Jump Jim Crow: Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture
Beginning in the 1830s, the white actor Thomas D. Rice took to the stage as Jim Crow, and the ragged and charismatic trickster of black folklore entered--and forever transformed--American popular culture. Jump Jim Crow brings together for the first time the plays and songs performed in this guise an...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, MA
Harvard University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Beginning in the 1830s, the white actor Thomas D. Rice took to the stage as Jim Crow, and the ragged and charismatic trickster of black folklore entered--and forever transformed--American popular culture. Jump Jim Crow brings together for the first time the plays and songs performed in this guise and reveals how these texts code the complex use and abuse of blackness that has characterized American culture ever since Jim Crow's first appearance. Along with the prompt scripts of nine plays performed by Rice--never before published as their original audiences saw them--W. T. Lhamon Jr. provides a reconstruction of their performance history and a provocative analysis of their contemporary meaning. His reading shows us how these plays built a public blackness, but also how they engaged a disaffected white audience, who found in Jim Crow's sass and wit and madcap dancing an expression of rebellion and resistance against the oppression and confinement suffered by ordinary people of all colors in antebellum America and early Victorian England. Upstaging conventional stories and forms, giving direction and expression to the unruly attitudes of a burgeoning underclass, the plays in this anthology enact a vital force still felt in great fictions, movies, and musics of the Atlantic and in the jumping, speedy styles that join all these forms |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022) |
| Beschreibung: | 1 online resource (478 pages) |
| ISBN: | 9780674274815 |
| DOI: | 10.4159/9780674274815 |
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| 520 | |a Beginning in the 1830s, the white actor Thomas D. Rice took to the stage as Jim Crow, and the ragged and charismatic trickster of black folklore entered--and forever transformed--American popular culture. Jump Jim Crow brings together for the first time the plays and songs performed in this guise and reveals how these texts code the complex use and abuse of blackness that has characterized American culture ever since Jim Crow's first appearance. Along with the prompt scripts of nine plays performed by Rice--never before published as their original audiences saw them--W. T. Lhamon Jr. provides a reconstruction of their performance history and a provocative analysis of their contemporary meaning. His reading shows us how these plays built a public blackness, but also how they engaged a disaffected white audience, who found in Jim Crow's sass and wit and madcap dancing an expression of rebellion and resistance against the oppression and confinement suffered by ordinary people of all colors in antebellum America and early Victorian England. Upstaging conventional stories and forms, giving direction and expression to the unruly attitudes of a burgeoning underclass, the plays in this anthology enact a vital force still felt in great fictions, movies, and musics of the Atlantic and in the jumping, speedy styles that join all these forms | ||
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| index_date | 2024-07-03T19:08:08Z |
| indexdate | 2024-07-10T09:22:16Z |
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| isbn | 9780674274815 |
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| spelling | Lhamon, W. T. Verfasser aut Jump Jim Crow Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture W. T. Lhamon Cambridge, MA Harvard University Press [2022] © 2003 1 online resource (478 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022) Beginning in the 1830s, the white actor Thomas D. Rice took to the stage as Jim Crow, and the ragged and charismatic trickster of black folklore entered--and forever transformed--American popular culture. Jump Jim Crow brings together for the first time the plays and songs performed in this guise and reveals how these texts code the complex use and abuse of blackness that has characterized American culture ever since Jim Crow's first appearance. Along with the prompt scripts of nine plays performed by Rice--never before published as their original audiences saw them--W. T. Lhamon Jr. provides a reconstruction of their performance history and a provocative analysis of their contemporary meaning. His reading shows us how these plays built a public blackness, but also how they engaged a disaffected white audience, who found in Jim Crow's sass and wit and madcap dancing an expression of rebellion and resistance against the oppression and confinement suffered by ordinary people of all colors in antebellum America and early Victorian England. Upstaging conventional stories and forms, giving direction and expression to the unruly attitudes of a burgeoning underclass, the plays in this anthology enact a vital force still felt in great fictions, movies, and musics of the Atlantic and in the jumping, speedy styles that join all these forms In English LITERARY CRITICISM / American / African-American bisacsh African Americans in literature African Americans Literary collections American literature 19th century Blackface entertainers History Blacks in literature Minstrel shows History Popular literature United States Race in literature Social classes in literature Social classes Literary collections https://doi.org/10.4159/9780674274815 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Lhamon, W. T. Jump Jim Crow Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture LITERARY CRITICISM / American / African-American bisacsh African Americans in literature African Americans Literary collections American literature 19th century Blackface entertainers History Blacks in literature Minstrel shows History Popular literature United States Race in literature Social classes in literature Social classes Literary collections |
| title | Jump Jim Crow Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture |
| title_auth | Jump Jim Crow Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture |
| title_exact_search | Jump Jim Crow Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture |
| title_exact_search_txtP | Jump Jim Crow Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture |
| title_full | Jump Jim Crow Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture W. T. Lhamon |
| title_fullStr | Jump Jim Crow Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture W. T. Lhamon |
| title_full_unstemmed | Jump Jim Crow Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture W. T. Lhamon |
| title_short | Jump Jim Crow |
| title_sort | jump jim crow lost plays lyrics and street prose of the first atlantic popular culture |
| title_sub | Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture |
| topic | LITERARY CRITICISM / American / African-American bisacsh African Americans in literature African Americans Literary collections American literature 19th century Blackface entertainers History Blacks in literature Minstrel shows History Popular literature United States Race in literature Social classes in literature Social classes Literary collections |
| topic_facet | LITERARY CRITICISM / American / African-American African Americans in literature African Americans Literary collections American literature 19th century Blackface entertainers History Blacks in literature Minstrel shows History Popular literature United States Race in literature Social classes in literature Social classes Literary collections |
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