Digital images and art historical knowledge: connoisseurship today between 'top-down design' and 'bottom-up' capabilities
It is yet unknown if, in the foreseeable future, thanks to rapid increases in artificial intelligence capabilities, databases will take over standard tasks of art historians, such as the stylistic classification of drawings into centuries and schools and the attribution of works to specific artists....
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
2021
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| Online-Zugang: | Volltext |
| Zusammenfassung: | It is yet unknown if, in the foreseeable future, thanks to rapid increases in artificial intelligence capabilities, databases will take over standard tasks of art historians, such as the stylistic classification of drawings into centuries and schools and the attribution of works to specific artists. However, the digital availability of an almost unimaginably huge volume of pictorial material has already led to major changes in art historical work with Old Master drawings. In an initial step, this paper proposes using the terms ‘top-down design’ and ‘bottom-up processes’, borrowed from the book The Evolution of Minds by American philosopher Daniel C. Dennett, to describe the re-positioning of the concept of connoisseurship in light of the digitisation of nearly all collections of drawings in the world. A second step highlights the particular insights that a digital approach to the object can generate in terms of the materiality of the drawing, which will make it necessary to modify the traditional concept of connoisseurship and art historical expertise. |
| Beschreibung: | 1 Online-Ressource (8 Seiten) |
| ISSN: | 2042-4752 |
| DOI: | 10.48352/uobxjah.00003420 |
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| 520 | 3 | |a It is yet unknown if, in the foreseeable future, thanks to rapid increases in artificial intelligence capabilities, databases will take over standard tasks of art historians, such as the stylistic classification of drawings into centuries and schools and the attribution of works to specific artists. However, the digital availability of an almost unimaginably huge volume of pictorial material has already led to major changes in art historical work with Old Master drawings. In an initial step, this paper proposes using the terms ‘top-down design’ and ‘bottom-up processes’, borrowed from the book The Evolution of Minds by American philosopher Daniel C. Dennett, to describe the re-positioning of the concept of connoisseurship in light of the digitisation of nearly all collections of drawings in the world. A second step highlights the particular insights that a digital approach to the object can generate in terms of the materiality of the drawing, which will make it necessary to modify the traditional concept of connoisseurship and art historical expertise. | |
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| spelling | Ketelsen, Thomas 1955- Verfasser (DE-588)1021373664 aut Digital images and art historical knowledge connoisseurship today between 'top-down design' and 'bottom-up' capabilities Thomas Ketelsen in cooperation with Uwe Golle 2021 1 Online-Ressource (8 Seiten) txt rdacontent c rdamedia cr rdacarrier It is yet unknown if, in the foreseeable future, thanks to rapid increases in artificial intelligence capabilities, databases will take over standard tasks of art historians, such as the stylistic classification of drawings into centuries and schools and the attribution of works to specific artists. However, the digital availability of an almost unimaginably huge volume of pictorial material has already led to major changes in art historical work with Old Master drawings. In an initial step, this paper proposes using the terms ‘top-down design’ and ‘bottom-up processes’, borrowed from the book The Evolution of Minds by American philosopher Daniel C. Dennett, to describe the re-positioning of the concept of connoisseurship in light of the digitisation of nearly all collections of drawings in the world. A second step highlights the particular insights that a digital approach to the object can generate in terms of the materiality of the drawing, which will make it necessary to modify the traditional concept of connoisseurship and art historical expertise. Golle, Uwe Verfasser aut number:24 year:2021 Journal of art historiography Glasgow, 2021 Number 24 (June 2021) (DE-604)BV035944348 2042-4752 (DE-600)2532257-6 application/pdf https://doi.org/10.48352/uobxjah.00003420 Verlag kostenfrei Volltext |
| spellingShingle | Ketelsen, Thomas 1955- Golle, Uwe Digital images and art historical knowledge connoisseurship today between 'top-down design' and 'bottom-up' capabilities |
| title | Digital images and art historical knowledge connoisseurship today between 'top-down design' and 'bottom-up' capabilities |
| title_auth | Digital images and art historical knowledge connoisseurship today between 'top-down design' and 'bottom-up' capabilities |
| title_exact_search | Digital images and art historical knowledge connoisseurship today between 'top-down design' and 'bottom-up' capabilities |
| title_exact_search_txtP | Digital images and art historical knowledge connoisseurship today between 'top-down design' and 'bottom-up' capabilities |
| title_full | Digital images and art historical knowledge connoisseurship today between 'top-down design' and 'bottom-up' capabilities Thomas Ketelsen in cooperation with Uwe Golle |
| title_fullStr | Digital images and art historical knowledge connoisseurship today between 'top-down design' and 'bottom-up' capabilities Thomas Ketelsen in cooperation with Uwe Golle |
| title_full_unstemmed | Digital images and art historical knowledge connoisseurship today between 'top-down design' and 'bottom-up' capabilities Thomas Ketelsen in cooperation with Uwe Golle |
| title_short | Digital images and art historical knowledge |
| title_sort | digital images and art historical knowledge connoisseurship today between top down design and bottom up capabilities |
| title_sub | connoisseurship today between 'top-down design' and 'bottom-up' capabilities |
| url | https://doi.org/10.48352/uobxjah.00003420 |
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