóz's Cinema -- Chapter 4: Slow Lightning, Ecstatic Mourning, and Migratory Refuge -- Coda, in three: "fifty-two plastic bombs exploding as one, thundered against the sky" | |
| 520 | |a "In The Cry of the Senses, Ren Ellis Neyra examines the imaginative possibility for sound and poetics to foster new modes of sensorial solidarity in the Caribbean Americas. Weaving together the black radical tradition with Caribbean and Latinx performance, cinema, music, and literature, Ellis Neyra highlights the ways Latinx and Caribbean sonic practices challenge antiblack, colonial, post-Enlightenment, and humanist epistemologies. They locate and address the sonic in its myriad manifestations-across genres and forms, in a legal trial, and in the art and writing of Xandra Ibarra, the Fania All-Stars, Beatriz Santiago Muñóz, Edouard Glissant, and Eduardo Corral - while demonstrating how it operates as a raucous form of diasporic dissent and connectivity. Throughout, Ellis Neyra emphasizes Caribbean and Latinx sensorial practices while attuning readers to the many forms of blackness and queerness. Tracking the sonic through their method of multi-sensorial, poetic listening, Ellis Neyra shows how attending to the senses can inspire alternate, ethical ways of collective listening and being"-- | ||
| 650 | 4 | |a Hispanic Americans in the performing arts | |
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| 650 | 7 | |a Hispanic Americans / Ethnic identity |2 fast | |
| 650 | 7 | |a Hispanic Americans in the performing arts |2 fast | |
| 650 | 7 | |a Performing arts and literature |2 fast | |
| 650 | 7 | |a Queer theory |2 fast | |
| 776 | 0 | 8 | |i Online version |a Ellis Neyra, Ren, 1983- |t The cry of the senses |d Durham : Duke University Press, 2020 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033213866 | ||
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| contents | Introduction: Cry Bomba -- Chapter 1: "¡Anormales!": Unruly Audition in Performances of 1970s Salsa -- Chapter 2: "I have been forced to hear a lot": The FALN, The Masses Are Asses, and the Sounds, Shapes, and Speeds of Puerto Rican Defiance -- Chapter 3: Sensorial Errancy in Beatriz Santiago Muñóz's Cinema -- Chapter 4: Slow Lightning, Ecstatic Mourning, and Migratory Refuge -- Coda, in three: "fifty-two plastic bombs exploding as one, thundered against the sky" |
| ctrlnum | (OCoLC)1310248199 (DE-599)BVBBV047830624 |
| format | Book |
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| id | DE-604.BV047830624 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:09:16Z |
| indexdate | 2024-07-10T09:22:30Z |
| institution | BVB |
| language | English |
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| physical | xxii, 222 pages, 8 pages of plates illustrations (some color) 23 cm |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Duke University Press |
| record_format | marc |
| series2 | Dissident acts |
| spelling | Ellis Neyra, Ren author aut The cry of the senses listening to Latinx and Caribbean poetics Ren Ellis Neyra Durham ; London Duke University Press 2020 xxii, 222 pages, 8 pages of plates illustrations (some color) 23 cm txt rdacontent n rdamedia nc rdacarrier Dissident acts Introduction: Cry Bomba -- Chapter 1: "¡Anormales!": Unruly Audition in Performances of 1970s Salsa -- Chapter 2: "I have been forced to hear a lot": The FALN, The Masses Are Asses, and the Sounds, Shapes, and Speeds of Puerto Rican Defiance -- Chapter 3: Sensorial Errancy in Beatriz Santiago Muñóz's Cinema -- Chapter 4: Slow Lightning, Ecstatic Mourning, and Migratory Refuge -- Coda, in three: "fifty-two plastic bombs exploding as one, thundered against the sky" "In The Cry of the Senses, Ren Ellis Neyra examines the imaginative possibility for sound and poetics to foster new modes of sensorial solidarity in the Caribbean Americas. Weaving together the black radical tradition with Caribbean and Latinx performance, cinema, music, and literature, Ellis Neyra highlights the ways Latinx and Caribbean sonic practices challenge antiblack, colonial, post-Enlightenment, and humanist epistemologies. They locate and address the sonic in its myriad manifestations-across genres and forms, in a legal trial, and in the art and writing of Xandra Ibarra, the Fania All-Stars, Beatriz Santiago Muñóz, Edouard Glissant, and Eduardo Corral - while demonstrating how it operates as a raucous form of diasporic dissent and connectivity. Throughout, Ellis Neyra emphasizes Caribbean and Latinx sensorial practices while attuning readers to the many forms of blackness and queerness. Tracking the sonic through their method of multi-sensorial, poetic listening, Ellis Neyra shows how attending to the senses can inspire alternate, ethical ways of collective listening and being"-- Hispanic Americans in the performing arts Hispanic Americans / Ethnic identity Queer theory Performing arts and literature Art and race Art and race fast Hispanic Americans / Ethnic identity fast Hispanic Americans in the performing arts fast Performing arts and literature fast Queer theory fast Online version Ellis Neyra, Ren, 1983- The cry of the senses Durham : Duke University Press, 2020 |
| spellingShingle | Ellis Neyra, Ren author The cry of the senses listening to Latinx and Caribbean poetics Introduction: Cry Bomba -- Chapter 1: "¡Anormales!": Unruly Audition in Performances of 1970s Salsa -- Chapter 2: "I have been forced to hear a lot": The FALN, The Masses Are Asses, and the Sounds, Shapes, and Speeds of Puerto Rican Defiance -- Chapter 3: Sensorial Errancy in Beatriz Santiago Muñóz's Cinema -- Chapter 4: Slow Lightning, Ecstatic Mourning, and Migratory Refuge -- Coda, in three: "fifty-two plastic bombs exploding as one, thundered against the sky" Hispanic Americans in the performing arts Hispanic Americans / Ethnic identity Queer theory Performing arts and literature Art and race Art and race fast Hispanic Americans / Ethnic identity fast Hispanic Americans in the performing arts fast Performing arts and literature fast Queer theory fast |
| title | The cry of the senses listening to Latinx and Caribbean poetics |
| title_auth | The cry of the senses listening to Latinx and Caribbean poetics |
| title_exact_search | The cry of the senses listening to Latinx and Caribbean poetics |
| title_exact_search_txtP | The cry of the senses listening to Latinx and Caribbean poetics |
| title_full | The cry of the senses listening to Latinx and Caribbean poetics Ren Ellis Neyra |
| title_fullStr | The cry of the senses listening to Latinx and Caribbean poetics Ren Ellis Neyra |
| title_full_unstemmed | The cry of the senses listening to Latinx and Caribbean poetics Ren Ellis Neyra |
| title_short | The cry of the senses |
| title_sort | the cry of the senses listening to latinx and caribbean poetics |
| title_sub | listening to Latinx and Caribbean poetics |
| topic | Hispanic Americans in the performing arts Hispanic Americans / Ethnic identity Queer theory Performing arts and literature Art and race Art and race fast Hispanic Americans / Ethnic identity fast Hispanic Americans in the performing arts fast Performing arts and literature fast Queer theory fast |
| topic_facet | Hispanic Americans in the performing arts Hispanic Americans / Ethnic identity Queer theory Performing arts and literature Art and race |
| work_keys_str_mv | AT ellisneyrarenauthor thecryofthesenseslisteningtolatinxandcaribbeanpoetics |