Reflections: interviews, scores, writings
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Köln
Edition MusikTexte
2021
|
Ausgabe: | Enlarged new edition |
Schriftenreihe: | Edition MusikTexte
17 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | 431 Seiten Illustrationen, Diagramme, Notenbeispiele 24 cm x 17 cm, 815 g |
ISBN: | 9783981331974 |
Internformat
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100 | 1 | |a Lucier, Alvin |d 1931-2021 |e Verfasser |0 (DE-588)119315327 |4 aut | |
245 | 1 | 0 | |a Reflections |b interviews, scores, writings |c Alvin Lucier |
250 | |a Enlarged new edition | ||
264 | 1 | |a Köln |b Edition MusikTexte |c 2021 | |
300 | |a 431 Seiten |b Illustrationen, Diagramme, Notenbeispiele |c 24 cm x 17 cm, 815 g | ||
336 | |b txt |2 rdacontent | ||
336 | |b sti |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 1 | |a Edition MusikTexte |v 17 | |
600 | 1 | 7 | |a Lucier, Alvin |d 1931-2021 |0 (DE-588)119315327 |2 gnd |9 rswk-swf |
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650 | 0 | 7 | |a Wahrnehmung |0 (DE-588)4064317-7 |2 gnd |9 rswk-swf |
653 | |a Experimetelle Musik | ||
653 | |a Klanginstallation | ||
653 | |a Komposition | ||
655 | 7 | |0 (DE-588)4027503-6 |a Interview |2 gnd-content | |
689 | 0 | 0 | |a Lucier, Alvin |d 1931-2021 |0 (DE-588)119315327 |D p |
689 | 0 | 1 | |a Elektronische Musik |0 (DE-588)4014355-7 |D s |
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Datensatz im Suchindex
_version_ | 1811004337551310848 |
---|---|
adam_text |
CONTENTS
PREFACES
PAULINE
OLIVEROS:
POET
OF
ELECTRONIC
MUSIC
13
JAMES
TENNEY:
THE
ELOQUENT
VOICE
OF
NATURE
15
INTERVIEWS
WITH
DOUGLAS
SIMON
"
.
TO
LET
ALPHA
BE
ITSELF
"
.
MUSIC
FOR
S
OLO
P
ERFORMER
21
"
.
AND
LISTEN
TO
THE
OCEAN
AGAIN
"
.
C
HAMBERS
27
TAKING
SLOW
AUDIO
PHOTOGRAPHS
OF
THE
SPACE.
V
ESPERS
32
"
EVERY
ROOM
HAS
ITS
OWN
MELODY"
.
"
I
AM
SITTING
IN
A
ROOM
"
37
IMITATING
ONE
SET
OF
SOUNDS
WITH
ANOTHER.
(H
ARTFORD
)
M
EMORY
S
PACE
41
A
METAPHOR
FOR
ONE
'
S
LIFE.
Q
UASIMODO
THE
G
REAT
L
OVER
45
COMPOSITE
IDENTITIES.
T
HE
D
UKE
OF
Y
ORK
49
IMAGINARY
IMAGERY.
G
ENTLE
F
IRE
5
5
SEEING
SOUND.
T
HE
Q
UEEN
OF
THE
S
OUTH
,
T
YNDALL
O
RCHESTRATIONS
59
MAKING
AUDIBLE
THAT
WHICH
IS
INAUDIBLE
65
S
TILL
AND
M
OVING
L
INES
OF
S
ILENCE
IN
F
AMILIES
OF
H
YPERBOLAS
"
DO
YOU
KNOW
HOW
ROBINS
TURN
THEIR
HEADS
TO
LISTEN?
"
73
O
UTLINES
OF
P
ERSONS
AND
T
HINGS
,
B
IRD
AND
P
ERSON
D
YNING
THE
POETRY
OF
SCIENCE.
MUSIC
ON
A
L
ONG
T
HIN
W
IRE
79
SOUND
SHADOWS.
D
IRECTIONS
OF
S
OUNDS
FROM
THE
B
RIDGE
85
INTERVIEWS
WITH
DANIEL
WOLF
"
THE
GODS
APPEAR
OUT
OF
NOWHERE
"
.
