Handel as Orpheus: Voice and Desire in the Chamber Cantatas
Handel wrote over 100 cantatas, compositions for voice and instruments that describe the joy and pain of love. In Handel as Orpheus, the first comprehensive study of the cantatas, Ellen Harris investigates their place in Handel's life as well as their extraordinary beauty. The cantatas were wri...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, MA
Harvard University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Handel wrote over 100 cantatas, compositions for voice and instruments that describe the joy and pain of love. In Handel as Orpheus, the first comprehensive study of the cantatas, Ellen Harris investigates their place in Handel's life as well as their extraordinary beauty. The cantatas were written between 1706 and 1723--from the time Handel left his home in Germany, through the years he spent in Florence and Rome, and into the early part of his London career. In this period he lived as a guest in aristocratic homes, and composed these chamber works for his patrons and hosts, primarily for private entertainments. In both Italy and England his patrons moved in circles in which same-sex desire was commonplace--a fact that is not without significance, Harris reveals, for the cantatas exhibit a clear homosexual subtext. Addressing questions about style and form, dating, the relation of music to text, rhythmic and tonal devices, and voicing, Handel as Orpheus is an invaluable resource for the study and enjoyment of the cantatas, which have too long been neglected. This innovative study brings greater understanding of Handel, especially his development as a composer, and new insight into the role of sexuality in artistic expression |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022) |
| Beschreibung: | 1 online resource (448 pages) |
| ISBN: | 9780674273450 |
| DOI: | 10.4159/9780674273450 |
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| 520 | |a Handel wrote over 100 cantatas, compositions for voice and instruments that describe the joy and pain of love. In Handel as Orpheus, the first comprehensive study of the cantatas, Ellen Harris investigates their place in Handel's life as well as their extraordinary beauty. The cantatas were written between 1706 and 1723--from the time Handel left his home in Germany, through the years he spent in Florence and Rome, and into the early part of his London career. In this period he lived as a guest in aristocratic homes, and composed these chamber works for his patrons and hosts, primarily for private entertainments. In both Italy and England his patrons moved in circles in which same-sex desire was commonplace--a fact that is not without significance, Harris reveals, for the cantatas exhibit a clear homosexual subtext. Addressing questions about style and form, dating, the relation of music to text, rhythmic and tonal devices, and voicing, Handel as Orpheus is an invaluable resource for the study and enjoyment of the cantatas, which have too long been neglected. This innovative study brings greater understanding of Handel, especially his development as a composer, and new insight into the role of sexuality in artistic expression | ||
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| spelling | Harris, Ellen T. Verfasser aut Handel as Orpheus Voice and Desire in the Chamber Cantatas Ellen T. Harris Cambridge, MA Harvard University Press [2022] © 2004 1 online resource (448 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022) Handel wrote over 100 cantatas, compositions for voice and instruments that describe the joy and pain of love. In Handel as Orpheus, the first comprehensive study of the cantatas, Ellen Harris investigates their place in Handel's life as well as their extraordinary beauty. The cantatas were written between 1706 and 1723--from the time Handel left his home in Germany, through the years he spent in Florence and Rome, and into the early part of his London career. In this period he lived as a guest in aristocratic homes, and composed these chamber works for his patrons and hosts, primarily for private entertainments. In both Italy and England his patrons moved in circles in which same-sex desire was commonplace--a fact that is not without significance, Harris reveals, for the cantatas exhibit a clear homosexual subtext. Addressing questions about style and form, dating, the relation of music to text, rhythmic and tonal devices, and voicing, Handel as Orpheus is an invaluable resource for the study and enjoyment of the cantatas, which have too long been neglected. This innovative study brings greater understanding of Handel, especially his development as a composer, and new insight into the role of sexuality in artistic expression In English MUSIC / Genres & Styles / Classical bisacsh Cantatas History and criticism https://doi.org/10.4159/9780674273450 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Harris, Ellen T. Handel as Orpheus Voice and Desire in the Chamber Cantatas MUSIC / Genres & Styles / Classical bisacsh Cantatas History and criticism |
| title | Handel as Orpheus Voice and Desire in the Chamber Cantatas |
| title_auth | Handel as Orpheus Voice and Desire in the Chamber Cantatas |
| title_exact_search | Handel as Orpheus Voice and Desire in the Chamber Cantatas |
| title_exact_search_txtP | Handel as Orpheus Voice and Desire in the Chamber Cantatas |
| title_full | Handel as Orpheus Voice and Desire in the Chamber Cantatas Ellen T. Harris |
| title_fullStr | Handel as Orpheus Voice and Desire in the Chamber Cantatas Ellen T. Harris |
| title_full_unstemmed | Handel as Orpheus Voice and Desire in the Chamber Cantatas Ellen T. Harris |
| title_short | Handel as Orpheus |
| title_sort | handel as orpheus voice and desire in the chamber cantatas |
| title_sub | Voice and Desire in the Chamber Cantatas |
| topic | MUSIC / Genres & Styles / Classical bisacsh Cantatas History and criticism |
| topic_facet | MUSIC / Genres & Styles / Classical Cantatas History and criticism |
| url | https://doi.org/10.4159/9780674273450 |
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