The Theater of Plautus: Playing to the Audience
The relationship between actors and spectators has been of perennial interest to playwrights. The Roman playwright Plautus (ca. 200 BCE) was particularly adept at manipulating this relationship. Plautus allowed his actors to acknowledge freely the illusion in which they were taking part, to elicit l...
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Format: | Elektronisch E-Book |
Sprache: | English |
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University of Texas Press
[2022]
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Zusammenfassung: | The relationship between actors and spectators has been of perennial interest to playwrights. The Roman playwright Plautus (ca. 200 BCE) was particularly adept at manipulating this relationship. Plautus allowed his actors to acknowledge freely the illusion in which they were taking part, to elicit laughter through humorous asides and monologues, and simultaneously to flatter and tease the spectators. These metatheatrical techniques are the focus of Timothy J. Moore's innovative study of the comedies of Plautus. The first part of the book examines Plautus' techniques in detail, while the second part explores how he used them in the plays Pseudolus, Amphitruo, Curculio, Truculentus, Casina, and Captivi. Moore shows that Plautus employed these dramatic devices not only to entertain his audience but also to satirize aspects of Roman society, such as shady business practices and extravagant spending on prostitutes, and to challenge his spectators' preconceptions about such issues as marriage and slavery. These findings forge new links between Roman comedy and the social and historical context of its performance |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022) |
Beschreibung: | 1 online resource |
ISBN: | 9780292762695 |
DOI: | 10.7560/752085 |
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spelling | Moore, Timothy J. Verfasser aut The Theater of Plautus Playing to the Audience Timothy J. Moore Austin University of Texas Press [2022] © 1998 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022) The relationship between actors and spectators has been of perennial interest to playwrights. The Roman playwright Plautus (ca. 200 BCE) was particularly adept at manipulating this relationship. Plautus allowed his actors to acknowledge freely the illusion in which they were taking part, to elicit laughter through humorous asides and monologues, and simultaneously to flatter and tease the spectators. These metatheatrical techniques are the focus of Timothy J. Moore's innovative study of the comedies of Plautus. The first part of the book examines Plautus' techniques in detail, while the second part explores how he used them in the plays Pseudolus, Amphitruo, Curculio, Truculentus, Casina, and Captivi. Moore shows that Plautus employed these dramatic devices not only to entertain his audience but also to satirize aspects of Roman society, such as shady business practices and extravagant spending on prostitutes, and to challenge his spectators' preconceptions about such issues as marriage and slavery. These findings forge new links between Roman comedy and the social and historical context of its performance In English LITERARY CRITICISM / Ancient & Classical bisacsh https://doi.org/10.7560/752085 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Moore, Timothy J. The Theater of Plautus Playing to the Audience LITERARY CRITICISM / Ancient & Classical bisacsh |
title | The Theater of Plautus Playing to the Audience |
title_auth | The Theater of Plautus Playing to the Audience |
title_exact_search | The Theater of Plautus Playing to the Audience |
title_exact_search_txtP | The Theater of Plautus Playing to the Audience |
title_full | The Theater of Plautus Playing to the Audience Timothy J. Moore |
title_fullStr | The Theater of Plautus Playing to the Audience Timothy J. Moore |
title_full_unstemmed | The Theater of Plautus Playing to the Audience Timothy J. Moore |
title_short | The Theater of Plautus |
title_sort | the theater of plautus playing to the audience |
title_sub | Playing to the Audience |
topic | LITERARY CRITICISM / Ancient & Classical bisacsh |
topic_facet | LITERARY CRITICISM / Ancient & Classical |
url | https://doi.org/10.7560/752085 |
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