C
ROSSINGS
,
N
OTHING
IS
R
EAL
90
"
THE
SOUND
MELTS
INTO
THE
ENVIRONMENT
"
97
F
RAGMENTS
FOR
S
TRINGS
,
N
AVIGATIONS
FOR
S
TRINGS
"
THE
SIMPLE
IS
THE
DIFFICULT
"
.
P
ANORAMA
,
S
IX
G
EOMETRIES
104
CONVERSATIONS
"
CREATING
A
NEW
KIND
OF
A
MUSIC
FOR
ME
"
(BARNEY
CHILDS)
114
"
.
.
.
WHEN
YOU
STUTTER,
YOU
SCAN
THE
LANGUAGE
"
(WALTER
ZIMMERMANN)
130
"
WITH
AND
WITHOUT
A
PURPOSE
"
(ROBERT
ASHLEY)
135
"
DISCOVERY
IS
PART
OF
THE
EXPERIENCE
"
(WILLIAM
DUCKWORTH)
143
"
I
'
M
CUTTING
THINGS
DOWN
TO
THEIR
SIMPLEST
FORM
"
(JAMES
TENNEY)
153
"
THE
FORM
OF
THE
PIECE
IS
A
SEARCH
"
(ARNE
DEFORCE)
166
"
YOU
NEVER
KNOW
WHAT
'
S
GOING
TO
HAPPEN
"
(JAMES
SAUNDERS)
173
ABOUT
OWN
WORK
MUSIC
FOR
S
OLO
P
ERFORMER
1965
182
THE
MAKING
OF
N
ORTH
A
MERICAN
T
IME
C
APSULE
I
87
PROGRAM
PROPOSAL
FOR
PEPSI-COLA
PAVILION
191
THE
PROPAGATION
OF
SOUND
IN
SPACE
193
THE
TOOLS
OF
MY
TRADE
197
C
LOCKER
208
S
FERICS
21
I
S
EESAW
215
W
ALL
WITH
V
ERTICAL
S
LIT
221
S
OUND
ON
P
APER
222
PASTA
FOR
TIRED
DANCERS
225
THOUGHTS
ON
INSTALLATIONS
227
S
KIN
,
M
EAT
,
B
ONE
232
STRING
QUARTETS
234
ORIGINS
OF
A
FORM
236
MY
AFFAIRS
WITH
FEEDBACK
244
FRUITS
AND
VEGETABLES
249
ABOUT
OTHERS
A
LETTER
TO
FREDERIC
RZEWSKI
258
AN
OPEN
LETTER
TO
THE
ARTISTIC
DIRECTOR
OF
THE
OJAI
MUSIC
FESTIVAL
259
I
REMEMBER
MORTY
261
COLLABORATIONS
WITH
JOHN
CAGE
263
SOBA
269
THE
SONIC
ARTS
UNION
270
AVANT-GARDE
AND
EXPERIMENT
278
THE
FUTURE
OF
OUR
MUSIC
281
PREFACE
TO
ROBERT
ASHLEY
'
S
BOOK
OUTSIDE
OF
TIME
291
NOTES
ON
VERBAL
NOTATION
295
THE
LOCAL
IS
THE
UNIVERSAL
297
IN
MEMORIAM
DAVID
TUDOR,
ROBERT
ASHLEY,
REINHARD
OEHLSCHLAGEL,
PAULINE
OLIVEROS
301
SCORES
M
USIC
FOR
S
OLO
P
ERFORMER
307
S
HELTER
308
C
HAMBERS
309
V
ESPERS
311
T
HE
O
NLY
T
ALKING
M
ACHINE
OF
I
TS
K
IND
IN
THE
W
ORLD
313
"
I
AM
SITTING
IN
A
ROOM
"
315
(H
ARTFORD
)
M
EMORY
S
PACE
317
H
YMN
318
Q
UASIMODO
THE
G
REAT
L
OVER
319
T
HE
D
UKE
OF
Y
ORK
321
