The Emergence of Cinematic Time: Modernity, Contingency, the Archive
Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the nineteenth century as an unprecedented means of capturing time--and this at a moment when disciplines from physics to philosophy, and historical trends from industrialization to the expansion of capitalism, wer...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, MA
Harvard University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the nineteenth century as an unprecedented means of capturing time--and this at a moment when disciplines from physics to philosophy, and historical trends from industrialization to the expansion of capitalism, were transforming the very idea of time. In a work that itself captures and reconfigures the passing moments of art, history, and philosophy, Mary Ann Doane shows how the cinema, representing the singular instant of chance and ephemerality in the face of the increasing rationalization and standardization of the day, participated in the structuring of time and contingency in capitalist modernity. At this book's heart is the cinema's essential paradox: temporal continuity conveyed through "stopped time," the rapid succession of still frames or frozen images. Doane explores the role of this paradox, and of notions of the temporal indeterminacy and instability of an image, in shaping not just cinematic time but also modern ideas about continuity and discontinuity, archivability, contingency and determinism, and temporal irreversibility. A compelling meditation on the status of cinematic knowledge, her book is also an inquiry into the very heart and soul of modernity |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022) |
| Beschreibung: | 1 online resource (304 pages) |
| ISBN: | 9780674263024 |
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| spelling | Doane, Mary Ann Verfasser aut The Emergence of Cinematic Time Modernity, Contingency, the Archive Mary Ann Doane Cambridge, MA Harvard University Press [2022] © 2002 1 online resource (304 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022) Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the nineteenth century as an unprecedented means of capturing time--and this at a moment when disciplines from physics to philosophy, and historical trends from industrialization to the expansion of capitalism, were transforming the very idea of time. In a work that itself captures and reconfigures the passing moments of art, history, and philosophy, Mary Ann Doane shows how the cinema, representing the singular instant of chance and ephemerality in the face of the increasing rationalization and standardization of the day, participated in the structuring of time and contingency in capitalist modernity. At this book's heart is the cinema's essential paradox: temporal continuity conveyed through "stopped time," the rapid succession of still frames or frozen images. Doane explores the role of this paradox, and of notions of the temporal indeterminacy and instability of an image, in shaping not just cinematic time but also modern ideas about continuity and discontinuity, archivability, contingency and determinism, and temporal irreversibility. A compelling meditation on the status of cinematic knowledge, her book is also an inquiry into the very heart and soul of modernity In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Time in motion pictures https://www.degruyter.com/isbn/9780674263024 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Doane, Mary Ann The Emergence of Cinematic Time Modernity, Contingency, the Archive PERFORMING ARTS / Film & Video / History & Criticism bisacsh Time in motion pictures |
| title | The Emergence of Cinematic Time Modernity, Contingency, the Archive |
| title_auth | The Emergence of Cinematic Time Modernity, Contingency, the Archive |
| title_exact_search | The Emergence of Cinematic Time Modernity, Contingency, the Archive |
| title_exact_search_txtP | The Emergence of Cinematic Time Modernity, Contingency, the Archive |
| title_full | The Emergence of Cinematic Time Modernity, Contingency, the Archive Mary Ann Doane |
| title_fullStr | The Emergence of Cinematic Time Modernity, Contingency, the Archive Mary Ann Doane |
| title_full_unstemmed | The Emergence of Cinematic Time Modernity, Contingency, the Archive Mary Ann Doane |
| title_short | The Emergence of Cinematic Time |
| title_sort | the emergence of cinematic time modernity contingency the archive |
| title_sub | Modernity, Contingency, the Archive |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Time in motion pictures |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Time in motion pictures |
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