Doing connoisseurship: yesterday, today, tomorrow : introductory remarks
The introduction seeks to concretize and expand on crucial connoisseurial practices such as comparing or verbalising. Starting from the three domains of connoisseurship, namely the judgment of an artwork’s quality, the attribution to an artist, and the question whether the art work is an original or...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch Artikel |
Sprache: | English |
Veröffentlicht: |
2021
|
Online-Zugang: | Volltext |
Zusammenfassung: | The introduction seeks to concretize and expand on crucial connoisseurial practices such as comparing or verbalising. Starting from the three domains of connoisseurship, namely the judgment of an artwork’s quality, the attribution to an artist, and the question whether the art work is an original or a copy, it becomes apparent that connoisseurial practices still play a remarkable role in art historical endeavors. This can be demonstrated with a look at the contributions, which are bringing together and reflecting both historical and current connoisseurial practices. |
Beschreibung: | 1 Online-Ressource (9 Seiten) |
ISSN: | 2042-4752 |
DOI: | 10.48352/uobxjah.00003417 |
Internformat
MARC
LEADER | 00000nma a2200000 c 4500 | ||
---|---|---|---|
001 | BV047830286 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 220210s2021 |||| o||u| ||||||eng d | ||
024 | 7 | |a 10.48352/uobxjah.00003417 |2 doi | |
035 | |a (OCoLC)1296372798 | ||
035 | |a (DE-599)BVBBV047830286 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-Y3 |a DE-255 |a DE-Y7 |a DE-Y2 | ||
100 | 1 | |a Heyder, Joris Corin |d 1981- |e Verfasser |0 (DE-588)1076746098 |4 aut | |
245 | 1 | 0 | |a Doing connoisseurship |b yesterday, today, tomorrow : introductory remarks |c Joris Corin Heyder |
264 | 1 | |c 2021 | |
300 | |a 1 Online-Ressource (9 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
520 | 3 | |a The introduction seeks to concretize and expand on crucial connoisseurial practices such as comparing or verbalising. Starting from the three domains of connoisseurship, namely the judgment of an artwork’s quality, the attribution to an artist, and the question whether the art work is an original or a copy, it becomes apparent that connoisseurial practices still play a remarkable role in art historical endeavors. This can be demonstrated with a look at the contributions, which are bringing together and reflecting both historical and current connoisseurial practices. | |
773 | 1 | 8 | |g number:24 |g year:2021 |
773 | 0 | 8 | |t Journal of art historiography |d Glasgow, 2021 |g Number 24 (June 2021) |w (DE-604)BV035944348 |x 2042-4752 |o (DE-600)2532257-6 |
856 | 4 | 0 | |q application/pdf |u https://doi.org/10.48352/uobxjah.00003417 |x Verlag |z kostenfrei |3 Volltext |
999 | |a oai:aleph.bib-bvb.de:BVB01-033213537 | ||
941 | |h 24 |j 2021 |
Datensatz im Suchindex
_version_ | 1804183378271928320 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
article_link | (DE-604)BV035944348 |
author | Heyder, Joris Corin 1981- |
author_GND | (DE-588)1076746098 |
author_facet | Heyder, Joris Corin 1981- |
author_role | aut |
author_sort | Heyder, Joris Corin 1981- |
author_variant | j c h jc jch |
building | Verbundindex |
bvnumber | BV047830286 |
ctrlnum | (OCoLC)1296372798 (DE-599)BVBBV047830286 |
doi_str_mv | 10.48352/uobxjah.00003417 |
format | Electronic Article |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01687nma a2200313 c 4500</leader><controlfield tag="001">BV047830286</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220210s2021 |||| o||u| ||||||eng d</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.48352/uobxjah.00003417</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1296372798</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047830286</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y7</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Heyder, Joris Corin</subfield><subfield code="d">1981-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1076746098</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Doing connoisseurship</subfield><subfield code="b">yesterday, today, tomorrow : introductory remarks</subfield><subfield code="c">Joris Corin Heyder</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (9 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The introduction seeks to concretize and expand on crucial connoisseurial practices such as comparing or verbalising. Starting from the three domains of connoisseurship, namely the judgment of an artwork’s quality, the attribution to an artist, and the question whether the art work is an original or a copy, it becomes apparent that connoisseurial practices still play a remarkable role in art historical endeavors. This can be demonstrated with a look at the contributions, which are bringing together and reflecting both historical and current connoisseurial practices.</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">number:24</subfield><subfield code="g">year:2021</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Journal of art historiography</subfield><subfield code="d">Glasgow, 2021</subfield><subfield code="g">Number 24 (June 2021)</subfield><subfield code="w">(DE-604)BV035944348</subfield><subfield code="x">2042-4752</subfield><subfield code="o">(DE-600)2532257-6</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="q">application/pdf</subfield><subfield code="u">https://doi.org/10.48352/uobxjah.00003417</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033213537</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="h">24</subfield><subfield code="j">2021</subfield></datafield></record></collection> |
id | DE-604.BV047830286 |
illustrated | Not Illustrated |
index_date | 2024-07-03T19:09:09Z |
indexdate | 2024-07-10T09:22:29Z |
institution | BVB |
issn | 2042-4752 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033213537 |
oclc_num | 1296372798 |
open_access_boolean | 1 |
owner | DE-Y3 DE-255 DE-Y7 DE-Y2 |
owner_facet | DE-Y3 DE-255 DE-Y7 DE-Y2 |
physical | 1 Online-Ressource (9 Seiten) |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
record_format | marc |
spelling | Heyder, Joris Corin 1981- Verfasser (DE-588)1076746098 aut Doing connoisseurship yesterday, today, tomorrow : introductory remarks Joris Corin Heyder 2021 1 Online-Ressource (9 Seiten) txt rdacontent c rdamedia cr rdacarrier The introduction seeks to concretize and expand on crucial connoisseurial practices such as comparing or verbalising. Starting from the three domains of connoisseurship, namely the judgment of an artwork’s quality, the attribution to an artist, and the question whether the art work is an original or a copy, it becomes apparent that connoisseurial practices still play a remarkable role in art historical endeavors. This can be demonstrated with a look at the contributions, which are bringing together and reflecting both historical and current connoisseurial practices. number:24 year:2021 Journal of art historiography Glasgow, 2021 Number 24 (June 2021) (DE-604)BV035944348 2042-4752 (DE-600)2532257-6 application/pdf https://doi.org/10.48352/uobxjah.00003417 Verlag kostenfrei Volltext |
spellingShingle | Heyder, Joris Corin 1981- Doing connoisseurship yesterday, today, tomorrow : introductory remarks |
title | Doing connoisseurship yesterday, today, tomorrow : introductory remarks |
title_auth | Doing connoisseurship yesterday, today, tomorrow : introductory remarks |
title_exact_search | Doing connoisseurship yesterday, today, tomorrow : introductory remarks |
title_exact_search_txtP | Doing connoisseurship yesterday, today, tomorrow : introductory remarks |
title_full | Doing connoisseurship yesterday, today, tomorrow : introductory remarks Joris Corin Heyder |
title_fullStr | Doing connoisseurship yesterday, today, tomorrow : introductory remarks Joris Corin Heyder |
title_full_unstemmed | Doing connoisseurship yesterday, today, tomorrow : introductory remarks Joris Corin Heyder |
title_short | Doing connoisseurship |
title_sort | doing connoisseurship yesterday today tomorrow introductory remarks |
title_sub | yesterday, today, tomorrow : introductory remarks |
url | https://doi.org/10.48352/uobxjah.00003417 |
work_keys_str_mv | AT heyderjoriscorin doingconnoisseurshipyesterdaytodaytomorrowintroductoryremarks |