G
ENTLE
F
IRE
323
T
HE
Q
UEEN
OF
THE
S
OUTH
327
T
YNDALL
O
RCHESTRATIONS
329
S
TILL
AND
M
OVING
L
INES
OF
S
ILENCE
IN
F
AMILIES
OF
H
YPERBOLAS
330
O
UTLINES
OF
P
ERSONS
AND
T
HINGS
335
B
IRD
AND
P
ERSON
D
YNING
337
MUSIC
ON
A
L
ONG
T
HIN
W
IRE
338
D
IRECTIONS
OF
S
OUNDS
FROM
THE
B
RIDGE
339
G
HOSTS
340
W
ORDS
ON
W
INDY
C
ORNERS
341
L
ULLABY
342
MUSIC
FOR
P
URE
W
AVES
,
B
ASS
D
RUMS
AND
A
COUSTIC
P
ENDULUMS
343
R
ISONANZA
345
P
RECIOUS
M
ETALS
346
A
TTACHE
C
ASE
347
S
ILVER
S
TREETCAR
FOR
THE
O
RCHESTRA
348
C
ARBON
C
OPIES
350
MUSIC
FOR
S
NARE
D
RUM
,
P
URE
W
AVE
O
SCILLATORS
AND
O
NE
OR
M
ORE
352
R
EFLECTIVE
S
URFACES
I
NDIAN
S
UMMER
354
M
USIC
FOR
C
ELLO
WITH
O
NE
OR
M
ORE
A
MPLIFIED
V
ASES
3
5
5
MUSIC
FOR
P
IANO
WITH
H
ALF
-
CLOSED
L
ID
356
E
MPTY
V
ESSELS
357
PROGRAM
AND
LINER
NOTES
P
ARTITA
,
F
RAGMENTS
FOR
S
TRINGS
,
A
CTION
M
USIC
360
MUSIC
FOR
S
OLO
P
ERFORMER
361
V
ESPERS
,
(H
ARTFORD
)
M
EMORY
S
PACE
363
"
I
AM
SITTING
IN
A
ROOM
"
,
Q
UASIMODO
THE
G
REAT
L
OVER
364
T
HE
Q
UEEN
OF
THE
S
OUTH
,
RMSIM
I
365
S
TILL
AND
M
OVING
L
INES
OF
S
ILENCE
IN
F
AMILIES
OF
H
YPERBOLAS
365
B
IRD
AND
P
ERSON
D
YNING
367
MUSIC
ON
A
L
ONG
T
HIN
W
IRE
368
S
HAPES
OF
THE
S
OUNDS
FROM
THE
B
OARD
369
MUSIC
FOR
P
URE
W
AVES
,
B
ASS
D
RUMS
AND
A
COUSTIC
P
ENDULUMS
369
S
FERICS
370
C
ROSSINGS
371
S
EESAW
372
S
PINNER
,
I
N
M
EMORIAM
J
ON
H
IGGINS
,
S
ERENADE
(1985)
373
S
EPTET
,
H
OMAGE
TO
J
AMES
T
ENNEY
374
K
ETTLES
,
F
IDELIOTRIO
375
S
ILVER
S
TREETCAR
FOR
THE
O
RCHESTRA
,
S
ELF
-P
ORTRAIT
376
N
OTHING
I
S
R
EAL
,
M
USIC
FOR
P
IANO
WITH
A
MPLIFIED
S
ONOROUS
V
ESSELS
A
MPLIFIER
AND
R
EFLECTOR
O
NE
N
AVIGATIONS
FOR
S
TRINGS
P
OSSIBLE
T
IME
AND
M
OTION
R
EVERSALS
M
USIC
FOR
P
IANO
WITH
O
NE
OR
M
ORE
S
NARE
D
RUMS
M
USIC
FOR
P
IANO
WITH
S
LOW
S
WEEP
P
URE
W
AVE
O
SCILLATORS
,
S
IX
G
EOMETRIES
S
OL
432,
S
TACKS
,
M
USIC
FOR
P
IANO
WITH
H
ALF
-
CLOSED
L
ID
I
N
