Tracing the public of the first Parisian library for art and archaeology: on the readership at Doucet’s library (1910-1914)
In 1909, the grand couturier Jacques Doucet opened a library dedicated to art history and archaeology. Soon this library, although the result of a private initiative, gained a reputation for scholarly depth and utility, reflected in its reader’s register. The nearly 1,500 individual registration car...
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| Format: | Elektronisch Artikel |
| Sprache: | English |
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2021
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| Online-Zugang: | kostenfrei |
| Zusammenfassung: | In 1909, the grand couturier Jacques Doucet opened a library dedicated to art history and archaeology. Soon this library, although the result of a private initiative, gained a reputation for scholarly depth and utility, reflected in its reader’s register. The nearly 1,500 individual registration cards that survive from its early years provide documentation of the public that patronized the first art history library in France. Geolocation of the individual readers provides information on their socio-cultural backgrounds, while network analysis reveals personal and institutional relationships between the library and other institutions such as museums, libraries and universities. A more precise focus on selected readers helps to establish a prosopography that establishes their proximity or heterogeneity. This paper aims to demonstrate the unique role of this institution in the scientific and institutional landscape, both national and international, at a time when art history was emerging as a scientific field. |
| Beschreibung: | 1 Online-Ressource (21 Seiten) Illustrationen |
| ISSN: | 2042-4752 |
| DOI: | 10.48352/uobxjah.00003423 |
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| 520 | 3 | |a In 1909, the grand couturier Jacques Doucet opened a library dedicated to art history and archaeology. Soon this library, although the result of a private initiative, gained a reputation for scholarly depth and utility, reflected in its reader’s register. The nearly 1,500 individual registration cards that survive from its early years provide documentation of the public that patronized the first art history library in France. Geolocation of the individual readers provides information on their socio-cultural backgrounds, while network analysis reveals personal and institutional relationships between the library and other institutions such as museums, libraries and universities. A more precise focus on selected readers helps to establish a prosopography that establishes their proximity or heterogeneity. This paper aims to demonstrate the unique role of this institution in the scientific and institutional landscape, both national and international, at a time when art history was emerging as a scientific field. | |
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| spelling | Dupin de Beyssat, Claire Verfasser (DE-588)1104403994 aut Tracing the public of the first Parisian library for art and archaeology on the readership at Doucet’s library (1910-1914) Claire Dupin de Beyssat 2021 1 Online-Ressource (21 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier In 1909, the grand couturier Jacques Doucet opened a library dedicated to art history and archaeology. Soon this library, although the result of a private initiative, gained a reputation for scholarly depth and utility, reflected in its reader’s register. The nearly 1,500 individual registration cards that survive from its early years provide documentation of the public that patronized the first art history library in France. Geolocation of the individual readers provides information on their socio-cultural backgrounds, while network analysis reveals personal and institutional relationships between the library and other institutions such as museums, libraries and universities. A more precise focus on selected readers helps to establish a prosopography that establishes their proximity or heterogeneity. This paper aims to demonstrate the unique role of this institution in the scientific and institutional landscape, both national and international, at a time when art history was emerging as a scientific field. number:24 year:2021 Journal of art historiography Glasgow, 2021 Number 24 (June 2021) (DE-604)BV035944348 2042-4752 (DE-600)2532257-6 application/pdf https://doi.org/10.48352/uobxjah.00003423 Verlag kostenfrei Volltext |
| spellingShingle | Dupin de Beyssat, Claire Tracing the public of the first Parisian library for art and archaeology on the readership at Doucet’s library (1910-1914) |
| title | Tracing the public of the first Parisian library for art and archaeology on the readership at Doucet’s library (1910-1914) |
| title_auth | Tracing the public of the first Parisian library for art and archaeology on the readership at Doucet’s library (1910-1914) |
| title_exact_search | Tracing the public of the first Parisian library for art and archaeology on the readership at Doucet’s library (1910-1914) |
| title_exact_search_txtP | Tracing the public of the first Parisian library for art and archaeology on the readership at Doucet’s library (1910-1914) |
| title_full | Tracing the public of the first Parisian library for art and archaeology on the readership at Doucet’s library (1910-1914) Claire Dupin de Beyssat |
| title_fullStr | Tracing the public of the first Parisian library for art and archaeology on the readership at Doucet’s library (1910-1914) Claire Dupin de Beyssat |
| title_full_unstemmed | Tracing the public of the first Parisian library for art and archaeology on the readership at Doucet’s library (1910-1914) Claire Dupin de Beyssat |
| title_short | Tracing the public of the first Parisian library for art and archaeology |
| title_sort | tracing the public of the first parisian library for art and archaeology on the readership at doucet s library 1910 1914 |
| title_sub | on the readership at Doucet’s library (1910-1914) |
| url | https://doi.org/10.48352/uobxjah.00003423 |
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