M
EMORIAM
S
TUART
M
ARSHALL
,
S
ERENADE
(1993),
P
ANORAMA
S
ERENADE
(1994)
W
IND
S
HADOWS
,
D
ISTANT
D
RUMS
,
M
USIC
FOR
G
AMELAN
I
NSTRUMENTS
,
M
ICROPHONES
,
A
MPLIFIERS
AND
L
OUDSPEAKERS
D
ISAPPEARANCES
,
T
HE
S
ACRED
F
OX
,
S
PIRA
M
IRABILIS
S
PIDER
P
ATHS
,
T
WO
S
TONES
,
U
NAMUNO
N
IGHT
S
OUNDS
WITH
F
LAME
,
S
IERPINSKI
L
INES
C
HINESE
S
PACE
,
T
HEME
M
USIC
FOR
P
IANO
WITH
M
AGNETIC
S
TRINGS
S
TILL
L
IVES
,
S
OUND
ON
G
LASS
,
E
MPTY
V
ESSELS
S
MALL
W
AVES
O
PERA
WITH
O
BJECTS
W
AVE
P
AINTING
S
ONGS
H
EAVIER
THAN
A
IR
,
O
N
A
C
ARPET
OF
L
EAVES
I
LLUMINATED
BY
THE
M
OON
P
IPER
,
O
VALS
A
LMOST
N
EW
Y
ORK
,
947
E
VER
P
RESENT
,
C
HARLES
C
URTIS
F
AN
,
T
APPER
,
C
ODA
V
ARIATIONS
M
AN
R
AY
,
T
WONINGS
,
B
ROKEN
L
INE
,
B
UMPS
S
LICES
,
T
RIO
FOR
C
LARINET
C
ELLO
AND
S
IX
-
VALVE
T
UBA
,
M
INIATURE
ICE
CLES
,
C
HECK
,
T
WO
C
IRCLES
B
RAID
,
C
ODEX
C
RISS
C
ROSS
,
P
ALIMPSEST
,
S
HADOW
L
INES
O
RPHEUS
V
ARIATIONS
,
H
ANOVER
G
ONDOLA
A
UDIBLES
,
L
OVE
S
ONG
,
S
ICKLE
D
OUBLE
H
ELIX
,
V,
F
LIGHT
P
ATHS
T
ILTED
A
RC
,
C
ORNER
C
HURCH
AND
H
IGH
,
M
ONTEVERDI
S
HAPERO
H
ALO
,
B
ONE
M
OON
,
A
RRIGONI
B
RIDGE
F
LIPS
,
K
EY
W
EST
,
T
HREE
C
ARDBOARD
B
OXES
377
377
378
379
379
380
381
382
383
384
385
386
386
387
388
389
390
39I
392
393
394
395
396
397
398
399
400
401
402
4 =3
404
45
406
47
408
409
LIST
OF
WORKS
TEXT
CREDITS
PHOTO
CREDITS
INDEX
OF
NAMES
411
40
421
422 |
adam_txt |
CONTENTS
PREFACES
PAULINE
OLIVEROS:
POET
OF
ELECTRONIC
MUSIC
13
JAMES
TENNEY:
THE
ELOQUENT
VOICE
OF
NATURE
15
INTERVIEWS
WITH
DOUGLAS
SIMON
"
.
TO
LET
ALPHA
BE
ITSELF
"
.
MUSIC
FOR
S
OLO
P
ERFORMER
21
"
.
AND
LISTEN
TO
THE
OCEAN
AGAIN
"
.
C
HAMBERS
27
TAKING
SLOW
AUDIO
PHOTOGRAPHS
OF
THE
SPACE.
V
ESPERS
32
"
EVERY
ROOM
HAS
ITS
OWN
MELODY"
.
"
I
AM
SITTING
IN
A
ROOM
"
37
IMITATING
ONE
SET
OF
SOUNDS
WITH
ANOTHER.
(H
ARTFORD
)
M
EMORY
S
PACE
41
A
METAPHOR
FOR
ONE
'
S
LIFE.
Q
UASIMODO
THE
G
REAT
L
OVER
45
COMPOSITE
IDENTITIES.
T
HE
D
UKE
OF
Y
ORK
49
IMAGINARY
IMAGERY.
G
ENTLE
F
IRE
5
5
SEEING
SOUND.
T
HE
Q
UEEN
OF
THE
S
OUTH
,
T
YNDALL
O
RCHESTRATIONS
59
MAKING
AUDIBLE
THAT
WHICH
IS
INAUDIBLE
65
S
TILL
AND
M
OVING
L
INES
OF
S
ILENCE
IN
F
AMILIES
OF
H
YPERBOLAS
"
DO
YOU
KNOW
HOW
ROBINS
TURN
THEIR
HEADS
TO
LISTEN?
"
73
O
UTLINES
OF
P
ERSONS
AND
T
HINGS
,
B
IRD
AND
P
ERSON
D
YNING
THE
POETRY
OF
SCIENCE.
MUSIC
ON
A
L
ONG
T
HIN
W
IRE
79
SOUND
SHADOWS.
D
IRECTIONS
OF
S
OUNDS
FROM
THE
B
RIDGE
85
INTERVIEWS
WITH
DANIEL
WOLF
"
THE
GODS
APPEAR
OUT
OF
NOWHERE
"
.
C
ROSSINGS
,
N
OTHING
IS
R
EAL
90
"
THE
SOUND
MELTS
INTO
THE
ENVIRONMENT
"
97
F
RAGMENTS
FOR
S
TRINGS
,
N
AVIGATIONS
FOR
S
TRINGS
"
THE
SIMPLE
IS
THE
DIFFICULT
"
.
P
ANORAMA
,
S
IX
G
EOMETRIES
104
CONVERSATIONS
"
CREATING
A
NEW
KIND
OF
A
MUSIC
FOR
ME
"
(BARNEY
CHILDS)
114
"
.
.
.
WHEN
YOU
STUTTER,
YOU
SCAN
THE
LANGUAGE
"
(WALTER
ZIMMERMANN)
130
"
WITH
AND
WITHOUT
A
PURPOSE
"
(ROBERT
ASHLEY)
135
"
DISCOVERY
IS
PART
OF
THE
EXPERIENCE
"
(WILLIAM
DUCKWORTH)
143
"
I
'
M
CUTTING
THINGS
DOWN
TO
THEIR
SIMPLEST
FORM
"
(JAMES
TENNEY)
153
"
THE
FORM
OF
THE
PIECE
IS
A
SEARCH
"
(ARNE
DEFORCE)
166
"
YOU
NEVER
KNOW
WHAT
'
S
GOING
TO
HAPPEN
"
(JAMES
SAUNDERS)
173
ABOUT
OWN
WORK
MUSIC
FOR
S
OLO
P
ERFORMER
1965
182
THE
MAKING
OF
N
ORTH
A
MERICAN
T
IME
C
APSULE
I
87
PROGRAM
PROPOSAL
FOR
PEPSI-COLA
PAVILION
191
THE
PROPAGATION
OF
SOUND
IN
SPACE
193
THE
TOOLS
OF
MY
TRADE
197
C
LOCKER
208
S
FERICS
21
I
S
EESAW
215
W
ALL
WITH
V
ERTICAL
S
LIT
221
S
OUND
ON
P
APER
222
PASTA
FOR
TIRED
DANCERS
225
THOUGHTS
ON
INSTALLATIONS
227
S
KIN
,
M
EAT
,
B
ONE
232
STRING
QUARTETS
234
ORIGINS
OF
A
FORM
236
MY
AFFAIRS
WITH
FEEDBACK
244
FRUITS
AND
VEGETABLES
249
ABOUT
OTHERS
A
LETTER
TO
FREDERIC
RZEWSKI
258
AN
OPEN
LETTER
TO
THE
ARTISTIC
DIRECTOR
OF
THE
OJAI
MUSIC
FESTIVAL
259
I
REMEMBER
MORTY
261
COLLABORATIONS
WITH
JOHN
CAGE
263
SOBA
269
THE
SONIC
ARTS
UNION
270
AVANT-GARDE
AND
EXPERIMENT
278
THE
FUTURE
OF
OUR
MUSIC
281
PREFACE
TO
ROBERT
ASHLEY
'
S
BOOK
OUTSIDE
OF
TIME
291
NOTES
ON
VERBAL
NOTATION
295
THE
LOCAL
IS
THE
UNIVERSAL
297
IN
MEMORIAM
DAVID
TUDOR,
ROBERT
ASHLEY,
REINHARD
OEHLSCHLAGEL,
PAULINE
OLIVEROS
301
SCORES
M
USIC
FOR
S
OLO
P
ERFORMER
307
S
HELTER
308
C
HAMBERS
309
V
ESPERS
311
T
HE
O
NLY
T
ALKING
M
ACHINE
OF
I
TS
K
IND
IN
THE
W
ORLD
313
"
I
AM
SITTING
IN
A
ROOM
"
315
(H
ARTFORD
)
M
EMORY
S
PACE
317
H
YMN
318
Q
UASIMODO
THE
G
REAT
L
OVER
319
T
HE
D
UKE
OF
Y
ORK
321
G
ENTLE
F
IRE
323
T
HE
Q
UEEN
OF
THE
S
OUTH
327
T
YNDALL
O
RCHESTRATIONS
329
S
TILL
AND
M
OVING
L
INES
OF
S
ILENCE
IN
F
AMILIES
OF
H
YPERBOLAS
330
O
UTLINES
OF
P
ERSONS
AND
T
HINGS
335
B
IRD
AND
P
ERSON
D
YNING
337
MUSIC
ON
A
L
ONG
T
HIN
W
IRE
338
D
IRECTIONS
OF
S
OUNDS
FROM
THE
B
RIDGE
339
G
HOSTS
340
W
ORDS
ON
W
INDY
C
ORNERS
341
L
ULLABY
342
MUSIC
FOR
P
URE
W
AVES
,
B
ASS
D
RUMS
AND
A
COUSTIC
P
ENDULUMS
343
R
ISONANZA
345
P
RECIOUS
M
ETALS
346
A
TTACHE
C
ASE
347
S
ILVER
S
TREETCAR
FOR
THE
O
RCHESTRA
348
C
ARBON
C
OPIES
350
MUSIC
FOR
S
NARE
D
RUM
,
P
URE
W
AVE
O
SCILLATORS
AND
O
NE
OR
M
ORE
352
R
EFLECTIVE
S
URFACES
I
NDIAN
S
UMMER
354
M
USIC
FOR
C
ELLO
WITH
O
NE
OR
M
ORE
A
MPLIFIED
V
ASES
3
5
5
MUSIC
FOR
P
IANO
WITH
H
ALF
-
CLOSED
L
ID
356
E
MPTY
V
ESSELS
357
PROGRAM
AND
LINER
NOTES
P
ARTITA
,
F
RAGMENTS
FOR
S
TRINGS
,
A
CTION
M
USIC
360
MUSIC
FOR
S
OLO
P
ERFORMER
361
V
ESPERS
,
(H
ARTFORD
)
M
EMORY
S
PACE
363
"
I
AM
SITTING
IN
A
ROOM
"
,
Q
UASIMODO
THE
G
REAT
L
OVER
364
T
HE
Q
UEEN
OF
THE
S
OUTH
,
RMSIM
I
365
S
TILL
AND
M
OVING
L
INES
OF
S
ILENCE
IN
F
AMILIES
OF
H
YPERBOLAS
365
B
IRD
AND
P
ERSON
D
YNING
367
MUSIC
ON
A
L
ONG
T
HIN
W
IRE
368
S
HAPES
OF
THE
S
OUNDS
FROM
THE
B
OARD
369
MUSIC
FOR
P
URE
W
AVES
,
B
ASS
D
RUMS
AND
A
COUSTIC
P
ENDULUMS
369
S
FERICS
370
C
ROSSINGS
371
S
EESAW
372
S
PINNER
,
I
N
M
EMORIAM
J
ON
H
IGGINS
,
S
ERENADE
(1985)
373
S
EPTET
,
H
OMAGE
TO
J
AMES
T
ENNEY
374
K
ETTLES
,
F
IDELIOTRIO
375
S
ILVER
S
TREETCAR
FOR
THE
O
RCHESTRA
,
S
ELF
-P
ORTRAIT
376
N
OTHING
I
S
R
EAL
,
M
USIC
FOR
P
IANO
WITH
A
MPLIFIED
S
ONOROUS
V
ESSELS
A
MPLIFIER
AND
R
EFLECTOR
O
NE
N
AVIGATIONS
FOR
S
TRINGS
P
OSSIBLE
T
IME
AND
M
OTION
R
EVERSALS
M
USIC
FOR
P
IANO
WITH
O
NE
OR
M
ORE
S
NARE
D
RUMS
M
USIC
FOR
P
IANO
WITH
S
LOW
S
WEEP
P
URE
W
AVE
O
SCILLATORS
,
S
IX
G
EOMETRIES
S
OL
432,
S
TACKS
,
M
USIC
FOR
P
IANO
WITH
H
ALF
-
CLOSED
L
ID
I
N
M
EMORIAM
S
TUART
M
ARSHALL
,
S
ERENADE
(1993),
P
ANORAMA
S
ERENADE
(1994)
W
IND
S
HADOWS
,
D
ISTANT
D
RUMS
,
M
USIC
FOR
G
AMELAN
I
NSTRUMENTS
,
M
ICROPHONES
,
A
MPLIFIERS
AND
L
OUDSPEAKERS
D
ISAPPEARANCES
,
T
HE
S
ACRED
F
OX
,
S
PIRA
M
IRABILIS
S
PIDER
P
ATHS
,
T
WO
S
TONES
,
U
NAMUNO
N
IGHT
S
OUNDS
WITH
F
LAME
,
S
IERPINSKI
L
INES
C
HINESE
S
PACE
,
T
HEME
M
USIC
FOR
P
IANO
WITH
M
AGNETIC
S
TRINGS
S
TILL
L
IVES
,
S
OUND
ON
G
LASS
,
E
MPTY
V
ESSELS
S
MALL
W
AVES
O
PERA
WITH
O
BJECTS
W
AVE
P
AINTING
S
ONGS
H
EAVIER
THAN
A
IR
,
O
N
A
C
ARPET
OF
L
EAVES
I
LLUMINATED
BY
THE
M
OON
P
IPER
,
O
VALS
A
LMOST
N
EW
Y
ORK
,
947
E
VER
P
RESENT
,
C
HARLES
C
URTIS
F
AN
,
T
APPER
,
C
ODA
V
ARIATIONS
M
AN
R
AY
,
T
WONINGS
,
B
ROKEN
L
INE
,
B
UMPS
S
LICES
,
T
RIO
FOR
C
LARINET
C
ELLO
AND
S
IX
-
VALVE
T
UBA
,
M
INIATURE
ICE
CLES
,
C
HECK
,
T
WO
C
IRCLES
B
RAID
,
C
ODEX
C
RISS
C
ROSS
,
P
ALIMPSEST
,
S
HADOW
L
INES
O
RPHEUS
V
ARIATIONS
,
H
ANOVER
G
ONDOLA
A
UDIBLES
,
L
OVE
S
ONG
,
S
ICKLE
D
OUBLE
H
ELIX
,
V,
F
LIGHT
P
ATHS
T
ILTED
A
RC
,
C
ORNER
C
HURCH
AND
H
IGH
,
M
ONTEVERDI
S
HAPERO
H
ALO
,
B
ONE
M
OON
,
A
RRIGONI
B
RIDGE
F
LIPS
,
K
EY
W
EST
,
T
HREE
C
ARDBOARD
B
OXES
377
377
378
379
379
380
381
382
383
384
385
386
386
387
388
389
390
39I
392
393
394
395
396
397
398
399
400
401
402
4 =3
404
45
406
47
408
409
LIST
OF
WORKS
TEXT
CREDITS
PHOTO
CREDITS
INDEX
OF
NAMES
411
40
421
422 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Lucier, Alvin 1931-2021 |
author_GND | (DE-588)119315327 |
author_facet | Lucier, Alvin 1931-2021 |
author_role | aut |
author_sort | Lucier, Alvin 1931-2021 |
author_variant | a l al |
building | Verbundindex |
bvnumber | BV047829349 |
classification_rvk | LP 95900 |
ctrlnum | (OCoLC)1295841598 (DE-599)DNB1233147560 |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
edition | Enlarged new edition |
format | Book |
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genre | (DE-588)4027503-6 Interview gnd-content |
genre_facet | Interview |
id | DE-604.BV047829349 |
illustrated | Illustrated |
index_date | 2024-07-03T19:08:54Z |
indexdate | 2024-09-23T16:18:42Z |
institution | BVB |
isbn | 9783981331974 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033212621 |
oclc_num | 1295841598 |
open_access_boolean | |
owner | DE-703 DE-12 |
owner_facet | DE-703 DE-12 |
physical | 431 Seiten Illustrationen, Diagramme, Notenbeispiele 24 cm x 17 cm, 815 g |
psigel | BSB_NED_20220426 |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | Edition MusikTexte |
record_format | marc |
series | Edition MusikTexte |
series2 | Edition MusikTexte |
spelling | Lucier, Alvin 1931-2021 Verfasser (DE-588)119315327 aut Reflections interviews, scores, writings Alvin Lucier Enlarged new edition Köln Edition MusikTexte 2021 431 Seiten Illustrationen, Diagramme, Notenbeispiele 24 cm x 17 cm, 815 g txt rdacontent sti rdacontent n rdamedia nc rdacarrier Edition MusikTexte 17 Lucier, Alvin 1931-2021 (DE-588)119315327 gnd rswk-swf Klangkunst (DE-588)4430771-8 gnd rswk-swf Elektronische Musik (DE-588)4014355-7 gnd rswk-swf Wahrnehmung (DE-588)4064317-7 gnd rswk-swf Experimetelle Musik Klanginstallation Komposition (DE-588)4027503-6 Interview gnd-content Lucier, Alvin 1931-2021 (DE-588)119315327 p Elektronische Musik (DE-588)4014355-7 s Klangkunst (DE-588)4430771-8 s Wahrnehmung (DE-588)4064317-7 s DE-604 Edition MusikTexte 17 (DE-604)BV011891337 17 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033212621&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Lucier, Alvin 1931-2021 Reflections interviews, scores, writings Edition MusikTexte Lucier, Alvin 1931-2021 (DE-588)119315327 gnd Klangkunst (DE-588)4430771-8 gnd Elektronische Musik (DE-588)4014355-7 gnd Wahrnehmung (DE-588)4064317-7 gnd |
subject_GND | (DE-588)119315327 (DE-588)4430771-8 (DE-588)4014355-7 (DE-588)4064317-7 (DE-588)4027503-6 |
title | Reflections interviews, scores, writings |
title_auth | Reflections interviews, scores, writings |
title_exact_search | Reflections interviews, scores, writings |
title_exact_search_txtP | Reflections interviews, scores, writings |
title_full | Reflections interviews, scores, writings Alvin Lucier |
title_fullStr | Reflections interviews, scores, writings Alvin Lucier |
title_full_unstemmed | Reflections interviews, scores, writings Alvin Lucier |
title_short | Reflections |
title_sort | reflections interviews scores writings |
title_sub | interviews, scores, writings |
topic | Lucier, Alvin 1931-2021 (DE-588)119315327 gnd Klangkunst (DE-588)4430771-8 gnd Elektronische Musik (DE-588)4014355-7 gnd Wahrnehmung (DE-588)4064317-7 gnd |
topic_facet | Lucier, Alvin 1931-2021 Klangkunst Elektronische Musik Wahrnehmung Interview |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033212621&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV011891337 |
work_keys_str_mv | AT lucieralvin reflectionsinterviewsscoreswritings |